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Requiem & Magnificat/Rutter, Cambridge Singers
John Rutter, Cambridge Singers, ...

Collegium, 2000

average customer review:based on 32 reviews
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   highly recommended  highly recommended




From the singer's perspective

I absolutely adore Rutter's Requiem. This is easily the finest recording of some of the best religious music of this century. Having perfomed this piece locally, I can assure you that it is carried out with technical perfection. Everything is as beautiful and gripping as the composer intended it to be. Usually, when I am exposed to piece this much, I grow tired of it. Not so with Rutter's Requiem. I am spellbound every time I hear it. This is the sort of album that will do more than enrich your music collection; it will enrich your life.


Excellent performances, conducted by the composer

This CD is a welcome mid-price CD coupling Rutter's two large-scale works, his "Requiem", composed after his father's death, and the more recent "Magnificat."

Rutter's "Requiem" clearly shows the influences of Gabriel Fauré's Requiem, composed about a century earlier, while his "Magnificat" is, in some ways, based on Bach's "Magnificat," especially in the interpolation of additional texts. Both are fairly straightforward pieces, well within the range of amateur choirs.

Both of the recordings feature clear singing from the choir, and subtle playing from the orchestra. My only complaint (a minor one at that) is that occasionally Rutter's forces seem a little too small in the first movement of the "Requiem," but the rapturous cello solo in the second movement, "Out of the Deep," more than makes up for this.

However, at mid-price, this CD is certainly a bargain; fans of the "Requiem" who are looking to acquire a copy certainly would not go wrong with this disc.


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Great Works and Great Performance

Two of John Rutter's best works, the Requiem and the Magnificat, are performed on this CD in a brilliant way by the composer himself conducting the Cambridge Singers. The Requiem is one of the best settings of the Mass for the Dead by any composer. This is not a strict setting of the Roman Catholic Requiem Mass, but it also have inserts from the 1682 Book of Common Prayer. As a whole, the piece is a reflection on the issues of death and eternal life, combining soothing moments as the ethereal Kirie to rousing choruses like the Sanctus. The performance of the Cambridge Singers is, as always, near perfection. It is specially noteworthy the ethereal performance of soprano Caroline Ashton in the beautiful Pie Jesu. The Magnificat, on the other hand, is an exultant setting of Mary's canticle. Again Rutter, blends the original text with lovely additions, like the beautiful English poem 'Of a Rose', the Gregorian setting of the Sanctus and the moving prayer 'Sancta Maria'. Soprano Patricia Forbes is radiant and soaring in her three solos. The City of London Sinfonia brings an expert playing to the superlative singing, ably conducted by John Rutter. Both the Requiem and the Magnificat are meditative and joyful reflections on some of the most beautiful and meaningful beliefs of the Christian tradition.


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A worthy effort.

All things considered, this is a great recording for the money, if you like John Rutter. His music on this disc is, as always, quite beautiful; just don't expect it to be particularly deep, as is also often the case with Rutter. So the guy's not Mozart, Faure, or even Cherubini, but so what - who is? This is a fine recording, beautifully sung, and (considering the price) it gets a strong recommendation from me. That said, my only real gripe is the singing of soprano Caroline Ashton. While her voice is pretty and she conveys the spirit of the music well, she sounds like a boy soprano, and her phrasing and breath control could have been better. These are small gripes, however, and no reason not to buy this fine disc.


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reviews: 1, 2, 3, 4, page 5, 6, 7



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