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Alfred Hitchcock and the Making of Psycho
Stephen Rebello

St. Martin's Griffin, 1998 - 240 pages

average customer review:based on 17 reviews
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   highly recommended  highly recommended





Everything you ever needed to know about Psycho is in here -

This book is about as in-depth as you could want, but very interesting and good reading. Stephen Rebello begins at the beginning with a rather revolting chapter about the psychotic killer upon which Norman was later loosely based. (Don't let your children get a hold of that chapter!) He then talks about the man who wrote the book "Psycho", and on to Hitchcock's discovery of the book and the making of the movie. There are chapters and sections on practically every aspect of the movie and the making thereof - cast, costumes, shooting, casaba melons, publicity, and the aftermath. At the end there is also a list of the entire cast and little paragraphs about what became of them after Psycho.

This book is very good if you are a fan of either Psycho or Hitchcock in general, because in telling about Psycho the author tells a lot about Hitchcock as well.


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Started A Trend

This book's meticulous scholarship started a welcome trend for "shot-by-shot" analysis of moviemaking.

Psycho is known for many things, but among them is Hitchcock's determination to use techniques he learned from television production. For a creator and adherent of "pure cinema," this special discipline makes the movie all the more notable.

What a series of paradoxes. The famous shower sequence is cited over and over again as one of the best uses of cutting and montage, and yet classic 50s "two-camera" TV shows would never dream of this approach. Too expensive and time consuming.

The usage of black and white - again classic 50s TV - actually enhances rather than diminishes the horror. As with old-time radio, the viewer has to fill in the lurid colors of blood and gore with her own imagination.

The cover says that this film started a trend toward "psycho thrillers." I suppose that this is true, but it accomplished much, much more than is acknowledged by the mediocre films that followed.


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Never bettered

What an intelligent, readable, informative book this is. Full of insights about the personalities of Hitchcock, Anthony Perkins, Janet Leigh, and all the other collaborators in this important and usual film project for everyone concerned. What struck me most about the book is the author's ability to blend his thorough research with a sense of the psychology and drama of what goes into making a movie. I'd have to agree with the reviewer who said that Rebello made reading this book nearly as entertaining as the movie itself. That's quite a feat. What I want to know is when will Mr. Rebello give the royal treatment to other Hitchcock projects as well as films by other directors.


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Almost Perfect But... Time For A Companion Volume?

For the true fanatic, or just the curious, this is an immensely
readable account. Far, far more interesting and enlightening then
any of the turgid, pompous academic treatises on Hitchcock that
pollute bookshelves everywhere. As definitive a reconstruction
of how PSYCHO - or any movie, with a few exceptions - was put
together. However, I suggest Mr. Rebello is overdue for either
an update
(though this reprint's front and back cover is definitely an improvement over the original),
or a companion volume.
For the completists, I suggest:

1. More production and cast stills.
2. Saul Bass's storyboards.
3. Interviews and/or photos of Marli Renfro, the actresses
who provided the voice for Mrs. Bates, the diminutive woman
who stabbed Arbogast. Other cast interviews.
4. Documentation on PSYCHO's aborted CBS broadcast of 09/66
and its subsequent showing in 06/67 on ABC - the edits,
and when it was finally shown complete.
5. Information on the sequels, and Van Sant's "recreation".
6. Full descriptions of deleted scenes from the original.
7. Some of the less inflated analysis on its symbolism, etc.
8. Most importantly: a cue by cue evaluation of Bernard Herrmann's magnificent score, including its unused parts.

Ok, Mr. Rebello, make it happen.
Until then, anyone who is at all fascinated with how an American
cultural landmark came together, (Yeah, I know, like Hitchcock used to say, "Oh,it's only a movie!")
GET THIS BOOK!


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As Good As It Gets

I found this book to be just wonderful from start to finish. The research is painstaking, the writing smart and lively, the degree of film industry know-how is evident on every page. In fact, the book strikes me as one of the few I've read on Hollywood to suggest that the writer actually knows his way around movie sets and knows how films get made. This book has none of the absurd (and insulting) armchair psychologizing that mars other Hitchcock books and there isn't a dry or pedantic paragraph in it from start to finish. I thought I knew a lot about Hitchcock and Psycho until I read this book. A job obviously undertaken with love and wisdom, superlatively done by Mr. Rebello. I had the pleasure of hearing the author lecture on Hitchcock on TV in London and in Tokyo and he was the standout of the whole affair!


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reviews: page 1, 2, 3, 4



Stephen Rebello's groundbreaking book offers the complete inside story on the making of Alfred Hitchcock's original Psycho, now seen as the forerunner of all modern horror thrillers. Rebello takes us behind the scenes for every step in the creation of this cinematic masterpiece-from the story's original inspiration to the controversy surrounding the creation of the famous shower scene. Drawing on new in-depth interviews as well as Hitchcock's private files, Alfred Hitchcock and the Making of Psycho is an eye-opening portrait of the artist at work.


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