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Houses without Doors (Signet)
Peter Straub

Signet, 1991 - 464 pages

average customer review:based on 13 reviews
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Evocative, But Never Pretentious

This collection of short stories lifts its title from an Emily Dickinson poem ("Doom is the house without a door..."). There is a sense of doom pervading each of the stories, as the major characters are cursed by psychological maladies (psychosis, repression, obsession) or are forced to interact with powers beyond their (and our) comprehension. Some of the stories end with the characters clearly not escaping their doom (most notably in "The Buffalo Hunter"), while others leave it to the reader to guess at the outcome ("Mrs. God," "The Juniper Tree"). All of the stories, including the interludes, work overtime to produce a dark mood and an off-kilter worldview.

"The Buffalo Hunter" and "Mrs. God" were my favorites. The former presents a loner who gets lost in his own imagined relationships and later in the paperback novels he reads. I'm a fan of Raymond Chandler's work, so Straub's pastiche of "The Lady in the Lake" was particularly enjoyable. If I were more familiar with Anna Karenina I might have had a better appreciation for the ending of the short story, but as it was I sensed something bad coming and Straub didn't disappoint. "Mrs. God" felt a lot like Ghost Story to me; particularly nice was the way Henry James and other authors were woven into the piece. I had read "Blue Rose" when Penguin issued it as a stand-alone mini-book in the mid-90's; it's the "oogiest" of all the stories - even the second time through it still creeped me out and made me slightly nauseated.

I enjoyed these stories a great deal. Straub can be crueler and more terrifying than some of his contemporaries, even while his syntax and phraseology are more refined. If you're a fan of Straub's or the psychological/horror genres in general you'll likely enjoy this book. Beyond that, there aren't many to whom I'd recommend this collection of short fiction, unless it would be a student who wants to see how words can be used effectively to create mood and transport readers to worlds they'd not likely find on their own.


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A spectacular collection of short fiction which includes the seeds of Straub's powerful Blue Rose trilogy.

"You expect the horrifying in the fiction of Peter Straub...and you get it." (New York Times)

"Straub at his spellbinding best." (Publishers Weekly)



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