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Motherless Brooklyn
Jonathan Lethem

Faber and Faber, 2004 - 311 pages

average customer review:based on 201 reviews
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   highly recommended  highly recommended





A gift from a friend on Court Street in Brooklyn

An old friend of mine gave me this book as a gift. He is my only real connection with Brooklyn. I visited him there several times when he lived on Court Street and we walked its length while he told me stories about his experiences in the neighborhood and the minor wiseguys who sat at the table outside the Italian grocery across the street from his apartment.

Motherless Brooklyn was a gift he chose presumably because of this brief, shared Court Street experience. Much of Motherless Brooklyn takes place on our around Court Street and its place names like Cobble Hill and Carroll Garden are familiar to me. It was a sweet gift.

I've just finished reading it and I really enjoyed it. It was difficult to put down.

It is an endearing story of New York - endearing in spite of its themes of homicide and betrayal. The narrator - an orphan, a borderline gangster/hood with a serious case of Tourette's Syndrome endears himself to the reader.

I loved a scene later in the book that took place in Coastal Maine. It was written by someone who clearly understands and loves the region.



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Memorable, Also Wearying

When I heard of an upcoming movie with Edward Norton (one of my favorite actors), and discovered it would be based on a Jonathan Lethem novel, I was compelled to read "Motherless Brooklyn" for myself. I'm new to Lethem's work, and so it was with great relish that I found myself swept into the rich and strange world of a man with Tourette's.

Lionel Essrog is a masterful creation, one of those fictional characters that can carry, even overwhelm, a story--as he does here. He's an orphan, a kid growing into a man on the streets of Brooklyn. Lethem opens his story with a stake-out and then the untimely--and by no means natural--passing of a fatherly figure in Essrog's life. From there, Lethem leads us through the rabbit warrens of Essrog's thinking processes, while Essrog tries to deduce the perpetrator of the crime. Essrog's character and his interactions with others, not to mention his own internal struggles, elevate this average mystery plot into something more.

Essrog is alternately funny, wise, and eccentric. At times, I found myself simply weary of being in his presence. This underlines Lethem's ability to capture the ticcing personality of his protagonist, but it also led to occasional distractions for me. Or maybe I was simply mirroring. Without Essrog's rants and rambles, the book would be cut in half, leaving a bare-bones mystery.

If you enjoy memorable and quirky characters in your novels, this book is one not to be missed. I can't wait to see Ed Norton's portrayal of Essrog, and I can only hope they capture Lethem's magic on the screen.


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Wonderful and original

This is a great book and very original. It blends together originality, an insight into Tourette's syndrome and a detective novel without losing anything on the way.

Highly recommended.







The star of small time

In "Motherless Brooklyn", Lethem created a world of small time. Small time mobsters employ much smaller time Frank Minna who employs tiny time Minna Men, of whom Lionel Essrog is the star. His star status is not obvious to everyone. To most around him he officially is a freak, with outbursts of verbal gobbledygook and repetitive jerky motions which scare and befuddle people. Minna, his one real friend, has known him for a smart guy all along, but this is only revealed by the end of the book. And it is at the end of the book that Minna's wife sees Lionel the way Minna saw him and that Lionel ends up earning respectful treatment even from the mobsters.

The readers are in a much better position. We see Lionel as a star from the very first pages: we would much rather listen to him than to any other character in the book. His Tourette's tics are hilarious, and his irony, borne out of inability to suppress them, no less amusing ("You are Lionel Essrog, aren't you?" - "Unreliable Cheesegrub", I corrected). This freaky schlemiel, this giant fly on the wall turns out to be the star student of Minna's and acts as a veritable wise guy: he takes matters into his hands, figures out interests and roles of one organization and 5-6 individuals involved, avenges the death of his friend and negotiates a saner life for him and his friends.

The spirited portrait of Lionel is fresh and memorable. The supporting characters are cast in vivid colors: take the colossal Polish hit man squeezing the juices out of kumquats or a flock of nervous doormen playing mafia...

A beautiful portrait in a fetching frame.


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Good energy and a fresh voice carry this novel. I enjoyed it, and sought out other books by Lethem.

His short stories are wildly creative. And his introduction to an extraordinarily well-written and well-plotted book It Happened in Boston? (20th Century Rediscoveries) by Russell Greenan was a bonus !


reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10



From America's most inventive novelist, Jonathan Lethem, comes this compelling and compulsive riff on the classic detective novel.

Lionel Essrog is Brooklyn's very own Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank, the charismatic King of Brooklyn, would be unimaginable. When Frank is fatally stabbed, Lionel's world is suddenly turned upside-down, and this outcast who has trouble even conversing attempts to untangle the threads of the case, while trying to keep the words straight in his head. A compulsively involving a and totally captivating homage to the classic detective tale.

Performed by Steve Buscemi


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