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Metamorphosis and Other Stories: (Penguin Classics Deluxe Edition)
Franz Kafka

Penguin Classics, 2008 - 320 pages

average customer review:based on 24 reviews
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   highly recommended  highly recommended






Portrait of Despair

Kafka is one of the greatest writers of the 20th century. He masterfulyl portrays the absolute meaninglessness of life in an existence devoid of any spiritual meaning. He accomplishes this in a way that completely captivates the reader, and impresses them with the sheer futility of it all. You may not have fun reading Kafka, but you will be stretched, and it will make you think. The Trial is also another brilliant example of Kafka's literary skill


More than just "The Metamorphosis"

As someone who had only read "The Metamorphosis," I found this collection of Kafka's works to be very refreshing. Since I had not enjoyed reading "The Metamorphosis" in high school I was skeptical about reading other works by Kafka. I was pleasantly surprised when I read "In the Penal Colony", "A Country Doctor", and "A Report to an Academy." These works were assigned as part of a college class I had, and I found that they were not only very personally thought provoking, but they inspired a lot of insightful in-class discussion. I would recommend this collection to anyone who has not yet read any of Kafka's works, or who have only read The Metamorphosis.


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Fascinated in fear and anxiety

Three of these stories , " The Metamorphosis ' ' The Penal Colony' ' The Country Doctor' are among the most Kafkaesque of Kafka's stories. They awaken in the reader a vague anxiety, a confusion, a sense of disturbance it is difficult to adequately describe. They give us a sense of life as something more menacing and threatening than we had imagined. And yet they do this with such a precise and even beautiful description of inner and outer reality so as to fascinate us completely. They hold us as their narratives procede in their own incredible ways to an ending which too is forever vague and unclear.
Kafka makes the human soul a startling juxtaposition of anxiety and beauty- in a destiny lost and unclear.


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Irreconcilable discrepancies

As the content of the book seems not published: this collection contains the stories "A Message from the Emperor," "The Metamorphosis," "The Judgment," "The Stoker: a Fragment," "In the Penal Colony," "A Country Doctor," "An Old Leaf," "A Hunger Artist," "Josephine the Singer, or the Mouse People," in this sequence.

I found the book opening with "A Message from the Emperor" very befitting, as it seemed to me that this story, in fact just a single page, nicely condensed the tone of the entire collection. In my opinion the stories explore the common theme of irreconcilable discrepancies (among human beings). "A Message from the Emperor" in particular depicts a person, a "contemptible subject" of the Emperor, waiting for a message from the Emperor that will never arrive. He knows for certain that the message won't arrive; yet he still waits.

In the well-known Metamorphosis, the discrepancies take on a physical form -- the protagonist, Gregor Samsa, finds himself turned into a bug one morning. While Samsa attempts his best to convey what he thinks to his family, the members of family, understandably, are incapable of even conceiving that this bug, Samsa, may have any intellect. Communication between these two parties is broken beyond repair; the present discrepancies are irreconcilable.

Likewise in "In the Penal Colony," and in "A Hunger Artist." In the former a foreigner is made to judge whether it is right to ban a particular execution machine of the past. The last remaining advocate of the machine, an army officer, tries his best to highlight the merits of it. He goes through great pain explaining how each and every piece of the machine works with great affection. No, the foreigner wont be deterred. The foreigner is as foreign as one could be from the idea of cruel execution. The hunger artist's vocation is to fast. He fasts in public and receives compensation from the spectators. He takes great pride in what he does; he only stops fasting because the convention prohibits him from going on. But his is a dying occupation. People gradually lose interest. How is it possible to convey to those ignorant people what noble a deed it is to fast?

Remember the time you felt deep despair for not being able to get through to someone you care for (when no matter what you say just won't mean the same thing to you as to the other person)? Albeit in varying contexts, it is this devastation that Kafka so masterfully depicts in these stories.


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