Fun way to get a solid foundation in compositing visual effects

books:

	• Compositing Visual Effects: Essentials for the Aspiring Artist Steve Wright Focal Press, 2007 - 264 pages average customer review:based on 7 reviews view larger image
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highly recommended

Great Book!

Great book for anyone who wants to get an understanding of Visual Effects.
Steve Wright's book explains a lot of techniques that are used on many films today.

CASH MAKING ADVICE!!!!!!!!!!!!!

All I can say is that my project fees have tripled by adding motion graphics and using an ipod Touch to show clients the completed video segments to seal the deal and get a check in hand for such profesionalism.

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fantastic introductory book

I first bought the other book from Steve Wright and I found it quite difficult. This book, 'Essentials' is just as it says. very clearly written with lot's of pictures. It covers every compositing aspect so it's very valuable.

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Fun way to get a solid foundation in compositing visual effects

This book is valuable because it gives the reader a solid foundation in a straightforward and fun way. I read slowly and it still felt like a quick read. Readers with a background in motion graphics (for example Flash or After Effects artists) who don't think of themselves as "compositors" will probably take away much that can improve the quality of their work. The author does a particularly good job at explaining the structure and attributes of digital images. The writing is precise and well edited. From learning the basics of color correction, to gaining a working knowledge of video and film workflows, the book delivers. It comes across as an industry veteran who likes what he does, giving "Aspiring Artists" a simple and strong foundation. Well done!

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A good primer

I had originally wanted to get Steve Wright's other book, Digital Compositing for Film and Video, Second Edition, but read another review of this book make mention that it is geared more towards a beginner. At first, I thought this to be what I needed and when I got the book and scanned through it, it just seemed like an overview of the variety regarding compositing. I was a bit disappointed, until I started to peruse through more thoroughly.

What I liked (and am liking) is that it is geared towards more of a primer in the sense of the fundamental operations involved in digital compositing. And ironically, it was also what I did not like. I expected to have a more thorough or at least a methodical approach (not necessarily step-by-step) towards teaching basic compositing principles. That is what the aforementioned book describes. (And I say this based on the Table of Contents.)

So, I give a 5-star review to let people know that if they want to get a handle on "essential" concepts, that is easy to understand and comprehend, then get this book. Even if you have no interest in making movies or working in a VFX field, this will be a fun read to see the tricks the pros build upon to create some truly imaginative results. However, if you know what bluescreen compositing is, multi-plane compositing, premultiplication, etc., then this book might be redundant for you.

Once I'm done with this book, though, I'll be moving onto his other text and will be better prepared to absorb more detailed techniques.

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reviews: page 1, 2

Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role.

Beginning with an inspirational tour of the scope and magnitude of digital compositing you get a solid overview of the kinds of digital effects routinely executed today. See how CGI (Computer Generated Image) is composited with live action, how set extensions are done, and what a match-move shot is. Following that, you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet time shots, motion tracking, and rotoscoping, and you get a primer on digital images, key concepts, and terms used in the compositing process. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts and processes behind them. This includes the many ways to composite CGI, bluescreen compositing, animation, creating masks, working with digital keyers, and many more; but most importantly, the art of digital compositing-making your shots look not just photorealistic, but cool.

Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. There are tips on when not to use the new low-end DV video cameras and tips for the client, such as guidelines on how to shoot a quality bluescreen or greenscreen to get the best results at compositing time. All the while, special attention is paid to defining new terminology and telling a clear story from the ground up, with the only requirement being that you have read the previous chapters.

* An accessible introduction to a complex subject for novice compositors
* Full color presentation illustrating the art and techniques of the practice
* An experienced book author of 20 years compositing experience; with 60 feature film credits including Vanilla Sky, X-Men 2, Swept Away, and Solaris

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