The Emigrant Trail By Geraldine Bonner (58/195)


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"Now lie there till you get your supper," said the mother, having by gradual pressure pried them out of the way. "And you," to Susan, "better bring your things over and camp here and use our fire. We've nearly finished with it."

In the desolation of the morning Susan had wished for a member of her own sex, not to confide in but to feel that there was some one near, who, if she did know, could understand. Now here were two. Their fresh, simple faces on which an artless interest was so naively displayed, their pleasant voices, not cultured as hers was but women's voices for all that, gave her spirits a lift. Her depression quite dropped away, the awful lonely feeling, all the more whelming because nobody could understand it, departed from her. She ran back to the camp singing and for the first time that day looked at David, whose presence she had shunned, with her old, brilliant smile.

An hour later and the big camp rested, relaxed in the fading twilight that lay a yellow thread of separation between the day's high colors and the dewless darkness of the night. It was like a scene from the migrations of the ancient peoples when man wandered with a woman, a tent, and a herd. The barrier of the wagons, with its girdle of fire sparks, incased a grassy oval green as a lawn. Here they sat in little groups, collecting in tent openings as they were wont to collect on summer nights at front gates and piazza steps. The crooning of women putting babies to sleep fell in with the babblings of the river. The men smoked in silence. Nature had taught them something of her large reticence in their day-long companionship. Some few lounged across the grass to have speech of the pilot, a grizzled mountain man, who had been one of the Sublette's trappers, and had wise words to say of the day's travel and the promise of the weather. But most of them lay on the grass by the tents where they could see the stars through their pipe smoke and hear the talk of their wives and the breathing of the children curled in the blankets.

A youth brought an accordion from his stores and, sitting cross-legged on the ground, began to play. He played "Annie Laurie," and a woman's voice, her head a black outline against the west, sang the words. Then there was a clamor of applause, sounding thin and futile in the evening's suave quietness, and the player began a Scotch reel in the production of which the accordion uttered asthmatic gasps as though unable to keep up with its own proud pace. The tune was sufficiently good to inspire a couple of dancers. The young girl called Lucy rose with a partner - her brother-in-law some one told Susan - and facing one another, hand on hip, heads high, they began to foot it lightly over the blackening grass.

Seen thus Lucy was handsome, a tall, long-limbed sapling of a girl, with a flaming crest of copper-colored hair and movements as lithe and supple as a cat's. She danced buoyantly, without losing breath, advancing and retreating with mincing steps, her face grave as though the performance had its own dignity and was not to be taken lightly. Her partner, a tanned and long-haired man, took his part in a livelier spirit, laughing at her, bending his body grotesquely and growing red with his caperings. Meanwhile from the tent door the wife looked on and Susan heard her say to the doctor with whom she had been conferring:



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