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Black & White
Dani Shapiro

Knopf, 2007 - 272 pages

average customer review:based on 15 reviews
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   highly recommended  highly recommended





Relationships are Never Black and White

I loved this book. Other reviewers have sufficiently explained the story line, so I will stick with what more of a thematic review. The overarching principle of the book is that there is no such thing as simple black and white (right/wrong, love/hate) in relationships. Life is nuanced, as are our decisions and motivations. It would be simple to write off Ruth as a horrible selfish mother who didn't love her daughter, but SHapiro avoided the easy, cliche characterizations and offered us a family that had love despite the tensions that tore them apart.

Shapiro wrote vivid, accessible characters -- they are not simply good or bad either. For instance, Peony (Ruth's assistant) drove me crazy but I could also understand that she acted out of loyalty to Ruth. Clara's hurt and anger towards her mother was understandable, but there were still times when I wanted her to just get OVER herself. Every character, with perhaps the exception of Clara's father, had a carefully balanced character. (as a side note, Clara's husband and father are perhaps the most idealized characters. This is very much a book about mothers, daughters and sisters, more so than about the men who love them.)

The one weakness I found in the book was that the dates are not accurate. Clara is in 4th grade in 1982 (two years after John Lennon was killed) but then is in September of 7th grade when the iconic Vogue cover featuring the Lacroix jacket and faded jeans comes out. THat issue was actually Anna Wintour's first issue as EIC and came out in November 1988 -- Clara would have been in 11th grade in 1988.


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Creepy but good

This idea that D.Shapiro created was very creepy in my opinion but how the story unravells was great. I really enjoyed this book very much in a dark kind of way, but couldn't put it down. I put myself in this girl's shoes and felt very emotional about the whole picture thing. If a book can make me feel like that than I would recommend it.









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Very similar to another book....

First things first, I have not read this book.

I was at the library today and picked it up. While reading the inside cover, I was overcome with a "haven't-I-read-this-before type feeling." The premise of the book is alarmingly similar to Miranda Beverly-Whitmore's "The Effects of Light"...down to the famous photographer's first name. Too many similarities for my liking.


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this novel is not black and white!

Loved the storyline and the many different emotions it uncovered yet I felt the characters lacked some development. There are so many issues this story touches on...sisters, marriages, exploitation, pornography, age of reason, etc that I thought if this were a book club book, we'd have to make it an extra long discussion.
As I said in my title, I loved the play on words in the book title, b/c all though the photos were in black and white...this story is positively grey on ethics.



reviews: page 1, 2, 3



From the author of Family History (?Poised, absorbing . . . a bona fide page turner??The New York Times Book Review) and the best-selling memoir Slow Motion, a spellbinding novel about art, fame, ambition, and family that explores a provocative question: Is it possible for a mother to be true to herself and true to her children at the same time?

Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter from the ages of three to fourteen. The Clara Series, which graced the walls of museums around the world as well as the pages of New York City tabloids that labeled the work pornographic, cast a long and inescapable shadow over its subject. At eighteen, when Clara might have entered university and begun to shape an identity beyond her sensationalized, unsought role in the New York art world, she fled to the quiet obscurity of small-town Maine, where she married and had a child, a daughter whom she has tried to shield from the central facts of her early life and her damaging role as her mother?s muse.

Fourteen years later, Ruth Dunne is dying, and Clara is summoned to her bedside. Despite her anguish and ambivalence about confronting a family life she has repressed and denied for more than a decade, Clara returns. She finds Ruth surrounded, even in her illness, by worshipful interns, protective assistants, and her conniving art dealer.

Once again, she is Clara Dunne, the object of curiosity, the girl in the photos. Except this time she has her own daughter to think about?a girl who at nine looks strikingly like the girl in Ruth?s photos?and she yearns to protect her, to insulate her from the exposure that will inevitably result when her two worlds, New York and Maine, collide.

As Clara charts a path connecting her childhood with her adult life, Shapiro?s novel weaves together past and present in images as stark and intense as the photographs that tore the Dunnes apart. A brilliant examination of motherhood?a novel that pits artistic inspiration against maternal obligation and asks whether the two can ever be fully reconciled?Black & White explores the limits and duties of family loyalties, and even of love. Gripping, haunting, psychologically complex, this is Shapiro at her captivating best.




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