Great writing, unsatisfactory format

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	• On Chesil Beach: A Novel Ian McEwan Nan A. Talese, 2007 - 208 pages average customer review:based on 195 reviews view larger image
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highly recommended

Good short read

Enjoyable short (200 pp) read. Well written. A good plane ride.
Not, of course, a classic. sad ending.

Great writing, unsatisfactory format

Author Ian McEwan has the skill of a masterful miniaturist. With exquisite delicacy, his unblinking eye and steady hand can reveal a universe illustrated by an instant in time (a single day in "Saturday", a few hours in "On Chesil Beach"). This story is, on the face of it, a simple one of wedding night panic, but behind it lurk numerous knots of emotion and experience which McEwan slowly unravels. Here is writing at its finest.
Having said that, I was disappointed with the conclusion of "On Chesil Beach". Perhaps it can be put down to a basic dissatisfaction with the novella form, but I found it all a bit too abrupt at the end. The narrative proceeds at an almost elegaic pace through a huge build-up to a crisis, and suddenly it's all over. With almost indecent haste, the last few pages "fast forward" to provide a tidy ending.
But this is a minor quibble about a couple of hours of sheer reading pleasure.

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Excellent storytellling

Anyone who has read a novel by Ian McEwan will not be surprised to discover that the language the author adopted to craft On Chesil Beach is flawless. Even as the prose urges the story forward, the reader is compelled to linger over the beautiful passages, the taut, lovely sentences and the crisp dialogue that mark McEwan as one of the master writers of our time. And, while each novel develops its own unique and curious plot, (consider the shocking end of Amsterdam or the bittersweet lesson at the heart of Atonement), each also shares a universal theme. McEwan's stories are all driven by the human desire to ponder the imponderable: "If only."

On Chesil Beach is no exception. The two main characters, Edward and Florence, are celebrating the evening of their marriage. The story begins on the night of their honeymoon, two virgins, each insecure in the knowledge of what will soon happen. Much of the novel lingers over their thoughts and anxieties, their memories and anticipation. By alternating their two perspectives, McEwan deftly captures the way our spoken words do not always accurately represent what it is we are struggling to communicate. While much of the book concerns this dance between meaning and misunderstanding, there is also action-action that has serious consequences. We glimpse the couples' past, present, and future, perfectly balanced on one moment of consummation.

Perhaps the most compelling aspect of McEwan's writing is his ability to capture the nature of time. Like Proust, McEwan can examine a single moment, filling as many pages as a description of events that have passed over a period of twenty years. It is brilliant prose that conveys a poignant, heart-wrenching love story.

Armchair Interviews says: Read McEwan for both his wonderful stories and superb storytelling.

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