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Diamond Mask (Galactic Milieu Trilogy)
Julian May

Del Rey, 1995 - 448 pages

average customer review:based on 10 reviews
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   highly recommended  highly recommended





A Diamond Whose Size Is Its Only Flaw

It was Julian May's novels of the Pliocene Exile that first introduced me to her concepts of metapsychic powers and the Galactic Milieu. I enjoyed them very much--but hesitated for some time before checking out any of the prequels of the Galactic Milieu Trilogy; I doubted they could be nearly as good as the others, lacking the hilarious antics of Aiken Drum. And now I must confess to being a convert! Aiken or no Aiken, _Diamond Mask_ and its predecessor won me over thoroughly.

Imagine it: in the not-too-distant future, humankind has learned that there really *is* life out there; moreover, that life down *here* is richer than was once thought. Psychic gifts have finally been recognized, and are being trained to their highest potential. New technology has made nearly everything we have today obsolete, and death has almost been conquered thanks to such miracles as genetic medicine and rejuvenation tanks. However, some things never change... and the tendency of mankind to get into messes is one of them. These ideas appeared in _Jack the Bodiless_, and continue to be brought to life by May's grand talent in this sequel.

_Diamond Mask_ doesn't only have an intriguing premise and fabulous writing; it is also possessed of a plotline that's deliciously chilling without being frightening enough to give one nightmares. The metapsychic monsters Fury and Hydra introduced in _Jack the Bodiless_ are still on the loose and as horrifying in their power--and their mystery--as ever, tangling now with entirely new characters. Enter Dorothea Macdonald, a lady as interesting in her own right as any Remillard... and another legend introduced the Saga of the Pliocene Exile. While I can't say the Blessed Illusio was quite as I imagined her, it was certainly a pleasure to learn her story. I look forward to its continuation in _Magnificat_.

If the book has a flaw, it's that it's too short: more information about Dorothea's early life would have been welcome; likewise, I wouldn't have minded a bit more insight into Jack and Marc's working relationship... or the lives of the various Remillards... or--well, all right, so it would have been nice to get more detail on any number of things. Still, _Diamond Mask_ is a delightful page-turner that I'd thoroughly recommend to series fans and those new to May's Milieu (though the latter may wish to read _Jack the Bodiless_ first) alike.


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Diamond Mask

This is a magnificent and intriguing publication. It is written with a magnificent sense of prose, and I literally devoured it in a few sittings. The journey of Dorathea Macdonald as develops into a paramount operent is filled with tragedies, loves, and denial. To be concise, its a great book!









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A focused and interesting continuation to a grand series.

Diamond Mask continues the Galactic Milieu trilogy which starts in Jack The Bodiless. If you have not read that book and the preceding series (The Saga Of The Pliocene Exile and Intervention) then you should not read this book. It is a well thought out and interesting book on its own, but it holds far more value when viewed in context with it's predecessors.

Diamond Mask is once again told as the recollections of Rogi Remillard, though for the most part this device dissolves into standard storytelling except when Rogi is directly involved. The book primarily focuses on Dorothea MacDonald (aka Diamond Mask). Her childhood, early life and her connection to the Remillard family through the entities Fury and Hydra (and later through Jack) are explored in this book. The development of her mental abilities and her major role in the Galactic Milieu takes center stage for most of the book. Fury and Hydra also become more of the focus of the book as Diamond Mask is heavily influenced by them in her childhood and in her later adult life.

Another focus of the book is Marc Remillard and his continuing development and increasing influence on the Galactic Milieu. This along with the growing rebellion against the Milieu is one of the main subplots to the book that get explored further in Magnificat, the third book in the series.

The characters are once again well thought out and though many years are skipped at times to move the story along it keeps us focused on important events instead of boring details. The pacing of the book is quick and the events revealed are momentous and it leaves you itching to get to the next book in the series.

This is everything a second book in a series should be. It is holds up well on its own, but it also neatly links up the preceding and following books in the series.


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Super Reader

The being known as Fury is still at work, and an obvious target is Dorothea MacDonald, perhaps the most powerful operant human alive. She lives quietly on the Scots planet Caledonia. When whe tells Fury to get lost, the Milieu discover her as well, and when she enters the Metapsychi Institute, she meets Jack Remillard. They realise they are meant to be together, as Jack is the only other human with her power level.

A rebellion is brewing, and Caladonia is part of it. The rebels need more power, and Marc Remillard is someone they are interested in. It seems that the two brothers will be on opposite political sides.


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A typical middle volume

"Diamond Mask" follows the adventures of the alternatingly lucky and luckless Remiellards and their friends (human and otherwise), starting when Jack is a teenager and continuing to almost the start of the Metaphysic Rebellion. The main event in this volume is the introduction of Dorothea McDonald, who we first see as a child when her mother is murdered my Hydra. I will posit that the characterization in "Diamond Mask" is magnificent, as it is in any Julian May novel. Everybody is entirely real, rounded, and has motivations that make sense.

This is good, of course. However, once you have created a cast of worthy characters, the question becomes: what are you going to do with them? Truthfully, the answer here is: almost nothing. The first half of the book contains only one plot event. The second half is only a minor improvement. Everything moves at an achingly slow pace. Passages covering Dorothea's background and upbringing are particularly irritating, because often times they're not even focused on the character. We get pages and pages of mechanical details on how to harvest air plants on Caledonia. Exucse me, could we get back to the story, please?

Another issue is the forshadowing, of which there is far too much. For instance, the narrator informs us early on that Hydra does successfully carry out the murders in the Hebrides. Then seventy pages are spent building up to the grand murder scene ... but we already now what's going to happen! Perhaps the publishers demanded a trilogy when May only had enough material for a duology. But consider, "Jack the Bodiless" already gave us substantial information about two storylines: the Metaphysic Rebellion, and the struggle against Fury and Hydra. At the end of "Diamond Mask", the rebellion hasn't yet started and Fury is not yet defeated. In short, we've run through 434 pages and not gotten any closer to the goal line. The problem is not that the writing is bad (it's good) or that the individual scenes are decently engaging (they are), but rather that we're flying in a holding pattern while the real story doesn't advance at all.



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reviews: page 1, 2



The 21st century was drawing to a close, and metapsychic humankind was poised at last to achieve Unity -- to be admitted into the group mind of the already unified alien races of the Galactic Milieu. But a growing corps of rebels was plotting to keep the people of Earth forever separate in the name of human individuality. And the rebels had a secret supporter: Fury, the insane metapsychic creatrue that would stop at nothing to claim humanity for itself. Fury's greatest enemy was the mutant genius Jack the Bodiless, whose power it craved. But Jack would never be a tool for Fury . . .
And so it turned to Dorothea Macdonald, a young woman who had spent a lifetime hiding her towering mindpowers from the best mind readers of the Milieu. But she could not hide them from Fury -- or from Jack. Time and again she rejected their advances, unwilling to be drawn into the maelstrom of galactic politics or megalomaniacal dreams. And in the end, no one -- not Jack, not Fury, not even the Galactic Milieu -- would be a match for the awesome powers of the girl who would come to be called Diamond Mask . . .



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