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The American Indian Parfleche: A Tradition of Abstract Painting
Gaylord Torrence

Des Moines Art Center, 1994

Detailing the unique symbolism and utilization of the Western North American Indian parfleche, a diverse yet virtually unknown abstract art form, this study conceptualizes the historical and personal expression of nomadic culture.
  
  











  



  
Christian Jankowski: Everything Fell Together
Christian Jankowski

Des Moines Art Center, 2006

This survey of Christian Jankowski's career in film, video, photography and installation is the first to track his progress from 1992 to 2005. Over that time, Jankowski has come to the fore with a circular method of creation in which the very process of making a video, film or installation becomes the content of the work. His interest in studying the relationships and boundaries between fiction and documentary, art and commerce, art and the ...
  
  











  



  
Objects & Economies ((Untitled Projects 1997-2007))
Conrad Bakker

Des Moines Art Center, 2008
  
  











  



  
Tom Sachs: Logjam
Raphaela Platow, Tom Sachs

Des Moines Art Center, 2008

Tom Sachs has a cardboard box in his studio into which he throws miscellaneous screws, nuts and bolts after he has attempted, unsuccessfully, to use them in a project under production. Instead of wasting time categorizing and storing them, he throws them into the box until needed again. The box, labeled "Logjam," exemplifies Sachs's working method and his response to the world: he needs to make things; everything else just gets in the way. ...
  
  











  



  
Enrique Chagoya: Borderlandia
Daniela Perez, Robert Storr, ...

Des Moines Art Center, 2008

Borderlandia explores the world of cultural hybrids and collisions animated in the work of San Francisco artist Enrique Chagoya. Born in Mexico in 1953, Chagoya taps his home country's complex history, international politics, world religions, art history and popular culture in lively paintings, drawings, codices and prints. His varied oeuvre includes social satire and his trademark "reverse anthropology"--the imaginative retelling of various ...
  
  











  



  
Cecily Brown
Linda Norden, Cecily Brown

Des Moines Art Center, 2007

Known for her lush surfaces, vivid color, and energetic brushwork, Cecily Brown inhabits her torrid, atmospheric paintings with life forms that swim amongst swells of color and gesture. Often cast in sensual situations, her figures advance and recede into painterly abstraction. With her various references to art history-- from the seventeenth-century French Classicism of Nicolas Poussin to the Baroque flamboyance of Peter Paul Rubens and the ...
  
  











  



  
Ellen Gallagher: Preserve
Jeff Fleming, Robin Kelley, ...

Des Moines Art Center, 2001

This publication will accompany Ellen Gallagher's exhibition at the Des Moines Art Center, which will feature twenty new drawings and a site-specific sculpture. In all of her work, Gallagher merges traditional abstraction with social commentary; this surprising union results in engaging and poetic works that examine the cultural signs of race. The major sculpture in this exhibition and catalogue will have the appearance of a jungle gym, and will ...
  
  











  







everything

A Short History of Nearly Everything
The Baby Book: Everything You Need to Know About Your Baby from Birth ...
The Greatest Words Ever Spoken: Everything Jesus Said about You, Your ...
The SPEED of Trust: The One Thing That Changes Everything
How to Cook Everything Vegetarian: Simple Meatless Recipes for Great ...



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1997-2007, borderlandia, economies, everything, jankowski


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