Here's Where the Spenser Books Start Getting Silly

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	• A Catskill Eagle Robert Parker Dell, 1986 - 384 pages average customer review:based on 28 reviews view larger image
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highly recommended

Looking for Susan Silverman

In this episode of the Spenser series, Spenser receives a cryptic note from Susan; she needs him to come to California. Hawk is in jail and she is afraid she might be in trouble. This is all the coaxing Spenser needs to drop everything and head to California, where he immediately sets out to break as many laws in as creative ways as possible ("It's not easy to mumble to yourself if you don't feel moved to mumble. I didn't know what to mumble and finally began to mumble the starting lineup for the impossible-dream Red Sox team of '67"). Along the way he gets hooked up with governmental agencies with whom, for a change, he has a goal in common - get rid of Jerry Costigan, the father of Russell Costigan, the other man in Susan's life. Then things get complicated . . .

A transitory chapter in Spenser's life - he and Susan begin to work out their differences, which is great. He and Hawk bond and Susan and Rachel Wallace (who makes a return appearance in this book) begin to catch a glimpse of the mystery that is Spenser and Hawk's friendship. Throw in some illegal immigrants basically being used as slave labor whose revolt Spenser and Hawk use to get to Susan, secret bases hidden in mines in Idaho and some typical Spenser kicking butt, and you have a great Spenser novel.

For those who are reading them randomly - please stop. Read them in order. Believe me, it makes all the difference in the world!

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Susan gone bad!

An entertaining enough outing for Spenser and Hawk, with the added bonus of Susan showing some flaws. She even seems to eat a whole meal at one point! The villian is extra-evil this time, and his wife is fat--therefore super-evil. One major flaw is a preposterous plot twist that has Spenser and Hawk hired by the all-knowing villian: what, he's too busy corrupting the planet to check references? Of course Susan goes back to perfection by the end, but a reader can hope that her penchant for Oedipal married men will crop up again in the future...

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Here's Where the Spenser Books Start Getting Silly

A CATSKILL EAGLE is the twelfth Spenser novel, and it's the first one with a really silly plot. The absurdity of the story makes this book difficult to thoroughly enjoy.

In this novel, Susan Silverman hooks up with a new boyfriend whose father just happens to be a evil arms dealer (and a white supremacist and anti-semitic to boot). Spenser and Hawk try to rescue her and somehow hook up with the CIA (!) who enlist them to covertly kill the arms dealer. The conclusion of this book involves Spenser breaking into the arms dealer's fortress and going through a secret tunnel to kill him.

Anyway, the whole plot of A CATSKILL EAGLE is absurd, and it's only Parker's snappy writing that makes this novel worthwhile. This is one of my least favorite Spenser novels, and I would definitely not recommend it to a newcomer to Parker's work. My advice would be to read PROMISED LAND, LOOKING FOR RACHEL WALLACE or EARLY AUTUMN first. Those novels have much more realistic, compelling plots that show Parker at his best.

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I'm in awe

Spenser gets a note from love-of-his-life Susan, saying she's in trouble and Hawk's in jail. Seems her new lover, Russell, is possessive and part of a powerful family, and when she'd asked Hawk for help, Russell had him framed for murder.

So Spenser has to break Hawk out of jail, and rescue Susan... although Susan's not quite sure she wants to be rescued. And there are the corrupt cops and the FBI and CIA to deal with as well.

The action/mystery part of the book is exciting and just plain fun. I always love seeing Spenser and Hawk in action, and this is no exception. Just the scene of Spenser breaking Hawk out of jail was worth buying the whole book.

The personal/emotional part, though, is dark and both painful and joyous. Spenser loves Susan, and she loves him, but she also loves Russell. Something about their relationships, the way they're written, touches a chord deep inside (I know that sounds uncharacteristically fanciful, but it's the best I could come up with to describe it). Parker has a genius for conveying his characters' deeper feelings without resorting to flowery language--the essence of "show, don't tell."

I was a bit dissatisfied at first with Russell--it was understandable that Susan would pick someone very different from Spenser, but there didn't seem to be anything about him that would make Susan choose him. Then it clicked: it's in Spenser's POV. Duh. He's not going to see the same things in Russell that Susan does, nor does he want to. It's enough for him to know that Susan loves him. And when I realized that, I was awed all over again.

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reviews: page 1, 2, 3, 4, 5, 6

In the detective business, Spenser sometimes has to bend the law. Other times, to break it. But he lives by his own inviolate rules. And he loves just one woman -- even though she is the one woman he's just lost.

So when Susan's desperate letter arrives, Spenser doesn't think twice. His best friend, Hawk, faces a life sentence. And Susan has gotten herself into even bigger trouble. Now Spenser has to free them both...even if it means breaking his own rules to do it.

"If you like tight writing, no wasted words and interesting characters, Parker will be your cup of tea." (USA Today)

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