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Against the Day
Thomas Pynchon

Random House Uk Ltd, 2006 - 1104 pages

average customer review:based on 59 reviews
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   highly recommended  highly recommended





Ultimate Pynchon

Against the Day is both culmination and transcendence of all
of Pynchon's work to date. Stylistically it his most ecstatically
written, a soaring in its riffs as "Gravity's Rainbow" or "Mason
and Dixon," close to story telling like the former, as lilting as the latter without ever shifting into the anti-narrative stillness of strretches of "M&D." Structurally it seems much looser than "Rainbow" because of its greater range of characters, tones and stories, yet its integration is similar in kind as well as degree. If "Rainbow" is suspended between the world of the "Rocket" and "mindless
pleasures," the structural statics of "Day" suspend it along two dimensions: the first, that of capitalist-anarchist agon on the one hand and and that Pynchon's richest tapestry of mindless yet of earthly mindless pleasure (or earthly delights - such as the loves of Kit Traverse and Dally)on the other; and secondly, wide-ranging social realism (evoking the Dos Passos of "U.S.A," though largely Western and Midwestern) and wild fantasy (the two often intertwined, as when the pulp -e.g., science fiction-- fantasy worlds of characters and their cultures become manifest in their everyday lives).Dynamically, the book is focused RE character on the near and seemingly impending romantic self-realization maturity of Traverse and Dally in a manner resembling (as mirror image) "Gravity Rainbow"'s focus on the disintegration of "Slothrop," and RE fantasy on the triumph of buoyant life in the dirigible of the Chums of Chance in a manner inverting the final destruction by the Rocket in "Rainbow." The political-private dimension of capitalist-anarchist and pleasurable polls, can be remapped as a reading of the Gnostic Pynchon in which the capitalist system is demiurge and the youthful anarchist protagonists are, though oppressed by that early power, luminous in their access to the divine spark or pneumena. It's at once a political-economically pessimistic and personally joyous trip.


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a year of reading

a year of reading "against the day" and i'm still flabbergasted. never having read pynchon before, i am beside myself with awe...with happiness.

no, it is not easy. yes, it is long...but so what?

covering the years of tesla, edison, north and south pole adventures, the great war, anarchy and the early 20's, "against the day" teems with made up names (the humor behind which i mostly did not understand...but comprehended) known and mysterious cities and places and incidents that may or may not have occured.
i loved the feel of the book..in my hands i mean. i loved the heft of the book, on an intectual meaning, i mean. i got it..........i think.



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S = K log W

Thomas Pynchon's epic novel, "Against the Day," is an odyssey in four dimensions, and more. The reader is introduced to this imaginary space during the first pages of chapter one. The boys' group, 'Chums of Chance,' discuss the altitude of their dirigible with the conclusion that if they keep going up into the lighted sky, they'll be going down. How can rising become falling? All of the key characters in the tale ask themselves similar questions.

The reader realizes early on that the reading time of "Against the Day" will be different from other novels, longer and shorter. In the novel, the path of light is followed as it travels through the pages at a constant velocity. Yet it is always changing over time, illuminating evolving territories and imaginary borders, and shining on the people who are both grounded and accepting of fantasy. The reader's view of history and individual destiny is guided by Pynchon's description of a time-territory-personality matrix.

Major themes emerge from this imaginary time-space. One of them describes the human genius and folly as seen in the historical record. Pynchon shows the reader that ideas begin as fantasy. Mathematicians translate these fantasies into arbitrary symbols using an arcane logical system. Scientists use the symbols in their experiments attempting to ground them in quotidian reality. Leaders of commerce take the realized ideas and create marketable products. Politicians corner the markets and carve up the land for power and defense.

The novel describes paths for the secondary characters parallel to the historical record, but different. Unlike history, the lives of many of the background characters do not flow continuously. Some stay as children in the world of fantasy. Some get bound up in symbols and never find the ground. Some characters are caught up in science without anticipating the applications that will be made of their discoveries. Other characters spend their lives in commerce fighting for wages or using tactics to maintain the dominance of wealth. The politicians look at the earth in terms of artificial geographic borders, defending their domains while encroaching on the property of others.

