Suche classical music:   



  
Helmut Lachenmann 1: String Quartet No. 2 "Reigen Seliger Geister" (1989) / Tanzsuite mit Deutschlandlied ...1 review
Helmut Friedrich Lachenmann, Olaf Henzold, ...

Disques Montaigne, 1994

Lachenmann in popular forms is flat and predictable
The "Tanzsuite" here is too obvious a culmulative gesture for the creative sensibility Lachenmann has revealed. He is basically a timbral composer a consummate colorist and when he makes these marvelous orchestral colors inhabit and be projected in popular forms, the result is flat and predictable. Lachenmann's interest is in fact that his music is not predictable it is elliptical and ...
  
  











  



  
Lachenmann: Nun/Notturno2 reviews
Helmut Lachenmann, Hans Zender, ...

Kairos, 2003

Another Lachenmann success for Kairos
Helmut Lachenmann, though little known till recently on this side of the Atlantic, has been a major figure on the European new music circuit for many years now. He's followed a very individual path through the warrens of contemporary music, forging a distinct postmodernist style. In the sixties, he began as a doctrinaire serialist (in works like his String Trio) before, under the influence of ...
  
  











  



  
Helmut Lachenmann: Salut für Caudwell; Les Consolations; Concertini
Helmut Lachenmann, Johannes Kalitzke, ...

Kairos, 2009

Les Consolations is a premiere recording, played in concert quite regularly. Includes booklet with text by Helmut Lachenmann.
  
  











  



  
For Children
Sofia Gubaidulina, Gyorgy Kurtag, ...

MD&G Records, 2009
  
  











  



  
Helmut Lachenmann: Grido; Reigen seliger Geister; Gran Torso
Helmut Lachenmann

Kairos, 2007
  
  











  



  
Allegro Sostenuto/Serynade1 review
Shizuyo Oka, Helmut Lachenmann, ...

Kairos, 2002

Two major Lachenmann works in excellent performances
This disc contains two large-scale works by the avant-garde German composer Helmut Lachenmann. Both Allegro sostenuto, for clarinet, cello and piano, and Serynade, for piano alone, are weighty works lasting about half an hour. Lachenmann's music has moved on from the time when it was largely dominated by extended playing techniques to the near-exclusion of conventional playing styles. In these, ...
  
  











  



  
Musik in Deutschland 1950-2000
Gunter Kochan, Helmut Lachenmann, ...

RCA Victor Europe, 2000
  
  











  



  
Lachenmann: Das Mädchen mit den Schwefelhölzern4 reviews
Helmut Lachenmann, Sylvain Cambreling, ...

ECM New Series, 2004

The last great opera of the 20th Century?
Or the first great opera of the 21st? Helmut Lachenmann's opera--here substantially revised from the original recording--is nothing short of breathtaking. I first encountered Lachenmann through the Arditti Quartet recording of his 2nd String Quartet; fascinated by the "noise," I picked up Schwankungen am Rand the instant I saw it and wasn't disappointed. I only hesitated briefly at the ...
  
  











  



  
Helmut Lachenmann: Ausklang; Tableau
Helmut Lachenmann, Hans Zender, ...

Col Legno, 2006
  
  











  



  
Schwankungen Am Rand5 reviews
Helmut Lachenmann

Ecm Import, 2002

An outstanding disc of music by a major contemporary figure
Helmut Lachenmann has been a major figure in the German new music scene for over three decades now, but it is only recently that he has become well-known outside German-speaking countries. (His influence within the German-speaking music world has been important and long-lasting, with major figures such as Wolfgang Rihm and Beat Furrer writing music that would have been inconceivable without ...
  
  











  



  
Solos and Duos for Guitar1 review
Helmut Lachenmann, Steve Reich, ...

Old King Cole Productions, 2004

wonderful works in guitar genre,
The Murail "Tellur" is a fantastic work, in fact when you hear the opening it doesn't sound like a guitar, more like electronic music,it begins in the high register,harmonics used, that slowly then decends, the impetus of the work is the flamenco style of playing mixed with these extended techniques, The French avant-garde, French composers are not prolific, they hone single works for months ...
  
  











  



  
Helmut Lachenmann: Allegro Sostenuto; Pression; Dal niente; Intérieur
Eduard Brunner, Walter Grimmer, ...

Col Legno, 1994
  
  











  



  
Helmut Lachenmann: Reigen seliger Geister; Tanzsuite mit Deutschlandlied1 review
Helmut Lachenmann, Arditti, ...

Disques Montaigne, 2000

Outstanding music in outstanding performances
Helmut Lachenmann's musical style--based around creating musical beauty from unconventional sounds--has gained many admirers of late. With performances like these, from the Arditti Quartet, it is easy to see why. This disc showcases two sides of Lachenmann's work--the introverted (in 1989's second string quartet, 'Reigen seliger geister') and the extroverted (in 1980's satirical 'Tanzsuite mit ...
  
  











  



  
Helmut Lachenmann: Mouvement, Consolation I, Consolation II2 reviews
Helmut Lachenmann, Hans Zender, ...

Kairos, 2002

Lachenmann en estado puro.
Las obras contenidas en este magnífico CD de Lachenmann nos permiten tener un retrato detallado del compositor en cuanto a su concepción del sonido y a su relación íntima con la música, su significado y su creación. Musik mit Leonardo retoma la herencia de Luigi Nono, fundiéndola con el aristado estilo particular de Lachenmann, que en esta versión realiza la narración (algo habitual), para ...
  
  











  



  
Susanne Kessel: Piano Portrait
Henry Cowell, Ulvi Cemal Erkin, ...

Arte Nova, 1999

The Young German Pianist and Prize-winner Susanne Kessel Has -apart from Classical Music- Been Concentrating Mainly on Contemporary Music.this CD Offers a Fascinating Insight Into this Field.
  
  











  



  
Boulez/Lachenmann/Riehm3 reviews
Pierre Boulez, Helmut Lachenmann, ...

Cpo Records, 1998

great performances of three original voices
This is an early work of Lachenmann written between 1981 and 1983 and features a long neglected instrument of the tuba. Lachenmann has found a voice in a rich pallette of noise sounds, scraps, extended techniques with generous amounts of percussion moments on small handheld instruments.He knows how to give mystery to his large timbral canvas. This is not a concerto, so the tuba moments are ...
  
  











  



  
Helmut Lachenmann: Ausklang; Tableau
Helmut Lachenmann, Hans Zender, ...

Col Legno, 1994
  
  











  







search for classical music
consolation, consolations, deutschland, deutschlandlied, schwankungen


Impressum / about us


Suche classical music: