In the humorous and heartrending story "Home in New Hampshire" a paraplegic woman watches the twenty-year-long disintegration of her marriage to an adulterous husband while her children leave home for college. It is pitch-perfect and emotionally profound.
It's a rare treat, indeed, to discover such a singular talent and voice as Daniel Stolar's. He renders the familiar new and the new familiar. He says what we all have felt but were incapable of saying. And he says it with a clarity and emotional resonance unlike any other short story writer in America. One can not help but cheer for the future of the short story form when it is in the hands of such a capable master as Daniel Stolar. Bravura, stunning, profound. In the Middle of the Night will make you want to stand up and cheer.
Stacey Cochran
While all eight stories are memorable in their own way, everyone is sure to have his or her favorites. Mine are: "Second Son," about a 70-year-old man whose closeness to his son from a second marriage atones for his remoteness to and impatience with an older son; "Fundamentals," portraying a young father who calculatedly raises his son with the forbearance his own father denied him; and "Mourning," concerning a college student who, following his mother's death, is rescued from emotional collapse by a benevolent classmate rendered aloof and indecipherable by an upper-class (read: WASP) upbringing. "Crossing Over," about a Jewish college student who pledges a black fraternity, seems to have received the most attention; it is a fine story, but reading it is uncomfortable--not so much because of the subject matter but because the many black characters in the story are nearly indistinguishable stage props for the protagonist's self-induced drama.
Although Stolar has written a story sharing the book's title (it was published last year in Bomb Magazine), it was omitted from this debut volume. In an interview with a reporter, he said that "[My editor and I] kept the title because it just seemed to fit. There's a point in each story where somebody is awake in the middle of the night." Indeed, it's a perfect title for this collection: these stories are about the emotional crises that make insomniacs of all of us.
Nearly all the stories are bittersweet and bring into clear focus how we are all truly solitary creatures and nobody ever really knows another person-regardless of how intimate they are. Nearly all the stories are written from the point of view of a secular Jewish protagonist, which is the cultural backdrop of the entire book. What Solar does a particularly good job with is writing from various lifestages-from young, to middle-age with children, to older and retired but with a young wife and teenage son. The stories also touch on a variety of issues from infidelity and the rending of a marriage, parenting, growing old, friendship, and interacting with people of other cultures.
Overall, this is a very impressive collection.