The primary characters are anarchists of fantasy, mathematics, science, commerce, and politics. They challenge the frontiers in each of these dimensions. The reader comes to an understanding of the driving force and goal of anarchy through the conscious and unconscious choices the characters make. Readers then have choices. Do we stay as children in fantasy, or do we take on adult responsibility? Are we satisfied with a symbolic description of the world or do we live in it? Can we make a living by the economic rules but also free ourselves from materialism? Do we ascend to political power or resist borders that require defense and foster encroachment? Is there a Shambhala, a vanishing point on this earth where we can approach perfect, boundless, infinite, multi-dimensional peace?

Take your own personal odyssey as you read Against the Day. Experience the fantasy but go beyond it. Do the math but learn to apply limits. Explore science but prevent its use in evil applications. See how to earn a living but avoid the traps of being owned by your possessions. Become aware of political power and fight against the immoral if necessary. And above all, when down becomes up, explore the frontiers of your life looking for Shambhala.



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Well Worth the Time

I dedicated three hours a night to Against the Day, and it took weeks to finish, but it was a journey well spent. Although the math/science subplots can be somewhat tedious, the overall effect is dazzling. Mr. Pynchon pulls tricks out of his magician's hat that left me laughing at what he can get away with. This is a tremendous novel!


Undone by the ending

This is a perfect age for a Pynchonian conspiracy to reach a sinister climax resonating with 9/11 and reminding us, Pynchon's loyal readers, of how Gravity's Rainbow left us standing on an elevated outcrop of some sort, looking out over the plain of the Cold War that we knew, though the characters did not, was before us. You could just about see it coming in Against the Day: somebody would hire the Chums of Chance to crash their airship into the Vibe Building. Every throbbing thread of subplot in the book pointed in that direction, and had they all converged on that outcome, we would have been rewarded for the 1000+ preceding pages which, let's face it, do ramble a bit. Yes, we can see it, Tom, we seem to have been this way before and it was pointless then, too, wasn't it? But (SPOILER ALERT!) it doesn't happen, and the ending winds up as a stupefying betrayal of all that precedes it. I can't remember the last time I was as frustrated by a book, and not just because of its bulk. Really, it's more because of its promise, and its non-delivery of same.


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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10



Spanning the period between the Chicago World's Fair of 1893 and the years just after World War I, this novel moves from the labor troubles in Colorado to turn-of-the-century New York, to London and Gottingen, Venice and Vienna, the Balkans, Central Asia, Siberia at the time of the mysterious Tunguska Event, Mexico during the Revolution, postwar Paris, silent-era Hollywood, and one or two places not strictly speaking on the map at all.

With a worldwide disaster looming just a few years ahead, it is a time of unrestrained corporate greed, false religiosity, moronic fecklessness, and evil intent in high places. No reference to the present day is intended or should be inferred.

The sizable cast of characters includes anarchists, balloonists, gamblers, corporate tycoons, drug enthusiasts, innocents and decadents, mathematicians, mad scientists, shamans, psychics, and stage magicians, spies, detectives, adventuresses, and hired guns. There are cameo appearances by Nikola Tesla, Bela Lugosi, and Groucho Marx.

As an era of certainty comes crashing down around their ears and an unpredictable future commences, these folks are mostly just trying to pursue their lives. Sometimes they manage to catch up; sometimes it's their lives that pursue them.

Meanwhile, the author is up to his usual business. Characters stop what they're doing to sing what are for the most part stupid songs. Strange sexual practices take place. Obscure languages are spoken, not always idiomatically. Contrary-to-the-fact occurrences occur. If it is not the world, it is what the world might be with a minor adjustment or two. According to some, this is one of the main purposes of fiction.

Let the reader decide, let the reader beware. Good luck.

--Thomas Pynchon


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