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Manufactured Landscapes: The Photographs of Edward Burtynsky
Lori Pauli, Michael Torosian

Yale University Press, 2003 - 160 pages

average customer review:based on 8 reviews
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mixed emotions....

I am a great admirer of Edward Burtynsky - and I will not hide my dissapointment with the book. I've seen an exibition "Manufactured Landscapes" twice, and have to say that reproductions in the album are of a poor quality, not to mention that at least in this particular case size does really matter...

The album is good to have a general idea about the author, his work and his workshop (nice introduction, and interview with Edward Burtynsky - that's what I've missed from the exibitions) but if you haven't seen full-size prints before, do not buy this book - otherwise it might spoil your opinion about one of the best photographers ever...



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dramatic

Edward Burtynsky is an extremely talented photographer and manages to capture the most dramatic and mysterious of scenes. Extraordinary photographs of some extraordinary subjects.









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Art & patience

I discovered Ed Burtynsky by chance when waiting for my dentist...
It was a chock : over its technical knowledge, this guy is capable to find the perfect angle to show what he wants to show !

as we say in France "respect !"






Manufactured Landscapes

I viewed the original exhibition at the National Arts Gallery in Ottawa a few years back. The images are breathtaking, unnerving and awe inspiring.


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reviews: page 1, 2



Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial "progress." The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky?s work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.


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