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Yo-Yo Ma & Bobby McFerrin: Hush
Bobby McFerrin, Antonio Vivaldi, ...

Sony, 1992

average customer review:based on 34 reviews
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   highly recommended  highly recommended




A unique gem

I first received this CD as a Christmas gift from my mom almost ten years ago. I was a big Yo Yo Ma fan and she thought this CD looked 'interesting'. She couldn't have been more right! I've already worn out one copy and just recently ordered another. The blending of two different styles is fantastic, and Mr. McFerrin's voice can truly be called an instrument due to his amazing range and control. It is truly one of the most 'fun' CD's I have in my collection! Top marks!


Mix and Match!

I saw a review of this CD in CD Review magazine when it was first released. They gave it a perfect 10/10 rating. No surprise. Whoever thought to pair these two geniuses in their respective fields should be given the Nobel Prize for Music (that's right, there isn't one. . .). McFerrin is a master of jazz vocalise and improvisation, while Ma is a master of straight classical work: Up meets Down, In meets Out, Over meets Under, Scribble meets Straight Line, Improvisation meets Structure, and the results are a beautiful Between. When they are serious, they sound phenomenal together. When they are having fun, they sound phenomenal together. The listener wins!

On track 2, "Andante," it is virtually impossible to distinguish McFerrin's voice from Ma's cello at first listen. They move through this piece as a cohesive unit. Stellar tracks are Rachmaninov's "Vocalise" and Bach's "Air" -- both are just traditional classical pieces performed to their utmost potential by two gifted artists. They also have moments of fun, like on "Hoedown!" and "Coyote," and McFerrin even pokes fun of NPR on Bach's "Musette," while giving a Jimi Hendrix plug at the beginning of his vocalizing.

I could picture straight-laced classical purists shying away from this kind of tomfoolery, and jazz purists might find the classical pieces too confining. They are both missing out, though. McFerrin had shown shades of this kind of work "Lullaby" and "Psalm 23" on his MEDICINE MAN disc and even on PLAY with Chick Corea. This is a new side of Yo-Yo Man, however, and one which I would like to see again. I would pay big bucks to have been a fly on the wall during these recoring sessions!!! OFFICIUM, by Jan Garbarek and the Hilliard Ensemble, is reminiscent of this kind of classical meets jazz work, but it even has a whole different feel than HUSH. If you are a fan of either artist, you will appreciate what he brings to the table and gain a new respect for what the other can bring, as well. On the real short list for "desert island" classical CDs (that's the category in which I put it). Well worth a listen!


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Excellence in the unusual

While studying for an exam one evening, I happen to hear Arsenio Hall introduce Yo-Yo Ma and Bobby McFerrin and nearly fell off my chair... I rushed in to hear their version of Bach's "Air on G" in memory of those who had been injured or killed in the April riots in LA (1992). I immediately went and purchased the cassette of the album. And I fell in love.

McFerrin gives new life and humor to several pieces that one thinks as "serious" classical standards (Bach's "Musette"). I enjoy the exploration of McFerrin's voice and the tremendous talent and flexible playing of Yo-Yo Ma on this CD. Some of McFerrin's vocalising reminds me of Gregorian Chants, which was interesting to hear with Ma's classical music playing... For purists of the classical genre, they may be less amused with the treatments.

The imagination and talent that flows from this work continues to reinforce the reasons why I love classical music -- the ability for one to put personal emotion to a piece and also enjoy it for its own sake.

For those looking for something different, fun and funky, it's a great buy. For the purist, you may want to pass...


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My children adore this as much as I.

This music has been a favorite at our house since Santa brought it this past Christmas. I find it clever, funny, beautiful, and engaging. Our children (ages 11 and 7) appreciate the beauty of the music (especially "Ave Maria") and enjoy the spirited pieces with a sense of humor. My daughter enjoys dancing to "Hoedown!". And we all appreciate the fun that Bobby McFerrin and Yo-Yo Ma have with "Musette". In all, this is a wonderful addition to our CD collection.


Funky is beautiful...

Even if this album would have turned out badly, it would still have been worthy of praise as an interesting concept and a brave attempt. It turned out to be a delightful piece, often sweet, breathtakingly beautiful, and witty (see "Hush Little Baby", Rachmaninov's "Vocalise", and Bach's "Musette", respectively). The innovation gets a bit tiring at times (see "Coyote"), but that's what your CD player's skip button is for. Overall: great idea, great upside.


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reviews: 1, 2, 3, 4, page 5, 6, 7



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