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Long Life Cool White: Photographs and Essays by Moyra Davey (Harvard University Art Museums)1 review
Moyra Davey

Harvard Art Museum, 2008

Melancholy, Nostalgic, and Moody
This was yet another addition to my collection of photo books. I bought the book after I stumbled up on it at a local barnes and noble. What attracted me to it was the introspective writing about photography. She talks about Photography & Accident, quotes Sontag, Walter Benjamin, and Janet Malcolm. A must read for anyone with interest in photography as an art form and not a means of commercial ...
  
  











  



  
Image Stream
Gregg Bordowitz, Aruna d'Souza, ...

Wexner Center for the Arts, 2004

Description: Image Stream brings together eight gallery-based film and video works, each of which explore the limits of this new medium, returning to narrative and changing conventional modes of viewing. Curator Helen Molesworth in this her first exhibition for the Wexner Art Center has selected works by Kutlug Ataman, Matthew Barney, Tacita Dean, Andrea Fraser, Pierre Huyghe, Neil Jordan, Donald Moffett, and Lorna Simpson, each of which is ...
  
  











  



  
Landscape Confection1 review
Helen Molesworth, Rowena Dring, ...

Wexner Center for the Arts, 2005

View the Exhibit in Person!
View this exhibit at the Orange County Museum of Art in Newport Beach, California: Landscape Confection Newport Beach feb 5 - may 7, 2006 The visually enticing Landscape Confection extends the boundaries of landscape painting with whimsical works employing stitched fabric, beads, wax, metal, silk flowers, and other materials. The exhibition presents 50 works by 13 emerging and ...
  
  











  



  
Dada Seminars, The (Casva Seminar Papers)1 review
David Joselit, George Baker, ...

D.A.P./The National Gallery of Art, Washington, 2005

The Dada Seminars is Good
A great overview of a very powerful and inspiring movment in art. An art era long forgotten, yet one of a kind in its ground breaking reaches. The Dada Seminars begins to touch on these sort of fleating happenings the artists that made them happen and the results of their labors. The book picks at every facet of this movement in a very academic scholarly way. A rather great indeapth read ...
  
  











  



  
Kerry James Marshall: One True Thing: Meditations On Black Aesthetics
Jeff Donaldson, Nathaniel McLin, ...

Museum of Contemporary Art, Chicago, 2003

In Kerry James Marshall's Rythm Mastr comic strip, an urban superhero battles the forces of evil using a combination of futuristic and traditional African accoutrements. This graphic narrativization is a stylistic update of Marshall's best-known work, monumental paintings of African-American subjects based on the traditional genre of narrative history painting. In One True Thing, the catalogue accompaniment to Marshall's first solo show in five ...
  
  











  



  
Josiah McElheny: Notes for a Sculpture and a Film
Josiah McElheny

Wexner Center for the Arts, 2006

Conceptual artist Josiah McElheny's work in glass explores the relationship between art, history and narrative. This catalogue chronicles his most ambitious project to date and offers a comprehensive overview of the conception and creation of his sculptural work. Also documents his first-ever film.
  
  











  



  
Joan Mitchell: Leaving America
Helen Molesworth, Joan Mitchell

Steidl/Hauser & Wirth, 2007

Joan Mitchell (1926-1992) was a pre-eminent painter of the Abstract Expressionist generation, and, along with Lee Krasner and Helen Frankenthaler, one of the few female painters of her era to gain critical and public acclaim. She came to attention in the early 1950s but only recently has her work won the recognition it truly merits. Her large-scale gestural paintings register a great acuity of feeling and tremendous vitality. Leaving America ...
  
  











  



  
Part Object Part Sculpture1 review
Helen Anne Molesworth

Pennsylvania State University Press, 2005

Excellent book!
This book was recommended to me by my sculpture instructor and she was right on. The pages are a double fold so there is no bleed-through, vellum overlays for text... beautifully done. Each artist is written about by a different author in college level (at least) language. Content is thoughtful, sometimes surprising and very informative and it deals with objects sometimes not thought of as ...
  
  











  



  
Work Ethic1 review

Pennsylvania State University Press, 2003

a well written survey
I purchased this book after seeing an interesting reference to Work Ethic in a journal article. It is supposedly a catalogue, but it reads like a book (and is certainly large enough to be one) and serves as an excellent reference tool. It is made up of a number of different essays and has profiles on a number of key artists who have addressed the issue of 'work' in art, grouped into three ...
  
  











  



  
Lee Lozano: Kunsthalle Basel.(Biography): An article from: Artforum International
Helen Molesworth

Thomson Gale, 2006

This digital document is an article from Artforum International, published by Thomson Gale on September 1, 2006. The length of the article is 2127 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser. Citation Details Title: Lee Lozano: Kunsthalle Basel.(Biography) ...
  
  











  



  
Long Life Cool White
Moyra (PHT)/ Davey, Moyra/ Molesworth, Helen (INT) Davey

Yale Univ Pr, 2008
  
  











  



  
The Lure of the Object (Clark Studies in the Visual Arts)

Clark Art Institute, 2006

With contributions by Emily Apter, George Baker, Malcolm Baker, John Brewer, Martha Buskirk, Margaret Iversen, Ewa Lajer-Burcharth, Karen Lang, Mark A. Meadow, Helen Molesworth, Marcia Pointon, Christian Scheidemann, Edward J. Sullivan, and Martha Ward            This latest volume in the critically acclaimed Clark Studies in the Visual Arts series examines the force of art history?s attraction to particular objects and the corresponding ...
  
  











  



  
Robert Beck: Dust
Bill Horrigan, Helen Molesworth, ...

Wexner Center for the Arts, 2007

Robert Beck (b. 1959) makes drawings, photographs, sculptures, videos and installations investigating sexuality, masculinity and violence; his work has been collected by the Getty, the Whitney and MoMA, among others. Dust documents the eponymous recent installations in materials including graphite, Polaroids, drywall and shower curtains.
  
  











  



  
Twice Untitled and Other Pictures (looking back)
Louise Lawler

The MIT Press, 2006

For the past two decades Louise Lawler has been taking photographs of art in situ , from small poignant black-and-white images of art in people's homes to large format glossy color pictures of art in museums and in auction houses. In addition she has produced a variety of objects?paperweights, etched drinking glasses, matchbooks, gallery announcements?all of which cleverly describe how art comes to accrue value as it moves through various ...
  
  











  



  
Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel (Wexner Center for the Arts)

Yale University Press, 2008
  
  











  



  
Sadie Benning: Suspended Animation
Sadie Benning, Helen Molesworth, ...

Wexner Center for the Arts, 2007

Sadie Benning is not only among the country's most respected and influential video artists, she also broke cultural ground as a founding member of the multimedia feminist band Le Tigre. Suspended Animation, the first monograph on the artist and the catalogue of her first U.S. museum exhibition, introduces Benning's paintings and Play Pause, an ambitious new two-channel video installation. Benning's videos, which she began to make in the late ...
  
  











  







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