You will learn quickly with this no-frills book

books:


	• Timing for Animation Harold Whitaker, John Halas Focal Press, 2002 - 148 pages average customer review:based on 16 reviews view larger image
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highly recommended

Very useful book

Timing for Animation is the best choice for those who would like to have a clear view of animation-timing. It delineates the basics very concisely, which are long enough to understand, but short enough to run through anytime when needed. Has a good partition, right examples and illustrations, contains only practicable things which makes it very easy to read and highly practical. John Halas has made a good job, happy to be his compatriot :)
Would recommend to anyone.

A Must

This book is simply a must have for animators. It's very clear written and has great examples, I consider it a must just as the two masterpieces "Illusion of Life" and "Animation Survival Kit". Being about the timing I think it works great not only for traditional animators but also for CGI one (like I am).

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Great book!

As an animation student I found this book very helpfull. Not too heavy, just enough facts and examples to get the point across. If you are an animator or a student, you should own this book.

You will learn quickly with this no-frills book

I have referred to this book for nearly ten years, and it is still my favorite with regards to the fundamentals of creating naturalistic movement.

More concise, less self-indulgent, and less bulky than either Richard Williams' "Animator's Survival Kit" or Frank and Ollie's "Illusion of Life", Whitaker and Halas' "Timing for Animation" allowed me to advance in my knowledge of timing charts and the creation of believable, naturalistic movement more efficiently than either of those two venerable books. While I tend to agree with reviewers who question the book's price, the no-nonsense explanations it contains provide a solid base from which an animator can embark upon further exploration without being too tied to a particular guru's insights.

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I learned so much from this book.

My instructor recommended this book for my special effects animation class. It was such a life savor.

It covers all the basic animation topics like Squash and Stretch, Anticipation, Slow In and Slow Out, Exaggeration, etc...

reviews: page 1, 2, 3, 4

Written by two internationally acclaimed animators, this classic text teaches you all you need to know about the art of timing and its importance in the animated film. This reissue includes a new foreword by John Lasseter, executive vice president of Pixar Animation Studios and director of 'Toy Story', 'Toy Story 2', 'A Bug's Life' and 'Monsters Inc.' He sets the wealth of information in this classic text in context with today's world of computer animation, showing how this is a must-have text if you want to succeed as a traditional drawn, or computer animator.

Learn all the tips and tricks of the trade from the professionals. How should the drawings be arranged in relation to each other? How many are needed? How much space should be left between one group of drawings and the next? How long should each drawing, or group of drawings, remain on the screen to give the maximum dramatic effect? The art of timing is vital.

Highly illustrated throughout, points made in the text are demonstrated with the help of numerous superb drawn examples. 'Timing for Animation' not only offers invaluable help to those who are learning the basis of animation techniques, but is also of great interest to anyone currently working in the field and is a vital source of reference for every animation studio.

John Halas, known as the 'father of animation' and formerly of Halas and Batchelor Animation unit, produced over 2000 animations, including the legendary 'Animal Farm' and the award winning 'Dilemma'. He was also the founder and president of the ASIFA and former Chairman of the British Federation of Film Societies.

Harold Whitaker is a professional animator and teacher. Many of his former students are now among some of the most outstanding animation artists of today.

* New foreword by John Lasseter of Pixar and 'Toy Story' fame
* Benefit from the expertise of two internationally acclaimed animators
* All you need to breathe life into your animation at your fingertips

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