This book (first published in 1950, and now in its 16th edition), was/is intended as an art history primer but is suitable for anyone who wishes to pleasantly and painlessly brush up on their knowledge of "fine art".
As a complement to this great book, I recommend Janson's "History of Art for Young People", Sixth Edition. The latter is for all ages, not just "young people". It too merits highest marks!
gombrich manages to teach the reader how to look at art at the same time he explains the main historical developments and style points of each movement or period. new students of art will find the book is a pleasurable and clear guide; experienced readers will enjoy gombrich's judicious use of detail and selection. a bibliography, chronological charts of art epochs and artists' lives, maps of europe and an index conclude the book.
I guess it's true that the author was a white, european male. What does this have to do with anything? The book is mainly about western art, so I don't see why it matters that he's european. And in the history of western art, how many non-white or female artists are there? I guess there are some from the previous century, but that is quite a small part of the book. So the author was a white, european male, like most of the artists in the history of western art.
Some people have pointed to the fact that the book is a bit biased. Well, that is probably one of the things that makes it such an entertaining read. I highly recommend this book if you need an introduction to art.
Yes, of course that it is long, and because of that somehow scary the first time you see it. But if you manage to start it, you will find that you will finish it in no time at all. The reason for that is the author, E.H. Gombrich. His prose is fluent, and easy to understand, but what is more important, he doesn't merely enumerate facts: he tries to explain them, setting them in a historical background. And by doing that, compels and engages the reader, making him think about art and its "evolution", and about why the story of art is "A story without end".
The book brings a lot of illustrations regarding the artworks discussed by the author, including several fold-outs that I appreciated enormously. The reproductions allow the reader to "see" what the author tries to explain, and make the book even more dynamic.
Now in its 16th updated edition, this book is already a classic. Maybe the reason for that popularity can be explained by the author. Gombrich's aim was to help others to understand art, from cave painting to postmodern art. He believes that his book is immensely liked by students and art-lovers because "it has made them see how the story of art hangs together".
On the whole, I highly recommend "The story of art" to everybody interested in art. I believe it is exactly what you need :)
Belén