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Interviews/Entrevistas
Gloria Anzaldua
Routledge
, 2000 - 320 pages
average customer review:
based on 2 reviews
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a womb with a skew
I took this with me on vacation, after earlier reading "La Frontera", and I believe the two should be read together. Gloria is the anti-white guy writer, no, not that she is anti-white guy, but that she is barely hanging on the fringes of American mainstream society. In a class I took, some of the Caucausian men thought that Gloria should "get over" her angst and anger. I say, I think she has only begun. I'd like to see her write some fairy tales, since she has so much--I think it's called "magic realism"--in her poetry in La Frontera. "Entrvistas" is like another window onto her writing mind, and the cool thing is that it's like an oral history--all
interviews
. A neat, and so non-traditional, way to write and communicate.
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Another great book from AK Press
In this memoir-like collection, Anzaldua explores the intersections between her life, her writings, and post-colonial theory. The
interviews contain
clear explanations of Anzaldua's concept of the 'Borderlands' and 'mestizaje'; her use of the term 'New Tribalism'; and what she calls 'conocimientos' - alternate ways of knowing that synthesize reflections with action to challenge the status quo.
Gloria E. Anzaldúa, best known for her books Borderlands/La Frontera and This Bridge Called My Back, is one of the foremost feminist thinkers and activists of our time. As one of the first openly lesbian Chicana writers, Anzaldúa has played a major role in redefining queer, female, and Chicano/a identities, and in developing inclusionary movements for social justice.
In this memoir-like collection, Anzaldúa's powerful voice speaks clearly and passionately. She recounts her life, explains many aspects of her thought, and explores the intersections between her writings and postcolonial theory. Each selection deepens our understanding of an important cultural theorist's lifework. The
interviews contain
clear explanations of Anzaldúa's original concept of the Borderlands and mestizaje and her subsequent revisions of these ideas; her use of the term New Tribalism as a disruptive category that redefines previous ethnocentric forms of nationalism; and what Anzaldúa calls conocimientos-- alternate ways of knowing that synthesize reflection with action to create knowledge systems that challenge the status quo.
Highly personal and always rich in insight, these interviews, arranged and introduced by AnaLouise Keating, will not only serve as an accessible introduction to Anzaldúa's groundbreaking body of work, but will also be of significant interest to those already well-versed in her thinking. For readers engaged in postcoloniality, feminist theory, ethnic studies, or queer identity, Interviews/
Entrevistas will
be a key contemporary document.
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