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Who's Afraid of Virginia Woolf?
Edward Albee

NAL Trade, 2006 - 272 pages

average customer review:based on 39 reviews
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   highly recommended  highly recommended






Who's Afraid of Virginia Wolf

This play takes place in the living room of George and Martha a(middle-aged couple)in a house on the campus of a small New England college. The play begins with George and Martha coming home from a falculty party drunk. They invite Nick and Honey over and the marriages begin to fall apart with all the arguing and confusion. Edward Albee gives a clear cut, honest picture of reality of marriage and the fears that go hand in hand with love and intimacy.Albee transforms social problems for which no solution is offered into sexual and family strife,problems for which he has a readily available solution.Albee takes questions of power,work, failure and success and privates them giving them status and value exclusively as family issues.Albee's style is beyond clever-often disturbingly immoral.The play is full of human emotions-distress,humiiiation, love and hate.The play emphasizes the men's social function at the play's end.The women's social function is to engage in reproduction and/or non- productive work.Both Honey and Martha had distorted these terms,by engaging in non-productive reproduction-that is not having children or by having a false child. The women are supposed to help husbands be successes and to remain tempting and non threatening subordinate partners in marriage.albee's women conform the stereotypical notions of women's place:that women take care of home and children while the men take care of the rest of the world. the women are seen as a sexobject, wife, cook, volunteer, semi-professional,hostess.The women are verbally abusive to the men precisely because the men do not suceed in the same stereo typical terms as do e women.The women fail to conform the sex role stereotypes only in their refusal to besilent about the already on-going failures of their men. However at the end of Who's Afraid of Virginia Wolf the humiliated,weak, unsuccesful man is shown to be stronger than the brutal, emasculating woman.The family problems are solved, not by investigating their ultimate source,which lies outside the home,but by regulating family relations in a highly normaive manner. George gains control over Martha by ridding the central family of all intruders and rivals to his power.In the end of the play the male child is killed because he is too tempting to his mother and imaginatively tempting in Virginia Woolf and sexually tempting in the American Dream.In conclusion George replaces the Daddy above him, subordinates the wife-child,and succesfully fights a reguard action against his own replacement by the son. This reversal is constructed by Albee's taking questions of power,work,failure or successand privatizing them, making social issues appear exclusively as family issuesand solving them as if they were family issues. Because of this the woman functions as a scapegoat. I thought that this play was great. This play captures the reader's attention and keeps it occupied guessing what will happen next until the end of the play.I would advise every one with a good sense of humor to read this play if it is possible.


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Who's Afraid of George and Martha?

Brilliant.Simply smashing so. This well written play takes place in three acts.A drama really,but with riotous hints of wry black comedy(Honey[hapily]:Oh!Violence!Violence!)bubbling behind every spoken word. A bickering twosome(George and Martha)invite guests over to their house,at the conclusion of a faculty party hosted by Martha's father(the college president).The guests are Nick and Honey,an equally mis-matched pair,married for all the wrong reasons,but who retreat to the confort of denial whenever things get too real. As dawn approaches,they all become drunker and drunker,and angrier and angerier.Every discourse punctuated by an explosive shout.Think along the lines of Lester and Carolyn from "American Beauty",if they got stuck in the same room as their schizo neighbors: George disgustedly attacks Nick,who works in the biology dept.("gonna screw with our chromoZONES,and make us all look the same"),in between Martha's blatant attempts at seducing him.All the while,Honey stands back,blurting out random nonsense.All in all,it's an emotionally exhausting experience. Fun at first,but quickly snowballing downward with the speed of an avalanche into the private hell kept hidden under George and Martha's cheery,well behaved exteriors-their guests becoming unwitting pawns in a ruthless war. Recommended.


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Insights into Albee's play and the Theater of the Absurd

This review is of the Cliff Notes by Cynthia McGowan and James Roberts of Edward Albee's modern American classic play, "Who's Afraid of Virginia Woolf?" Beginning with a brief look at the life and background of Albee, McGowan and Roberts provide an excellent 12 page section on "Edward Albee and the Theater of the Absurd," developing the similarities and differences between his plays and those of Samuel Beckett, Eugene Ionesco, Jean Genet and Arthur Adamov. This section would be very useful to anyone teaching or studying these playwrights and the Absurdist tradition. After covering the setting, the significance of the title and the four characters, we have the main portion of this book, the Critical Analysis of the play itself. Unlike most Cliff Notes volumes, McGowan and Roberts do not separate their analysis into summary and commentary sections, choosing to combine the two elements instead. After covering the significance of the titles of the play's three acts, they conclude with an analysis of the four characters. Again, this is a departure from the standard practice of these Cliffs Notes volumes, which usually end with analysis of specific literary themes. So while the introductory essay is excellent and the analysis is more than adequate, you need to be aware that there is a sense in which this book is not as user-friendly as most Cliffs Notes volumes. However, I fully admit that I have a preference for having students learn how to work with the critical vocabulary, so I appreciate those Cliffs Notes where such terms are laid out as clearly as possible. Bottom line: there is a lot here that will help teachers and students with this great play on both the micro and macro levels.


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A Towering Dramatic Achievement

A Streetcar Named Desire, Death of a Salesmen, Angels in America, Rosencrantz and Guildenstern are Dead, Long Day's Journey into the Night. These are the plays that share the ground with Edward Albee's play Who's Afraid of Virginia Woolf. These plays have reached the pinacle of excellence.

Who's Afraid of Virginia Woolf centers around an all night drink-fest between two married couples: George and Martha, who have been married for sometime, and Nick and Honey, a relatively new couple. The first act sets all this up, but the way Albee sets this up is the stuff of high drama. The quips his characters throw back and forth prepares the reader for the action that will follow. And we want it to. The action is the verbal brawl that the four principals have. The second act, entitled 'Walpurgisnacht', is one of the most exhausting pieces of fiction. The reader feels drained by the end of the second act. However, it's the third act (correctly entitled 'The Exoricism'-which was Albee's original title) that provides the catharsis.

Edward Albee has written a brilliant, landmark play. The Pulitzers made the biggest mistake when overlooking it for the prize. Albee won for three other plays (Three Tall Women, Seascape, and Delicate Balance), none of which contain the power that is "Who's Afraid of Virginia Woolf".


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Shattering and affecting.

If there has ever been a play as theatrical, dramatic, and attention-grabbing as Who's Afraid of Virginia Woolf, I have yet to read or see it. This play never fades even as it moves into Act Three and pushes 250 pages.

Who's Afraid of Virginia Woolf is the story of a couple (George and Martha) fighting reality and its implications. Their need for each other grows along with their ostensible mutual contempt. All this is brought out over the course of one late-night get-together with a younger couple whose presence catalyzes the shattering and inevitable conclusions that George and Martha must come to.

This play is monumentally important, while managing to keep a crisp sense of humor and pacing. Everyone should read this fabulous play.


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reviews: 1, 2, 3, 4, page 5, 6, 7, 8



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