'Oh! I think I have seen it at Beechcroft,' said Gillian, very much amused, for she now perceived whence arose Aunt Ada's peculiar turn of the head and droop of the eyelashes, and how the conscious affectation of childhood had become unconsciously crystallised.

She grew more and more anxious as they found some difficulty in making out Ivinghoe Terrace, and found it at last to be a row of rather dilapidated little houses, apparently built of lath and stucco, and of that peculiar meanness only attained by the modern suburb. Aunt Ada evidently did not like it at all, and owned herself almost ready to turn back, being sure that Valetta must have made some mistake. Gillian repeated that she had always said the Whites were very poor, but she began to feel that her impatience had misled her, and that she would have been better off with the aunt who was used to such places, and whose trim browns and crimsons were always appropriate everywhere, rather than this dainty figure in delicate hues that looked only fit for the Esplanade or the kettledrum, and who was becoming seriously uneasy, as Kunz, in his fresh snowiness, was disposed to make researches among vulgar remains of crabs and hakes, and was with difficulty restrained from disputing them with a very ignoble and spiteful yellow cur of low degree.

No. 3, with its blistered wall and rusty rail, was attained, Kunz was brought within the enclosure, and Gillian knocked as sharply and fast as she could, in the fear that her aunt might yet turn about and escape.

The door was opened with a rapidity that gave the impression that they had been watched, but it was by a very untidy-looking small maid, and the parlour into which they were turned had most manifestly been lately used as the family dining-room, and was redolent of a mixture of onion, cabbage, and other indescribable odours.

Nobody was there, except a black and white cat, who showed symptoms of flying at Kunz, but thought better of it, and escaped by the window, which fortunately was open, though the little maid would have shut it, but for Miss Adeline's gasping and peremptory entreaty to the contrary. She sat on the faded sofa, looking as if she just existed by the help of her fan and scent-bottle, and when Gillian directed her attention to the case of clasps and medals and the photograph of the fine-looking officer, she could only sigh out, 'Oh, my dear!'

There was a certain air of taste in the arrangement of the few chimney-piece ornaments, and Gillian was pleased to see the two large photographs of her father and mother which Captain White had so much valued as parting gifts. A few drawings reminded her of the School of Art at Belfast, and there was a vase of wild flowers and ferns prettily arranged, but otherwise everything was wretchedly faded and dreary.

Then came the opening of the door, and into the room rolled, rather than advanced, something of stupendous breadth, which almost took Gillian's breath away, as she durst not look to see the effect on her aunt. If the Queen of the White Ants had been stout before, what was she now? Whatever her appearance had been in the days of comparative prosperity, with a husband to keep her up to the mark, and a desire to rank with the officers' wives, she had let everything go in widowhood, poverty, and neglect; and as she stood panting in her old shiny black alpaca, the only thing Gillian recalled about her like old times was the black lace veil thrown mantilla fashion over her head; but now it was over a widow's cap, and a great deal rustier than of old. Of the lovely foreigner nothing else remained except the dark eyes, and that sort of pasty sallow whiteness that looks at if for generations past cold water and fresh air had been unknown. There was no accent more interesting in her voice than a soupcon of her Irish father as she began, 'I am sorry to have kept the lady so long waiting. Was it about the girl's character that you came?'