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Musical Composition
Reginald Smith Brindle

Oxford University Press, USA, 1986 - 188 pages

average customer review:based on 7 reviews
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   highly recommended  highly recommended





Good help for intermediate level

Dr. Smith Brindle offers a very usefull text for those who alredy started in composition. This book provides both theory and practice. It's a good choice for one familiared with the main counterpoint and harmonic procedures, as well with a background in Music History.


composition overview

This book is good if you only need to get some ideas about composition techniques in general. It does cover various essential topics and yet nothing is covered in textbook details. I suppose this book is not for learning to compose but for learning what is a composition and how it is actually done in various styles and forms etc., sort of like a reference book or dictionary. So, take it as it's and it's good enough for its purpose.


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good book for the beginning composer

This book is a nice sketch idea of how to compose in a small ensemble or solo setting. the examples given are of good quality and obviously very thoughtful. I would recommend this book for beginning composers. The short chapters provide enough details to understand most topics. For a more mature developing composer, I would recommend Techniques of a Modern Composer by David Cope as well as 20th Century Harmony by Vincent Persechetti. Also, nothing really helps understanding composition than just studying the masters! if you need a good book to help you get started, however, this book definately fits the bill.


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Good Reference or Manual for Beginning Composers

This book consists of short chapters that treat many compositional styles. It is a fine book, both, for a student composer taking lessons, or a beginner "self-taught" composer (if you are somewhat familiar with European "Classical" music styles (17th - 20th centuries). Also, it is a good reference. Unlike his earlier Serial Composition book, here, Smith Brindle considers many diverse styles; some of them, have much relevance to today's eclectic "compositional scene." I definitely recommend this book.


great read and methodology for novice to advanced composers

I highly recommend this wonderful book. I have used it myself to teach beginning composition lessons, and used it as a reference many times for advanced analysis and composition. It's a real down-to-earth read that can be absorbed quickly while retaining many great composition "rules of thumb". Only a moderate understanding of music theory is needed to grasp concepts within the book. Great exercises in the back of the book.


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Musical composition is a key discipline in music programs in conservatories, colleges, and universities. Many teachers consider it as important in the development of young musicians as listening and performance. It can be argued that through compositions musicians achieve the deepest insight into the composer and his music. Musical Composition takes the student through the elements--melody, harmony, counterpoint, and rhythm--before covering a variety of special subjects such as writing vocal and choral music, accompaniments, and film and TV music. Chapters are devoted to recent techniques including free diatonicism, serialism, and indeterminacy. Over 200 examples illustrate points in the text and there are exercises for each chapter.


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