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Horror: A Thematic History in Fiction and Film
Darryl Jones

A Hodder Arnold Publication, 2003 - 224 pages

average customer review:based on 3 reviews
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Darryl Jones and the Masses

Jones is clearly a master of his craft: Mummies, vampires, and monsters from Frankenstein to the diabolical Body Snatcher, Jones gives us an insight into the horror genre while briefly touching upon his personal experiences--most notably, an entire chapter devoted to the traumatizing experience of having to consume a small family of Asians off the coast of Beijing with his cousin while still a mere child. It is disturbingly clear that Jones is far superior to any of us in both intellect and stature; If you don't buy his book, chances are he will go searching for you and, most likely, eat you while you're sleeping. I highly reccomend this book to anyone who is willing to look deeply into the black heart of both Jones and the Horror Industry.


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A doctrine to Gods and Monsters

Darryl Jones' book on the themes that horror has masqueraded in is a pleasure to read. Jones has a unique blend of all encompassing knowledge on the themes of Mad Science, Mary Shelly, Hammer Horror, Post Modern Horror, and the development of the vampire from Polidori, La Fanu and Stoker to Rice, Blade and The Lost Boys. Cannibalism also features in a chapter focusing on the Texas Chainsaw Massacre and Cannibal Holocaust entwined with a debate of censorship rampant in the horror world. Jones' unique writing style allows him some breadth of humour, first hand accounts and hindsight when discussing the cultural parallels of horror and modernity- how horror has associated itself with the chaos of culture and politics and the development of traditional horror motifs.

A book for those who wish to complete their knowledge on the purposes of horror, not only as a source of entertainment or psychological understanding of the human interest in base fears but in how the reaction to horror at specific moments in culture has backlashed or opened the debate of censorship, decency and how we interpret these terms. The book serves as an academic guide to horror and an indepth source for horror buffs alike. A humourous, well written read from a fantastic horror academic.


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Horror has an established tradition in both fiction and film. From books such as Frankenstein and Dracula to films such as Seven and The Blair Witch Project, the genre holds an irresistible appeal for modern audiences. But why? Is horror an anti-establishment force and an argument for social revolution? Is it a liberating expose of human nature and a peek at the dark side of the unconscious? Or is it pure evil, solely designed to corrupt and deprave? Starting from such questions about the nature of horror, this book offers an accessible history of the genre. Using examples from key Gothic texts of the Romantic period, as well as more recent popular novels and films, it approaches its subject thematically. It includes chapters on horror, religion and identity; "mad science," vampires and the undead; madness and psycho-killers; forbidden knowledge and books; narratives of invasion and pestilence; Satanism and demonic possession; ghosts and the ghost-story; and body-horror and metamorphoses.


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