John Astin portrayed Gomez Addams, the father and head of the household. John Astin had already appeared in films in the fifties, including Westside Story, and in the show, provided much of the wit and humor. Gomez was a wealthy lawyer, although dressed in a gangster suite, smoked cigars frequently and indulged in all kinds of oddball activities: he wrecked his electric toy trains, he practiced Zen Yoga standing on his head, he swung on a chandelier, he fenced with Morticia and also danced the tango. He would always become aroused when Morticia spoke a single word of French (and ocassionally a Yiddish word).
Morticia Addams was played by 50's film actress Carolyn Jones, who was ending her marriage to Aaron Spelling during the syndication of the show. Morticia was mysterious, beautiful, vibrant and intellectual. She painted abstract art, dressed in that tight-fitting long, ... black dress, and was quite proud (her nuances included crossing her arms in an Indian-style fashion and speaking with firm authority). She raised two children, Pugsley and Wednesday (Ken Weatherwax and Lisa Loring), who were taught to be secure in their strangeness- Pugsley playe with various dangerous wildlife and Wednesday had the comic lines "It's so nice and gloomy" and was attached to a headless Marie Antoinette doll.
Lurch, the zombie-like, seven feet something butler, was portrayed by Ted Cassidy. He was striking, Frankenstein-like and had a deep, "throat" voice (You rang ?) and would always intimidate house guests. Although seemingly devoid of personality, Lurch had his moments- i.e. the episode in which he becomes the head of the household to impress his visiting mother, and the episode in which he becomes a recording artist and sings like a Beatles rock star. Uncle Fester was played by Jackie Coogan. Fester was a lonely, lovestruck balding man with a taste for pain (he would sleep in a bed of needles) and could light up a light bulb in his mouth. Others in the family were Thing, a severed hand that was alwayst "at hand" for small favors- answering the phone, getting the mail, opening up a bottle of champagne, etc. And then there was Cousin Itt, a hairy, shapeless creature with an incomprehensible language and funny high voice.
The Addams was a fun show to watch, keeping a generation of audiences full of laughter, perhaps making people forget the troubles that the 60's brought. It would still be fun to watch today- recently, a "New Addams" family show was given for a small run on cable tv and of course, the old series inspired the movies starring Raul Julia, Angelica Houston and Christina Ricci.
In an age where reference books are published in such huge numbers, it is wonderful to see a publication that genuinely earns its place on a fan's bookshelf. This is not a feeble attempt to justify a reprint, nor is it a half-hearted revision. Instead, it manages to remain true to the original, whilst also appearing fresh and new. The photographs alone will be enough to stun most fans ("The Addams Family" filmed on a closed set, and photographs have always been limited, with colour shots nearly non-existent). From the previously unpublished colour shots adorning the cover, to the jaw-dropping colour insert, the clarity and beauty of these photographs represents an unprecedented collection, and exceeded all of my expectations. The black and white shots disappoint no less, offering an incredible array of previously unpublished shots, including an ultra-rare picture of creator Charles Addams visiting the set, along with numerous other treasures.
Aided by Cox's easy-going, informative prose (a couple of niggling typos aside), this book is a joy from cover-to-cover, and triumphantly re-asserts "The Addams Chronicles" reputation as the primary text concerning the show.