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The Pilgrim's Progress
John Bunyan

Dutton Adult, 1957

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   highly recommended  highly recommended






The Christian Walk

In this classic work, John Bunyan paints a detailed picture of the Christian life/walk, giving true-to-life insights and experiences. The despair, sorrows, trials and temptations that a believer may face are depicted in an allegorical manner, as well as the hope, joy, and salvation found in Jesus Christ. The main character Christian (once named Graceless) sets out on a lifelong journey from the City of Destruction, where his family disowned him, and encounters many persons and difficulties along the way to the Celestial City (heaven). The characters he meets are given names that reflect their mindset or what temptation they bring. At times he stumbles and at times he perseveres, but all by the grace of God. The second portion of the book tells of the conversion and subsequent sojourn of the wife (Christiana) and children of Christian. The discussions of Christian in the first part and Christiana and her companions in the second part are very interesting, as they defend their faith and explain their purpose to those they meet along the way. The book is quite different from your ordinary novel, and has many interesting words of wisdom for the Christian life. Readers should be aware that some of the language is antiquated and has unfamiliar usages, so its a little bit of an adjustment to read.


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Classic

Pilgrim's Progress is without a doubt one of the true classics of time--an allegory that has remained a best seller years after its introduction.

My first introduction to Pilgrim's Progress was as a child in parochial school. I had to do a book report on it in 5th grade and ended up reading numerous times for various projects throughout grade school.

The reader follows the main character--aptly named "Christian"--on his journey to the Celestial City.

Along the way, Christian passes through the many trials of life, symbolized by intruiging characters and places along the way. An early temptation is the "City of Destruction", which Christian narrowly escapes with his life. The various characters are perhaps the most fascinating portion of the book--Pliable, Giant Despair, Talkative, Faithful, Evangelist, and numerous others provide the reader with a continual picture of the various forces at work to distract (or perhaps, encourage)Christian on his ultimate mission.

Of course, the theology (for those of the Christian faith) of Pilgrim's Progress is a constant source of debate, the book is nonetheless a classic of great English writing.

It's not a quick read--that's for sure--however, I certainly would recommend that one read it in its original form. Don't distort the beauty of the old English language with a modern translation.


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Well worth the effort

"The Pilgrim's Progress" is a classic Christian text written by John Bunyan. Written in an allegorical format, the two-part story focuses first on "Christian", then on his wife "Christiana" and sons. Convicted of their own sinfulness, the characters set out on the journey to salvation at the Heavenly Gate. Characters such as "Honesty", "Great-Heart", and "Faithful" aid the pilgrims on their journey, whereas they face trials from the Slough of Despond, Vanity Fair, and the Valley of the Shadow of Death.

Getting through the book takes some work, less because of the story and more because of the depth of the allegory. Also, the dialogues between characters regarding salvation and righteousness often require a careful read. However, the story is exceptionally creative and thought-provoking, and the lessons that can be gleaned from it are timeless and worth the effort that needs to be expended. I recommend reading this one at least twice.


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Captivating

This book is a true classic. John Bunyan spins a wonderful tale of the spiritual walk to heaven. The language may be a bit hard and it won't be that easy of a read, but it is definately worth the while!

It is spiritually edifying and also quite captivating.

A must read!!!


Wonderful theology, incomplete allegory

The Pilgrim's Progress is perhaps one of the most enduring allegories ever written; it has set the form for several more recent works (Hannah Hurnard's "Hind's Feet on High Places," most notably). Bunyan's work was, for 18th century Christians, a companion to the Bible. The theology is a perfect example of Reformation thought, and were it not for a major flaw in the allegory, this work would be just about perfect.
Setting out from the City of Destruction, Christian makes his journey throughout many perils and temptations, eventually finding his way (through death) to the Celestial City, to live with Christ and the saints. Along the way he learns much about evading temptation, and much practical advise on escaping sin is given to the reader through his discussions with travelling companions Faithful and Hopeful.
However, by no means is Christian's journey representative of the Christian life as it is meant to be lived. Two stunning flaws stand out - first, that Christian in no way has any direct contact with Christ, until after his death; secondly, that Christian's life is devoid of relationships, outside of his two travelling companions.
These two realities of the novel are startling, especially given that the Christian life is, first and foremost, relational-primarily, the Christian lives in relation to God, and then in relation to his neighbor. The Christian is not an island; he is to evade the world, but love those in it. Bunyan entirely misses this key point.
Not only is the life Bunyan paints theologically incorrect, but it is entirely undesireable. It would be unimaginable for the Christian to live an entire life without, along the way, enjoying intimacy with Christ. Indeed, it is these moments of intimacy in spite of imperfection, which drive the Christian's soul onward. And it hardly needs mentioning that a Christian who, rather than reaching out and loving those around him, dismisses them as sinners and leaves them behind, is more reminiscent of Pharasitical hypocrisy, than Christian love.
If one is looking for a challenging allegory, they need look no further than Hannah Hurnard's "Hinds Feet on High Places;" its protagonist, Much Afraid, is throughout her journey often in direct contact with Christ, and her redemption comes not through death, but through Christ making her able to go out into the world and love. Though "Hind's Feet" is not as theologically rich as Bunyan's allegory, its practical application is far more uplifting, hopeful, and correct.


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