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Audition: Everything an Actor Needs to Know to Get the Part
Michael Shurtleff

Walker & Company, 1978 - 187 pages

average customer review:based on 49 reviews
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   highly recommended  highly recommended






An absolute MUST for any serious actor!

Even several decades after being released, this book is still arguably THE definitive and classic work on auditioning. It contains some of the sanest, best advice I have received on auditioning. It isn't your usual generic audition advice either - it is a very specific approach to a text that enables you to audition with it to the best of your ability. The approach is geared towards auditions (obviously), and so can be applied very quickly to scenes in the few minutes that you have to look over scenes for callbacks and cold reads.

Many of the techniques are effective for acting too. I find it a useful way to apply many of Stanislavski's ideas.

An absolute MUST for any serious actor.


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Wow! I'm so glad I have it.

I don't like to read normally. I am passionnate about acting and I decided to expend my knowledge with this book suggested by this overall review. I love it!!! It was hard for me to put the book down when I had to. This book will make you a better actor and will definitely help you to be prepared for your auditions









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GoodTiming...

I recieved this book in a timily matter, which is important since the book is being used for an auditions class. The book was in excellant condition, and I thank you for the book.






THE BEST!!

Never mind the audition process, this is simply the best book on acting and scene interpretation I've ever read! The author's q and a analyses of difficult scenes from modern plays to illustrate his 12 Guideposts are invaluable and open up so many rich possibilities for any actor in any play, I lost track of the number of "AHA" moments. This is a keeper!


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A must-read for every actor, director, or casting director

Just as valuable as Stanislavski's "An Actor Prepares."


reviews: 1, 2, page 3, 4, 5, 6, 7, 8, 9, 10



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