To Carlos, with gratitude

books:


	• The Art of Dreaming Carlos Castaneda Harper Paperbacks, 1994 - 272 pages average customer review:based on 45 reviews view larger image
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highly recommended

Castaneda

Not the greatest but who's to say. Lists some practical guides for dreaming and is still a bit criptive to those not fully involve with the sorcerer's path. Still a recommended read for those not too inclined but interested. Don't know what else to say.

Lucid dreams

When I read this book I started having many more lucid dreams. I found this book extremely interesting and very different from other dream books.

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To Carlos, with gratitude

Carlos Castaneda was one of the most controversial writers of the twentieth century. Some in academia branded him a fraud for claiming his stories were biographical rather than fiction, while lauding him as a great novelist for exposing a mass audience to otherwise inaccessible philosophical abstractions they claimed were largely plagiarized. Each of his works is a piece of a larger puzzle, which makes it impossible to critique any one book without addressing the larger context into which it fits.

His first two books, "Teachings of Don Juan" and "A Separate Reality" describe experiences induced by ingesting psychotropic hallucinogenics prepared by a Yaqui Indian shaman from Sonora, Mexico he called don Juan Matus, and accounted for his becoming a guru to a generation seeking short cuts to spiritual enlightenment, as well as his lifelong interest in the relationship between perception and reality, a theme now explored in many popular books on consciousness and quantum physics. Unfortunately, these books remain his best selling works, in spite of Castaneda refuting their importance in his later works. Readers would be best served to skip these and avoid the risk of being turned off to Castaneda and missing the more stimulating works that followed.

His third and fourth works were "Journey to Ixtlan" and "Tales of Power." In Ixtlan he admits to over-estimating the value of his drug experiences, which caused him to overlook the more profound teachings of don Juan which became the focus of future writings. What emerges is a spiritual discipline dating back to the Pre-Colombian Toltec sorcerers of Latin America, culminating with don Juan's departure from our world, effectively ending Castaneda's direct affiliation.

In his fifth and sixth works "Second Ring of Power" and "Eagles Gift" Castaneda suffers strange flashbacks of what seem to be memory fragments of events he is unable to fit into any logical time sequence. In his seventh and eighth works, "Fire From Within" and "Power of Silence," Castaneda succeeds in reconstructing his lost memories, which derive from teachings previously administered by don Juan while Castaneda was in a "heightened" state of awareness.

In books nine and ten, "Art of Dreaming" and "Active Side of Infinity," Castaneda focuses on what he describes as inorganic predators from another dimension, some having the power to imprison humanity in "ordinary reality" so they can feed on the dark emotional energies we produce when succumbing to the negative thoughts they insert into our minds.

In later years several seemingly substantiating works appeared by two of Castaneda's female apprentices, Taisha Abelar and Florinda Donner-Grau. In addition, two scathing exposés were also published by two of his ex-wives. The first, "Magical Journey with Carlos Castaneda" by first wife, Margaret Runyon, offers little corroboration, since her marriage pre-dates the time when the bulk of Castaneda's adventures were claimed to have occurred. While steadfast that Castaneda was a sorcerer, she doubts the existence of don Juan, even claiming authorship of many of the concepts Castaneda ascribed to him.

The second, and more credible work, is "Sorcerer's Apprentice," by well-known writer Amy Wallace, daughter of the late best selling novelist Irving Wallace. Here again, we find little corroboration since the time of the events she describes is well after the period when Castaneda's relationship with don Juan is alleged to occur. What the book does provide is a troubling look inside Castaneda's final years, a picture of descent into what seems sexual addiction and possibly madness, leaving one to wonder if Castaneda was just one cup of cool-aid short of a Jonestown.

Many have asked why I put any stock whatsoever in Castaneda. A story from my autobiography, "The Vortex" may shed some light. A year before Castaneda published his first book I had an experience that would remain a mystery until Castaneda published "Power of Silence" twenty years later.

For a brief time, in my youth, I became a practicing Muslim, meticulously performing the complex prayer ritual five times a day. Then one night, sitting in my car, frustrated and complaining at not being able to find the address of my next sales appointment, something inside me snapped. It was as if some part of me had disconnected from my body and assumed control, lecturing me about my lack of discipline. A profound calm settled over me, rendering me simultaneously detached and engaged. For two days my sales figures soared. It was as if no one could say no to me. On the evening of the second day I decided to put my new state of being to the acid test by visiting my parents. Their behavior was so uncharacteristically supportive I hardly recognized them. It was enough to convince me that I was now living in an altered reality. But by the following morning I had returned to "normal." So distracting had this event been that I completely forgot to perform my Muslim prayers, and in fact, never did so again.

Twenty years later, in a chapter of "Power of Silence" entitled "Place of No Pity" Castaneda describes a very similar experience. In the aftermath of the event don Juan explains that humans are like televisions stuck on a channel called "self-preoccupation," lacking the energy to tune into any of the vast array of other channels available to us. To change channels, he explains, we first need to accumulate energy, by practicing rituals that are deliberate, precise and repetitious. Do this long enough and eventually our stored energy precipitates a shift to a channel where self-importance and self pity become impossible. Once this happens we connect with the force that controls the entire universe, a force don Juan called "intent," and everything can be bent to our will and even more channels can be opened, assuming we remember to keep practicing the rituals that save our energy.

This one realization alone was enough to inspire me to dedicate my autobiography "To Carlos, with gratitude."

Maxwell Austin van Lack, Author of The Vortex: A True Story of Passion and Karma

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