Seems overwhelming, just start with the basic process and get thrilling results!

books:

	• Platinum and Palladium Printing, Second Edition Dick Arentz Focal Press, 2005 - 256 pages average customer review:based on 6 reviews view larger image
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highly recommended

A fantastic source of knowledge

I think the previous review of this book pretty much summed things up rather well. I bought this book with minimal to no knowledge of the platinum and palladium printing processes. After having read the book several times now (not because it's hard to understand, but because it's so well done), I feel I've gained a very good handle on the basics of the process, and the information provided is given in such a way as to give you both the kind of knowledge needed to start making your first prints as well as the kind of knowledge needed to refine and grow into the process. I tend to be a very analytical thinkier, and the way the book is organized appeals to my thought patterns. If you're more of a romantic (as opposed to classical) thinker, though, the large amounts of numbers-based technical info may seem a little discouraging. Even if you are, though, I must highly recommend this book, as I think it must be the single most comprehensive and well-produced book on the subject.

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straight to the point

It goes directly to the important topic, speaking to the photographer with previous knowledge. A book for the professional.

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A to Z

I would call this book "Platinum &palladium photography from A to z". Believe it or not I could preduce a pt and pl print with only reading this book, the book would give a helpful heading and explains the tools, comicals, papers,lighting, do and don'ts.
the book have a records of too many tests of paper types and chemicals methods for contrast control, many explanation for type of lighting and so much more. I tell you! I did not attend any work shops nor set down with people who print platinum and palladium photos because I live in U.A.E. where no one knows what is pt & pl photography, but I order the book and started to read and try until I made a good print from the firs try.

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Seems overwhelming, just start with the basic process and get thrilling results!

Platinum/Palladium printing has "Wizard of Oz-like" mystique and a sense of mysterious alchemy beyond most photographic processes, but don't fret, it's not that difficult to get started. After my personal hands-on introduction (thank you, William Laven), Dick Arentz provides both the simple path to getting started, and then details comprehensive areas of specialty which he makes pretty helpful sense of. If you are already familiar with Platinum/Palladium, there is enough which has been pioneered in the recent several decades to allow a refresher for old photography hounds. For those starting out, just get the basic kit, read through the core sections of the book several times, then follow the three (3) pages of Chapter 6 - "The First Print". Once you have produced a few Palladium prints, cruise Chapter 7 - "Calibration" which provides a nice mental snack. Then move on to Chapter 8 - "The Platinum and Palladium Print", where having gotten past the panic of getting started, you can actually work out your basic functional understanding of the process. Like when that adult helped you launch on your first bike ride, suddenly you will be moving on your own and starting to get in the groove of the process.

For the silver old-timers, the sensitometry chapter and discussion of Pyro developers will really come into play as you confront the issues of "do I have to choose between making negatives for Platinum or silver ..." Pyro can play equally well in both environments, and was very liberating when I realized that I had a rich path of negative making without conflicts ahead of me. Pyro is an opportunity to evolve once again during this lifetime.

I use 8x10 for my serious work, and with standard films and papers going the way of the buffalo, I now understand what I need to do to use this remarkable process without being on a completely dead-end path.

There are several major advantages to gaining an ability to print Platinum/Palladium:
1. They can't discontinue the product! When you put a small number of drops of specific chemistry in a little cup, evenly coat the paper, expose it to UV light, slip the print into developer for two minutes, clear in three baths for 5 minutes each and then wash - it's like discoving fire as a tool. Pretty basic stuff, but very thrilling!
2. No fixer fumes.
3. You can work with the lights on.
4. You don't need a completely tweaked out darkroom in order to work - a simple space can be transformed into a miracle production facility.
5. It's fun.
6. The prints are beautiful. It will take time to figure it out, gain a vocabulary with the materials and get solid with your workflow, but Dick's book will hold your hand as you take the path towards a new, fruitful printing adventure.

Enthusiasm may inspire you to purchase other books, but this one can get you started successfully, and at the same time, it will provide plenty of sustenance as you grow. Or if you are already knowledgeable, there's plenty to chew on. If you are too advanced and find anything to be critical about in this book, write your own and share it with us!

If it still seems overwhelming to get started, find some fellow photo adventurer so that you can try it out together. Pulling prints on hand coated paper which are archivally stable, have long scale and beautiful physical presence, well, it could make an old dog thrilled about photography again, or simply inspire a newbee with a very remarkable way to make stunning prints. There are challenges, and there are plenty of mysteries, but if you have large format negatives hanging around, or you are boo-hoo-hooing that conventional photography is dying, being replaced by digital, this book will help dry those tears. Get going and happy printing!

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A brilliant book about a beautiful process

This is the bible of Platinum and Palladium printing. The second edition has two or three significant additions over the first edition. It has a quick start chapter to get that first print out. Yes, the book is very technical in some of its treatment of the material - and that is the reason you will go back to it again and again. But the process is fairly straightforward in its essence and working through the steps to get that first print clarifies much of the material to come later on. Second, I think the material covering Palladium printing with the Na2 contrast control method is essential knowledge today. It's surprising the more I've read of the history of Platino/Palladio processes how much information was lost that had to be "discovered" again. Third, there is a strong treatment on the effect of paper choice and characteristics of some papers (at least one of which is no longer being made since the second edition came out) that can help you understand how to find appropriate papers for other alternative processes. Finally, the appendices from different authors provide viewpoints of the process that round out treatment of the subject. Mark Nelson's chapter on digital negatives touches the surface of what has become my primary method for contact printing not only the Platinum and Palladium prints, but traditional silver as well as other alternative processes.

Highly recommended for any student of photography interested in mastering one of the most beautiful processes for printmaking.

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reviews: page 1, 2

Platinum and palladium printing is one of the easiest of the non-silver processes to learn. This guide offers a number of variations, which the photographer can closely control. Photographers interested in learning, or improving upon this process, will find this book an indispensable resource and reference guide. This is an absolute must-have for professional photographers and printmakers.

Inside you will find:

*The three basic phases of printing: sensitometry, chemistry, and mechanics
*Practical information based on the making of over 3,000 platinum and palladium prints, covering everything from making your first print, to the most advanced techniques to challenge experienced printers
*Over 50 duotones of the author's platinum and palladium prints and those of five contributors

Also included for the first time are contributions written by recognized authorities in their fields:

*Pyro and Platinum Printing by Bob Herbst
*Crafting Digital Negatives by Mark Nelson
*Ultraviolet Light Sources by Sandy King
*Custom Platinum Printing by Stan Klimek

* Practical information based on the making of over 3000 platinum and palladium prints
* Includes 50 duotones of Arentz's platinum and palladium prints
* Explains sensitometry as applied to the platinum/palladium process

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