Holy Grail of literature

books:


	• The Guermantes Way: In Search of Lost Time, Volume 3 (Penguin Classics Deluxe Edition) Marcel Proust Penguin Classics, 2005 - 640 pages average customer review:based on 3 reviews view larger image
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Proust knows the way

I've come to Proust quite late. I tried to read Remembrances many years ago but couldn't get my head around the extended sentences liberally convoluted with parenthesis. Recently I took another plunge and a different approach. I realized that to read Proust is a consuming commitment. The reader has to relinquish the comfort of the customary literary narrative. If you do this then the world of Proust will first entice you then become an obsessive pleasure into which you will eagerly immerse yourself.

Having said this now comes the question of which translation to read. I've read the first English translation by C.K. Scott Moncrieff published by Random House in 1927. I've also read the new Penguin translation of The Guermantes Way by Mark Treharne. The Penguin translations are "easier" to read and cater more to a 21st century sensibility. To my mind the restructuring of sentences at times, unfortunately, sacrifice the poetics of Proust's language in favor of adherence to modern grammatical convention. Montcrieff also had the advantage of doing his translation closer to the time in which Proust actually lived and worked; the flavor of this early translation feels more "authentic" and contemporaneous with the period. An example: The first sentence in Montcrieff's The Germantes Way reads: "The twittering of the birds at daybreak..." Treharne's reads: "The early-morning twitter of the birds..." Does this matter? It's your call.

Read the Penguins if this gets you into Proust. But don't discount earlier translations. Just read Proust...you'll be happy you did!

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Proust vs. Wagner

Reading Proust's "In Search of Lost Time is like listening to Wagner's Ring in several ways. Both works are pinnacles of artistic creation, very long, entrancingly beautiful, and make overwhelming demands on the attention of the audience. Amazon's sales ranks display something of the difficulty. "Swan's Way," the first and most popular of Proust's six volumes (as of 4/18/2008) ranks 6,586; the second, "Young Girls in Flower," ranks 40,389; and the third, "Guermantes Way," ranks 62,649. The numbers soar into the stratosphere for the remaining three volumes.

The sustained cognitive effort needed to read Proust (or listen to Wagner) quickly overcomes good intentions. The difficulty is not that the books are long. Many contemporary best sellers are themselves weighty tomes. For Proust character and setting take precedence over action. Sentences and paragraphs are long, convoluted, and like many Wagnerian melodies, go on forever. However, as with all great literature, each element of the text is essential. If skimmed, the meaning is elusive. Slowly digested, the words unfold into ideas of great originality, wit, and amazing beauty.

Reading the series is worth the effort. The books describe the development of an increasingly sophisticated person. "Swan's Way" revolves around a young boy's attachment to his mother and a flirtatious playmate. "Young Girl's in Flower" describes the awkward yearnings of an adolescent for a pretty girl. "Guermantes Way" dwells on a young man's infatuation for a society doyenne, Mme de Guermantes, who rules the exclusive Fauberg St. Germain. "Guermantes Way" is both a guide for climbing into fashionable society, and a cautionary tale of inevitable disappointment.

Social deities project a glittering irresistible allure in the mind of an aspirant. However, having made the ascent via a path of rigid conformity, once actually in an exclusive salon, at an elegant soiree, or at a stylish dinner party, these luminaries unmask themselves as not much different from the middle class citizens they disdain, not more intelligent, more sensitive, or more interesting. Aristocracy is distinguished only by its wealth, exclusivity, and generations of inbreeding. Proust's luscious satire of the Fauberg St. Germain at the opera, and their trite opinions about Wagner, demonstrates no less. Here, as elsewhere in "Lost Time," an eagerly desired liaison rests on delusion and fails to produce imagined happiness.

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Holy Grail of literature

If I had to send a single book to space martians, it would probably be Anna Karenina, the most concise powerhouse ever written. But as for sheer reading experience and linguistic ability, Proust is the grandmaster. In Search of Lost Time is the most staggering human achievement ever produced. Many of his famously long sentences contain more beauty than most people's complete bodies of literary work. I marvel that a human being was able to so beautifully and succinctly articulate, by using himself, the whole human experience. Proust's only rival in terms of felicity of language is Charles Dickens, but the former's subject matter is inarguably just so much more sophisticated than the latter's. I wish I could speak French just to read this masterpiece in its original language. I don't know if this translation is particularly better or worse, I just know the voice that comes through is unmistakably Proust's, and that's plenty. I am thrilled that I still have four volumes left to read, but I'm also greatly discouraged that no one else is reading them with me. Each time I tell people that I'm reading Proust, they either think I'm kidding or say, "you must be the only person in America to be doing that." Knowing that a piece of art like this is perennialy ignored in the museum while the line goes out the door for Thomas Kincaide's sugar packets is enough to make you want to hang yourself.

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After the relative intimacy of the first two volumes of In Search of Lost Time, The Guermantes Way opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and a devastating satire of a time, place, and culture, The Guermantes Way defines the great tradition of novels that follow the initiation of a young man into the ways of the world. This elegantly packaged new translation will introduce a new generation of American readers to the literary richness of Marcel Proust.

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