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Chord Tone Soloing: A Guitarist's Guide to Melodic Improvising in Any Style
Barrett Tagliarino

Musicians Institute Press, 2006 - 112 pages

average customer review:based on 12 reviews
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   highly recommended  highly recommended





TJL Chord tone soloing

Excellent for any musician who wants to know how to play solos over changes. Highly recommended - I bought this for a friend as well!


Great for beginner/early intermediate students

The title of the book is a litle deceptive. I would have guessed that it would be about arpeggios, when in fact it covers scales/modes as well. Of course, as you play the scales, the chord tones are the connecting points. In short, I can see how this book could be useful for a guitarist who wants to move beyond the basic rock stuff and start playing music with a more sophisticated harmonic basis. However, if you're already conversant with using scales and arpeggios over chord changes, you're not going to pick up anything new here.




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Really great!!

This book is helping me more than any other book I have ever had. I went to GIT for nine months, completed a one year professional guitar certificate through Berklee School of Music (online) and have been studying music for over 25 years.

Barrett Tagliarino, you are awsome!!!






Barrett's a Great Teacher!

Chord-Tone Soloing is one of the few books on the market that looks at a very important topic in guitar playing. Athough most amateurs are unaware of it, the majority of great guitar solos, especially those that aren't blues based, are very tied into chord tones, and most great players, whether they are fully conscious of it or not, hit chord tones at just the right moments in their solos. That's why theirs sound so much better than ours do!

In this book Barrett Tagliarino, who is much more concerned with teaching than he is showing off, tells you what notes to target and just as importantly, when to hit them. Indeed, there is a lot in here about timing, which is something those of us who have never practiced with a metronome or had formal training need some help with. I'm not just talking about having a "natural" sense of rhythm; I'm describing the ability to hit certain tones on certain beats so they really stand out. Barrett explains this quite well.

If you are wondering why just wanking around the pentatonic scale doesn't sound right in some songs, or if your soloing is in a major rut, check out this fine book. And give it time--many of these exercises take practice and patience, but in the end, your soloing will be vastly improved.




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Learn how the professionals create monster solos with this easy-to-use book/CD pack! The accompanying CD includes 68 tracks of exercises, licks, solo examples, and play-alongs. Includes all necessary foundation materials; detailed instructions on how and what to practice; essential concepts for players at every level; developing your real-time melodic reflexes; soloing over any progression in any style of music; using chords as an endless source of ideas; and more.



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