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The Lives of the Artists (Oxford World's Classics)
Giorgio Vasari
Oxford University Press, USA
, 1998 - 616 pages
average customer review:
based on 20 reviews
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highly recommended
Outstanding!!!!
My daughter took Art History and loved this book. She kept it and insisted I buy her a copy so her teacher could have the new ones.
Works and lives of great masters by their contemporary
"Do you admire a beautiful tower resounding with sacred sound?
By my design this tower also reached for the stars.
But I am Giotto, why cite such deeds?
My name alone is worth a lengthy ode."
[From the Live of Giotto di Bondone]
Classic masterpiece containing selection of
lives
of famous Italian masters of art, written by their (almost) conterporary. This work is tedious and difficult to read at times (Vasari is describing at length all importatnt works of old masters). But still, this account is valuable for particular details about techniques used by old masters or condidtions under which their masterpieces were created... Kind regards, Mario.
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A must for any art historian
This book was a text for a grad school seminar I had. After nearly 500 years, Vasari remains the best "eyewitness" to the
lives
and works of his contemporary
artists
. Although he does take some liberties, such as trying to fit many artists into the traditional hero mold of child prodigy/discovered by master/quickly surpasses master, he also gives us a glimpse into the glorious time that shaped so many artistic geniuses.
Giorgio Vasari - Lives of the Artists Volume One
A good introduction to Medieval, Renaissance, and Mannerist
artists written
by someone who lived around their time and had actual contact with some of the artists, as well as personal painting experience. He is, however, colored by his personal relationships with the artists, hyperbolic, and constrained by the Zeitgeist of the era. In exploring the relationships of artist and patron he is able to shed light on their social situation and the constant struggle of the elevation of the art of painting among the liberal arts. In English, some of the grandeur of his writing is lost, and it lacks the poetic ease of the Italian original. If you want a fuller version, I suggest (especially for bilingual speakers) a translation with the Italian original on the other side of the page.
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The Pillars of Art
No artist, or aspiring artist, should go without this book. While it is sometimes exhausting to read through the author's detailed coverage of the works of each featured artist, it should be considered mandatory reading for
artists
and art historians -- so that all can see the pillars of art on which civilization is built. The author covers both the works and the private
lives
of the artists, although I would have personally prefered more emphasis on the personal lives. It would also be very nice to have pictures of the specific works in each bio, so I guess that might be a future book purchase here at Amazon(!) -- a visual reference to Renaissance Art. In spite of those two drawbacks, I highly recommend the purchase of this book.
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These biographies of the great quattrocento
artists have
long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance," was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael. This new translation, specially commissioned for the
World's
Classics
series, contains thirty-six of the most important
lives
and is fully annotated.
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