For the Young Dreamers and the Old Visionaries

books:


	• Manchild in the Promised Land Kenneth T. Brown Scribner, 1990 - 416 pages average customer review:based on 56 reviews
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highly recommended

A promise of hope from one who made it out

Claude Brown's slightly fictionalized autobiography recounts his childhood and early adulthood throughout the 1940s and 1950s. Manchild in the Promised Land also documents the changing atmosphere of Harlem and the people it affected. Brown tells stories of himself as a hell-raiser, involved in theft and drug dealing, and spending time in juvenile detention centers like Wiltwyck and Warwick. He was able to establish a feared and respected name for himself both among the streetwalkers of Harlem and the inmates of the reform schools. Lacking formal education (resulting from years of playing hooky) and idolizing the criminal elements around him, he seemed to be heading down a short road of vice and danger.

Only after Brown moved to Greenwich Village shortly before turning twenty was he able to begin viewing Harlem with a more objective eye, and see the factors that led him down the downward spiral he had been traveling. One of the main reasons Brown believes he and his friends were wrought with such violence and recklessness is due to the mentality imported by their parents from the South. The thing that mattered most to them was fighting: for one's money, girl/family, and manhood (Brown 260). He feels that that rural mentality had been brought to a crowded city life that was not only incompatible with the setting, but also destructive. He laments, "it seems as though if I had stayed in Harlem all my life, I might have never known that there was anything else to life other than sex, religion, liquor, and violence" (Brown 281).

As a youth, Brown excelled in these very base attributes. It wasn't until the introduction of heroine, or "horse," as it was first introduced in the early 1950s, that he feels Harlem truly became unable to cope with their values. Instead of young men fighting for honor, they were killing and robbing for money to sustain their overwhelming addictions, introducing more guns into the neighborhood with desperate people wielding them. He witnessed his friends begin to fade away into scratching, nodding junkies. However, by this time Brown was able to leave and slowly break away from the crumbling Harlem he once knew, watching from afar many of the individuals he once hustled with fall victim to the crimes they themselves would perpetrate.

Many opted instead to stay in Harlem and live the street life. He attributes this to the attitudes of whites outside Harlem and the racism they encountered. To live a "clean" life usually meant to work for a white man who underpaid, referred to them in a racially derogatory manner, and made them perform the most labor intensive tasks. When it came to these prospects, most understandably chose the life of a self-employed drug dealer in Harlem over the self-effacing menial work elsewhere, despite the danger (Brown 287).

Where some people turned to drugs or religion to deal with these problems, Brown found his calling through more established and secular means. Education and music became outlets for him to express himself, gain a self-pride through non-criminal means, and eventually lead to a promising career as a lawyer and author.

One of the things that make this autobiography interesting is its use of language. Brown writes in a notable street dialect, however, the language itself evolves with the character. For instance, "cat" slowly comes into use around page 67 and is used throughout, though it receives less use towards the end. More notably, on page 109 the young Claude begins idolizing a street pimp named Johnny: "To Johnny, every chick was a b*tch. Even mothers were b*tches." And so on page 114 Brown writes "Jackie was a beautiful black b*tch." From then on women are regularly referred to as "b*tches" until the character matures enough to treat women with more respect, and Johnny's spell seems to have completely worn off by the time Brown falls in love with a fellow student. Likewise, the sentence structures become less erratic and grow in sophistication as the book goes on, using less slang chapter by chapter when he begins to change. This seems to be by design.

Claude Brown's personal accounts are no doubt fictionalized to some degree, for his characters go on exhaustive speeches several times, and he certainly didn't tape record them for every word. However, Brown's intentions are to present Harlem and its difficulties in approachable and creative ways. To allow readers (such as white-suburban-me) an inside look into the ways of urban life it invites an understanding and, hopefully, sympathy for the situations of the junkies, prostitutes, and drug dealers that we pass on the street. He shows them in a way that cannot be easily neglected, in intimate, personal relationships that reveal the influences and regrets that have placed them in those situations. These factors were not unique to the 1940s and 1950s. They existed before and do so today. Brown allows insight into the hardships while telling an encouraging tale of one who made it out. By personal drive and education, through art and self-expression (as this book is), he shows that the situation is not dire, but attitudes must change before the world will follow.

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BRAVO!!!!!! Excellent!!

I can't believe I didn't write a review for a book I read 10 years ago. This is one of my favorite books. It was this one book that drew me into reading books and becoming a book lover. One of the best books I ever read. Highly Recommended!!

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Manchild In the Promised Land

I was able to find this book relatively easy, based on a few keywords. My boyfriend started reading it several years ago and was unable to complete it. The storyline stuck in his memory and I bought it as a surprise for him, because over the years he mentioned it occasionally. Thanks for making the lookup so easy!

Manchild in the Promised Land

This is an awesome book that I highly recommend to all young men trying to find their "way". It can be a little harsh, but it is about life in the inner city and a young man becoming a man.

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For the Young Dreamers and the Old Visionaries

Although this book was written in the 1960s, it is, still, very relevant today. This book was recommended to me back in 1983 or 1984 when I was in the military. I bought it with a number of other books. It took me twenty years to read it. I should have read it alot sooner; but, the rigors of life and the fact that a good many other books I bought kept pushing this one further back on the reading list. I grew up in the streets of NYC and saw his life being played out in a number of guys and gals I hung out with at that time. I didn't get caught up in the drug scene nor in the gangsta scene but, like the author, there was a lot going on outside the walls of the house to keep me outside nearly all day. Yeah this world was much newer for me then rather than now but I had to see what was going on within and without my neighborhood. As a parent looking at my kid, I know this world is new to them, which I can't shelter them from. As my kids look at me as their parent, they are constantly telling me to get out of their way. I want to see what is going out there. This only helps me to keep life real for them with a dose of non-reality here and there. Fortunately for Claude Brown, the street made him wise and through his book some of us can reminesce about those days and explain to others what urban life was like for us and how it made us what we are today. For others who have not experienced this urban lifestyle, take the book for what it is and re-evaluate your own experiences in hopes of passing on a reality check of your own life to your children.

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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Manchild in the Promised Land is indeed one of the most remarkable autobiographies of our time. This thinly fictionalized account of Claude Brown's childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s. When the book was first published in 1965, it was praised for its realistic portrayal of Harlem -- the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor. The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown's time, but also because the book is affirmative and inspiring. Here is the story about the one who "made it," the boy who kept landing on his feet and became a man.

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