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Suttree
Cormac Mccarthy

Vintage, 1992 - 480 pages

average customer review:based on 57 reviews
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   highly recommended  highly recommended






Where have you gone, my blue-eyed son?

At some point in the adult or even young life, individuals undergo a period of inevitable self-doubt, wondering hypothetically, 'wouldn't it be great if I could just rid myself of all of this and live on a boat somewhere, in a place where no one I know now would ever find me?' or 'God take this pain away from me for I can't take it anymore!' Welcome to the life of Cornelius Suttree, the man who gave up the Matrix for a cragged houseboat in poverty-stricken Knoxville, where the river from which he hauls duck-billed catfish oozes, does not flow. Here the blind stagger and prophecize, junkmen and railroadmen or men who once were railroadmen philosophize on hopelessness (eg. God wouldn't have brought Lazarus back from hell, so he must have been sent back to the living world from heaven, and having seen heaven, how could he ever be happy again?), and black witches from their windows overlooking the gray, stinking city where decrepid youths poison bats with strychnine in order to exchange their stinking black corpses for cash at the local infirmary offer you your fate for a beer...or something like that. Suttree lives the simple life of a riverman, dabbling in catfishing, turtle-dining, and drinking down viscous moonshine - but this is not just a dark story of a man who has lost all hope for the world, though in it nothing goes as we, the readers, would like it to go. The book is an extremely slow read: it can take weeks and even months if not for its darkness then for its implicit requirement for the reader to thumb through his Oxford English Dictionary at least once per page. God, the beauty of the English language CANNOT be lost on the reader when McCarthy is at the pen. By the end of this swelling novel you are trapped in a world of characters, whom McCarthy goes to great lengths to develop. More importantly, you wish for an ending, in the same way you do when watching "Lord of the Rings: The Fellowship..." But what you are confronted with is rather a continuance, as in an important court case. The question is, can the reader find triumph in continuance as opposed to his usual search for the happy ending or just an ending, period? The answer: there is no ending, there never is. But there can be dignity, even in chosen poverty. The book is ultimately a tale of dignity and integrity in a land of hopelessness. Can you bear this?


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A great [read]

Going through the bookstore, I spotted Suttree on the shelf. After reading the back cover I thought it would be a very interesting book since I've never heard of a more stranger plot and characters. In the end they didn't seem so strange, but more like your corky neighbors each different. McCormac's excellent description walks along the fine line of too much and not enough. By the first 50 pages it was the best book I've ever read, by the end of the book, it was the only one that moved me, made me want to read it again and again, and it is the ONLY book I've ever recommended to my friends.

You Have to go and buy this book!!


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toil under the sun

Prior to reading Cormac McCarthy's "SUTTREE" (1979), my only experience with the author was with his highly touted work, "BLOOD MERIDIAN" (1985). Although the latter work is a unique masterpiece ( utilizing a lightning pace and truly spectacular language ) the breadth and easy flow of "SUTTREE" is completely true to its own quirky nature. Oddly enough, given the stomach churning violence and ( apparent ) triumph of evil portrayed in "BLOOD MERIDIAN", McCarthy's earlier novel is actually the more profoundly sad ( and certainly more humorous ) of the two.

It is fair to speculate that this work was special to McCarthy since he was drawing a portrait of the town and era in which he grew up ( Knoxville, Tennessee in the 1950's ). Others, who are familiar with the work of William Faulkner ( as I am not ) will be better equipped to discuss whether this "southern" novel bears any major resemblance to the late master from Mississippi. My "take" on "SUTTREE" can only come ( as is natural ) from past literary experiences and, perhaps more importantly, a particular "world view". Although stronger and more learned readers will undoubtedly shed more light on the work, I hope nonetheless that the following thoughts will help others reflect on "SUTTREE" and decide for themselves what it's "all about".

After a short and soaring descriptive prelude ( a wasteland grotesquerie ), the novel's namesake Cornelius Suttree is introduced. Appropriately enough, this first glimpse takes place alongside the silent and abused Tennessee River, a Styx-like emblem of eternity running through the mid 20th century "Hades" of Knoxville, where Suttree lives on a rundown houseboat. Suttree's desultory "neutrality" towards existence is mixed with hallucinogenic dreams and flashbacks ( a key "vision" in the wilderness is reminiscent of "Snow" from Thomas Mann's "THE MAGIC MOUNTAIN" ). Seemingly carefree, going about his life in moment-to-moment fashion amidst his derelict companions, Suttree in fact lives completely in his past, haunted by ( among other things ) the memory of his patrician upbringing, failed marriage and a mysteriously significant "other". At times he seems an Old Testament prophet, full of insight and sublimated rage ( a contemporary Qoheleth ), his thoughts and actions reflecting the weary ruminations of a man trapped in hopelessness. Suttree's spiritual quandary is in recognizing that while others in his Knoxville circle seem damned by dint of fate, he himself chooses to live in a kind of purgatory, with the possibility of transcending his lot.

As opposed to the mythological archetypes displayed in "BLOOD MERIDIAN", the quirky and entertaining lost souls so sympathetically rendered in "SUTTREE" are all too human. There are several laugh out loud scenes in the book, many focusing on Suttree's oddball friend Gene Harrogate. Though the humor is intertwined with immense sadness, this aspect of McCarthy's style is a delightful surprise.

"SUTTREE" is a hard but compassionate glimpse at the tragedy and triumph underlying the human drama (a "story" in which we all play a part). On the basis of the two works with which I'm familiar, Cormac McCarthy writes with both purpose and artistry; surely he deserves his reputation as a modern literary master.


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McCarthy's best

Cormac McCarthy is the best writer alive today. Period. His prose reads like the finest poems. His descriptions of the people in Corneilius Suttree's Knoxville sweep you into that time and place like no other writer can. At turns the book is a comedy, tragedy, and travelogue. His encounter with Gene Harrogate will make you laugh out loud.


May be the Best Book I've Ever Read

In my opinion, this novel by Cormac McCarthy is one of the great pieces of American fiction. The story follows Cornelius Sutree, a son of a wealthy family, who has exiled himself to a fishing boat in mid-20th century Tennessee. Sutree mixes with a cast of down on their luck, eccentric charecters while scraping for a living in the outer margins of society. McCarthy's descriptive imagery is strong enough to put you in the midst of the story. His use of dialect and atmosphere is down to earth on minute, then drifting into almost hallucinagetic prose the next. The mixture of brilliant characters and rich atmosphere make this a pleasure to read or re-read.


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reviews: 1, 2, 3, 4, 5, 6, page 7, 8, 9, 10, 11, 12



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