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Four Ways to Forgiveness: Stories
Ursula K. Le Guin

Harper Perennial, 2004 - 320 pages

average customer review:based on 15 reviews
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   highly recommended  highly recommended





Science Fiction literature

Fine SF explores the nature of the human condition under special circumstances--with observations of lasting import. LeGuin does that in her works. While this one, a collection of 4 interrelated novellas, is not her best work (see The Left Hand of Darkness or The Dispossessed), it is very fine work nonetheless. I like it much better than her short story collections (e.g. Orsinian Tales). This book is about the relationships between politics and people. It also speaks of the differences and similarities between the internal and the external such that changing external circumstances may not have much lasting effect if the internal circumstances (within the people) don't change. There is an interrelationship here too. There are several pithy quotes for my collection in it as well:

Love of God and country is like fire, a wonderful friend, a terrible enemy; only children play with fire. p.57

To live simply is most complicated. p. 90

The right use of knowledge is fulfillment. p.117

Loquacity is half of diplomacy ... The other half is silence. p.127

Ignorance defends itself savagely. p.197


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A fresh study of subjugation and freedom.. beautiful.

A marvellous book, the four stories of Yeowe & Werel intertwined subtly and beautifully.

The issues of slavery and female subjugation, so central to any moral history of real humankind on real planet earth, are treated with Ursula's characteristic compassion and humanity, in the context of an imaginary planet and its colony-satellite.

The characters of these stories, their acts of bravery cowardice revolt submission, are so familiar from earth's own history of colonizations and exploitations! As always I marvel at how LeGuin, White American and presumably priviledged, knows so well the hearts of the enslaved and the colonized.

How familiar to see the lives of slaves who go on century after century without thinking to revolt!

How familiar to see the slave who, at the moment of choice, remains on the side of the master and sticks to the familiar, instead of striding into the unknown world of freedom!

And how familiar to see oppression and war and famine continuing, in different form, after freedom from the external oppressors.

(Former colonies of the European oppressors will remember sorely how brown/black bosses promptly took over the former_roles of the white masters after liberation.)

And how familiar to see, the lonely and driven activist, the former slave who wants all enslavements to end, the few moral beings in an often immoral world.

The cry of slave peoples on Werel -- "Oh, Oh, Ye-o-we" -- so mournful, so similar to the bittersad poetry of colonized peoples everywhere.

Actually, the four ways have now become five ways, as LeGuin has written one more story set in Werel, in the collection "The Birthday of the World".


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A fresh look at slavery, expoitation and subjugation..

A marvellous book, the four stories of Yeowe & Werel intertwined subtly and beautifully.

The issues of slavery and female subjugation, so central to any moral history of real humankind on real planet earth, are treated with Ursula's characteristic compassion and humanity, in the context of an imaginary planet and its colony-satellite.

The characters of these stories, their acts of bravery cowardice revolt submission, are so familiar from earth's own history of colonizations and exploitations! As always I marvel at how LeGuin, White American and presumably priviledged, knows so well the hearts of the enslaved and the colonized.

How familiar to see the lives of slaves who go on century after century without thinking to revolt!

How familiar to see the slave who, at the moment of choice, remains on the side of the master and sticks to the familiar, instead of striding into the unknown world of freedom!

And how familiar to see oppression and war and famine continuing, in different form, after freedom from the external oppressors.

(Former colonies of the European oppressors will remember sorely how brown/black bosses promptly took over the former_roles of the white masters after liberation.)

And how familiar to see, the lonely and driven activist, the former slave who wants all enslavements to end, the few moral beings in an often immoral world.

The cry of slave peoples on Werel -- "Oh, Oh, Ye-o-we" -- so mournful, so similar to the bittersad poetry of colonized peoples everywhere.

Actually, the four ways have now become five ways, as LeGuin has written one more story set in Werel, in the collection "The Birthday of the World".


 for more information click here






In black and white

Four Ways to Forgiveness is what sf writer LeGuin calls a "story suite"--four interconnected short stories, one of which takes up nearly half the book. All four stories are set on the planet Werel and its colony of Yeowe, where a dominant black-skinned race holds a primarily white-skinned population in slavery. Werel and Yeowe have both been contacted by the Ekumen, the interplanetary federation of LeGuin's future history, but neither can join until the problems of slavery and gender imbalance have been solved. In "Betrayals", two old people find tenderness together after long and difficult lives; in "Forgiveness Day", the brash young Envoy of the Ekumen is kidnapped, together with the stiff-necked bodyguard she despises, and falls in love with him. "A Man of the People" is the story of Havzhiva, born to the pueblo culture of Hain, the parent world of all human races and cultures. Feeling out of place, he goes off to become a historian and winds up as the Envoy to Yeowe, the colony world where the slaves have successfully revolted and become free. It is mirrored by "A Woman's Liberation," the memoir of Rakam, born a slave, used sexually by her mistress as a child, used by men at another plantation in her adolescence, who escapes to Yeowe with the help of another Hainish envoy, the mysterious Esdardon Aya (whose name means Old Music) and becomes a teacher and, eventually, the lover of Havzhiva.

I love this book and have read it repeatedly. While I don't like all of LeGuin's work equally well, some of her books I have re-read many times and been deeply influenced by--the Earthsea books, The Dispossessed, this one, and A Fisherman of the Inland Sea, which I am now reading yet again. LeGuin writes science fiction based on sociology, anthropology, biology; she's not interested in shiny spaceships or the technology that runs them, and if she writes about conquering colonists, it's usually from the viewpoint of the conquered. Plus, she can do so much with her rich, spare language. If you like unconventional sf, try LeGuin.


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At the far end of our universe, on the twin planets of Werel and Yeowe, all humankind is divided into "assets" and "owners," tradition and liberation are at war, and freedom takes many forms. Here is a society as complex and troubled as any on our world, peopled with unforgettable characters struggling to become fully human. For the disgraced revolutionary Abberkam, the callow "space brat" Solly, the haughty soldier Teyeo, and the Ekumen historian and Hainish exile Havzhiva, freedom and duty both begin in the heart, and success as well as failure has its costs.

In this stunning collection of four intimately interconnected novellas, Ursula K. Le Guin returns to the great themes that have made her one of America's most honored and respected authors.




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