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Mood River
Jeff Kipnis, Sanford Kwinter, ...

Wexner Center for the Arts, 2002

From an i-MAC computer to a Karim Rashid trashcan to a Philippe Starck stool to an Issey Miyake coat to a Frank Gehry building, design shapes our sense of being in today's world. Mood River examines the cornucopia of objects that form the complex visual fabric of our lives, titillate our senses, modulate our moods, and pique our desires. By scanning contemporary art and design, and loosely organizing thousands of sundry objects into four ...
  
  











  



  
Landscape Confection1 review
Helen Molesworth, Rowena Dring, ...

Wexner Center for the Arts, 2005

View the Exhibit in Person!
View this exhibit at the Orange County Museum of Art in Newport Beach, California: Landscape Confection Newport Beach feb 5 - may 7, 2006 The visually enticing Landscape Confection extends the boundaries of landscape painting with whimsical works employing stitched fabric, beads, wax, metal, silk flowers, and other materials. The exhibition presents 50 works by 13 emerging and ...
  
  











  



  
Fourth Sex, The1 review
Jake Chapman, Dinos Chapman, ...

Charta, 2003

totally a good book to buy
odd but awesome book! an expressionistic piece of art. a book filled with a colaboration of photographs that show the feeling of being an adolesent and shows real life in action. a fun book to look at with friends. also in this book is diary entries from different people and old magazine covers. an allover nifty buy. i promise youll love it!
  
  











  



  
Just Love Me
Diana Ebster, Thomas Meinecke, ...

Walther Konig, 2003

Description: Just Love Me--with its title taken directly from a late 90s neon sign by Tracey Emin--reveals how complex and differentiated female identity constructions have become today. Classically assigned roles have broken down. Radical feminist positions of the 70s and 80s no longer make sense. But if much has changed since the late 60s, when feminist artists began to make their most prominent moves, many social and structural problems ...
  
  











  



  
Tracey Emin1 review
Tracey Emin, Carl Freedman

Rizzoli, 2006

An Artist's Artist
If we can assume for the moment that one of the most daunting enemies of art is fear, then Tracey Emin is contributing to the art world in ways that are anything but obvious. If art causes one to think, to wonder, and to move the artist's images in and out of one's own life, just to see how it fits, like furniture seeking its rightful position in the room, then the business of art is really all ...
  
  











  



  
Parkett #63: Collaborations Tracey Emin, William Kentridge, Gregor Schneider
Tracey Emin, William Kentridge, ...

Parkett, 2002

Presenting unique and in-depth collaborations and editions with leading contemporary artists, Parkett has been the foremost international journal on contemporary art for nearly two decades. Issue No. 63 features collaborations with Tracey Emin, William Kentridge, and Gregor Schneider, three artists whose highly personal works affect viewers in an evocative manner, yet through strikingly different means. Emin bares her soul from the inside out, ...
  
  











  



  
Strangeland
Tracey Emin

Sceptre, 2006
  
  











  



  
The Art of Tracey Emin2 reviews

Thames & Hudson, 2002

Refreshingly open-minded responses to Tracey Emin's art
This collection contains 10 essays on Tracey Emin's art, which are complemented by over 50 black-and-white illustrations of her drawings, blankets, installations and video-work. It culminates in a fifteen-page interview with Emin herself. Given that Emin's art often seems to provoke snobbish elitism and prejudices in many contemporary art critics - "it's childishly solipsistic", "too ...
  
  











  



  
Away From Home
Jan Augikos, Mark Cousins, ...

Wexner Center for the Arts, 2003

At least since the biblical Exodus, stories of establishing a home, leaving home either voluntarily or by force, and homecoming have collectively formed one of the great organizing subjects of Western civilization. Away From Home conveys the widespread and continuing import of such themes through provocative and playful projects by mid-career and emerging artists from five continents. Issues of home, travel, exile, nomadism and sense of place ...
  
  











  



  
Ca-ca poo-poo
Tracey Emin, Paul McCarthy, ...

Hatje Cantz Publishers, 2001

We all remember our experiences with finger painting as children- the delight in sanctioned messiness, the swirls of color on our paper, maybe having the result taped to the classroom wall or stuck on the refrigerator at home. With many artists, the childish preoccupation with smearing continues as a sensual play with pigment and its tactile quality. The provocatively titled Ca-ca poo-poo endeavors to trace this phenomenon with works by a ...
  
  











  



  
Benefit Of Art, The
Fritz Emslander, Barbara Vinken, ...

Sammlung Goetz, 2003

Why Have There Been No Great Women Artists? feminist art historian Linda Nochlin famously asked in 1988. It's a rhetorical question that fortunately needn't be asked in the 90s, a decade that produced at least as much great art by women as by artists of any other gender. Primarily devoted to the positions of these young European and American women art makers, The Benefit of Art displays sketches and paintings, photographic works, videos, and ...
  
  











  



  
Art From the UK: Angela Bulloch, Willie Doherty, Tracey Emin, Douglas Gordon, Mona Hatoum, Abigail Lane, ...1 review
Neal Brown, David Bussel, ...

Sammlung Goetz, 2001

a credible book to credit great artwork
I found this book ot be an excellent asset to my collection of modern british art. I thought that the large amount of content was covered thouroghly, but not drawn out to get stale(just like the artwork itself, discussed). This is a very important book because it recaps all of what is happening with the yBa movement in the artworld. This book is for anyone who wants to be on top of the world ...
  
  











  



  
Fast Forward
Sabine Himmelsbach, Stephan Urbaschek, ...

Sammlung Goetz, 2004

At this point in art time, new media work needs no longer be prefixed by "new." With a firm place in institutional and private collections, with an ever-burgeoning range of practitioners, media art can safely be considered a part of the contemporary canon. And hence Fast Forward , a hefty, thorough reference guide, a virtual catalogue raisonn of the medium, from works found in the Goetz Collection. Over 180 film and video works by almost 80 ...
  
  











  



  
Sex and the British : Slap and Tickle : A Perspective on the Sexual Content of British Art Since the 1960's
Norman Rosenthal, Jake Chapman, ...

Galerie Thaddaeus Ropac, 2000

"Works by Francis Bacon, Lucian Freud, Gilbert & George, Jake & Dinos Chapman, Gary Hume, and David Hockney, British artists who have used sex and sexuality as central motifs in their work, in contrast to stereotypes about repressed Brits."
  
  











  







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