The main character of the novel is a boy named Horty. Sturgeon delivers a sometimes heartbreaking description of the little fellow's life. Orphaned as a baby, he spent time in an orphanage before being taken in (for all the wrong reasons) by a horrible judge and his weak-willed wife. All he really has in life is an old jack-in-the-box, the eyes of which consist of two remarkable crystals. As the novel opens, Horty has been caught eating ants underneath the school bleachers; here is your first clue that Horty is not your typical kid. His guardians, never kind and caring at the best of times, are furious, and the ensuing dramatic confrontation ends with Horty running away, leaving three severed fingers behind. He sneaks on to a carnival truck and finds himself living happily, disguised as a girl for reasons the novel makes plain, among a host of strange but caring "outsider" type of people. During his stay of several years, his severed fingers grow back and he does not grow at all, further clues that he is not a normal human child. The owner of the carnival is a rather vicious fellow out to destroy humanity with a source of crystal power he researches and experiments with obsessively. Eventually, all of the people Horty has known, both the good and the bad, come together for an inevitable confrontation. Horty can only survive by figuring out exactly who and what he really is.
The relationships between Horty and his carnival friends are really quite touching, and the evil of those who would use or abuse Horty is equally disturbing. Sturgeon can put an incredible amount of emotion into the shortest of sentences, and the reader definitely becomes emotionally involved in the story. One of the problems with The Dreaming Jewels, though, concerns the nature of the important crystals described in the story and the means by which they can provide power to anyone who can truly communicate with them. Some of the mystery is stripped away in the first few pages of the novel, although the small reference I refer to could be overlooked by the casual reader. The fantasy elements, in the end, just come off as slightly absurd. This does nothing to rob the novel of its immense human warmth, but it did have a somewhat negative impact on my reading of the book.
"Jewels" is a fascinating story. A key theme is the notion of being a "freak," an outcast. Sturgeon effectively explores the emotional ramifications of this theme, and vividly depicts his outcasts' search for love and community. He makes good use of the carnival setting in his narrative. Although the story's villainous characters are a bit shallow, the other characters are complex and well-developed.
Other important themes in "Jewels" include education, masquerade (including gender-switching), transformation, and communication in its many forms. Sturgeon explores both individuals' desire to dominate and abuse others, as well as the capacity for love and tenderness. Sturgeon's prose style is well suited for the complex task of this book. Overall clear and economical, his prose is at times richly descriptive, at times quite poetic.
At one point Charles Fort, the tireless documenter of strange phenomena, is mentioned in the book, and that reference is quite resonant. In "The Dreaming Jewels," Sturgeon embraces and celebrates those who are seen as weird or deviant, and discovers the humanity behind the freak show exteriors.