Lantana opens with camera panning down through a tangle of shrubs to reveal the dead body of a woman, stockings ripped and one shoe missing. Immediately drawn to this image we are led to wonder who the dead woman is and to wonder how she died and who killed her but rather than this being merely a thriller it is also a highly intelligent and very rewarding examination of troubled marriage. The title ?Lantana? perhaps doesn?t translate well to most countries outside of Australia. It is never explained during the movie, which is a bit of a shame, because Lantana (the name of the tropical shrub which surrounds the deceased) is used as a metaphor for the web of tangled relationships portrayed throughout this film.
At the centre of the plot is Leon Zat (Anthony LaPaglia), a burnt-out forty something Sydney police detective. Over-weight and troubled by chest pains, he is conducting an affair with a woman by the name of Jane O?May (Rachael Blake), who is separated from her husband. Meanwhile, unbeknown to Leon, his unhappy wife, Sonja (Kerry Armstrong) is seeing a therapist, Valerie (Barbara Hershey) about their troubled marriage. However, Valerie?s own marriage is also in crisis: Following the death of her 11-year-old daughter her husband (Geoffrey Rush) no longer engages in sexual relations and appears to deliberately avoid spending time with her, whilst often ?working late at the office?. Leading Valerie to suspect her husband of a homosexual affair with one of her clients, Michael, who appears to be baiting her.
A third couple are also central to the plot and become embroiled in the tangled web; unemployed Nik (Vince Colosimo) and his wife (Keira Wingate) live with their kids next door to Leon?s mistress, Jane. Nik is friendly with Jane?s estranged husband, Pete (Glen Robbins) but overlooks Jane?s ?affair?, on the advice of his wife, when he spots Leon leaving his mates house. Meanwhile two other relationships between gay Michael and his married lover and Leon?s police partner and a mystery stranger also play out in this beautifully judged, thoughtful and well-written movie, adapted by Andrew Bovell from his original stage play, Speaking in Tongues.
Not only is ?Lantana? well-written and well-directed but it has depth. At its core are the central themes of trust, grief, fidelity, betrayal and redemption. Anthony LaPaglia (The Client, So I Married An Axe Murderer), Geoffrey Rush, Barbara Hershey and Kerry Armstrong all give great performances, subtly conveying a broad range of emotions throughout the course of the movie. In particular, LaPaglia, an Australian perhaps best known for his TV appearances (Murder One, Frasier, Without A Trace) and whom I previously assumed was Italian-American, is superb as Leon and it is his uncompromising performance that is at the core of this excellent film.
Ray Lawrence, an Aussie TV commercials director must take enormous credit too for the pace and balance of the movie, as well as the performances, which are all pitch-perfect. Lantana is at once a psychological thriller/drama, an essay in love, and an intelligent examination of human relationships, marriage and fidelity. After making this little gem of a movie, let?s just hope that Ray Lawrence doesn?t wait another 17 years before making his next one.
Totally compelling, Lantana kept me hooked throughout every moment of its two-hour minute running time. If you're open minded and looking for something intelligent, this absorbing and superbly acted Australian drama that shouldn?t be missed.
Der Film besticht durch seine Unaufdringlichkeit, einer genialen Zurückhaltung bombastischer Elemente und beschreibt in seiner ersten Hälfte die Beziehungen von 4 Paaren: 8 Menschen, die irgendwo miteinander verbunden sind, zum Teil völlig unwissend über diesen Umstand, wobei sich dies im Verlaufe eines späteren Kriminalfalles ändern wird. Selten hab ich ein dermassen interessantes Beziehungsgeflecht zu sehen bekommen und die in jeder Hinsicht détailgetreue Entwirrung dieser Vernetzungen berührt und fasziniert gleichermassen. "Ein Film für Erwachsene". Absolut empfehlenswert für eine besinnliche und spannende Erfahrung, obwohl - oder gerade WEIL - die "kriminellen Elemente" bloss als Motor dazu dienen, Licht in die Gefühls- und Beziehungswelt aller Agierenden zu bringen. Eine solche Dosierung der genannten Mittel hab ich selten zu Gesicht bekommen.
"WOW" sag ich nur...!
In der Hauptrolle spielt Anthony Lapaglia einen Polizisten, dessen Ehe auf der Kippe steht. Eine berühmte Therapeutin (Barbara Hershey) ist spurlos verschwunden, und nachdem unser Held die Ermittlungen aufnimmt, wird er den Verdacht nicht los, dass deren Ehe mit einem Akademiker (Geoffrey Rush) auf ganz ähnliche Weise belastet war. Er verfolgt den Fall, als könne er durch dessen Aufklärung seine eigene Ehe retten.
Jede Figur in Lantana ist voll entwickelt, gelegentlich mit erstaunlicher Präzision. Die Zufälle, die die Handlung vorantreiben, erscheinen so fehlerlos organisch wie die des wirklichen Lebens. --Bret Fetzer