Exquisitely delicious prose invokes tragic beauty

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	• To the Lighthouse Virginia Woolf, Eudora Welty (Introduction) Harvest Books, 1989 - 228 pages average customer review:based on 168 reviews view larger image
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highly recommended

Exquisitely delicious prose invokes tragic beauty

Lauded as a staple of the modernist canon, Woolf's stream-of-consciousness novel of alienation is better appreciated for its exquisitely delicious prose and her ability to invoke the tragic beauty of striving for intimacy and immortality (symbolized by the eponymous lighthouse), only to find it always just beyond one's grasp. Is there a sadder line anywhere in Western literature than when Mrs. Ramsey is tucking her young son James into bed? "In a moment he would ask her, `Are we going to the Lighthouse?' And she would have to say, 'No: not tomorrow; your father says not.' Happily, Mildred came in to fetch them, and the bustle distracted them. But he kept looking back over his shoulder as Mildred carried him out, and she was certain that he was thinking, we are not going to the Lighthouse tomorrow; and she thought, he will remember that all his life."

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Brilliant Experimental Novel

I almost put this book down after the first 100 pages. The writing was difficult to get into and I kept thinking to myself, "is it worth the bother?"

I am SO glad that I did persist through the book, because it certainly was worth it. Woolf's writing is very lyrical and flows so freely (and so scattered!) that I sometimes had to re-read sentences multiple times to make sure I'd understood things correctly. It was slow going compared to my usual reading; but it was so beautiful! There's a passage in the book where Mr. Ramsey is reading, and it explains my approach to the book rather well:
"He read...as if he were guiding something, or wheedling a large flock of sheep, or pushing his way up and up a single narrow path; and sometimes he went fast and straight, and broke his way through the bramble, and sometimes it seemed a branch struck at him, a bramble blinded him, but he was not going to let himself be beaten by that; on he went, tossing over page after page."

Woolf's brier patch of words is thick and convoluted, but it was completely worthwhile picking it apart in spite of the slow start.

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An insightful, sensitive reading.

The idea of Virginia Woolf's fiction being read aloud effectively has struck me as an impossibility. The very interiority of Woolf's style seemed to suggest that readers hear the narrative voice within themselves. This reading proves me dead wrong. Virginia Leishman's reading--and interpretation--added much to my passion for a novel I have always loved. Readers--and listeners--new to Virigina Woolf need to be able to listen for long stretches of time in order to follow the stream of consciousness that propels the story. This commitment will be amply rewarded.

I am glad I purchased this. I will listen to it many, many times.

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To The LighthouseA beautif

A beautifully and thoughtfully written novel examining and comparing life and art during the WWI era in Great Britain and contrasting those who experience life primarily through deeds and action (Mrs. Ramsay) and those who primarily experience life through thought and reflection (Mr. Carmichael)--and the underlying contempt and misunderstanding each has for the other.

reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Subject of this extraordinary novel is the daily life of an English family in the Hebrides. ?Radiant as [To the Lighthouse] is in its beauty, there could never be a mistake about it: here is a novel to the last degree severe and uncompromising. I think that beyond being about the very nature of reality, it is itself a vision of reality.?-Eudora Welty, from her Introduction.

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