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Improvising Jazz (A Fireside Book)
Jerry Coker

Fireside, 1987 - 128 pages

average customer review:based on 7 reviews
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   highly recommended  highly recommended






Good for depth and perspective, not for practical learning

If you're starting to learn playing jazz, this is *not* the book. There are plenty of others like Amadie's and Ferrara's that are more immediately helpful in this regard.

With that out of the way: "Improvising Jazz" is an excellent source of unique perspective, advice, and experience from a noted jazz educator, Jerry Coker. Coker focuses not only on how to play but, on another level, how to learn and how to develop further. You will want this book in your collection to gain further depth and pespective on the subject.

There is advice on how to approach your first jam session, developing the ear, combining intellect with spontaneity. The later chapters on analysis of melody and functional harmony, first written in 1964, were probably the one of the first systematic attempts to "organize" jazz theory. You definitely get the sense that this is a major source material for reference books such as "Modern Jazz Piano" by Brian Waite.


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Jazz understanding

Good book if you are a jazz student or want to improve your improvising. Work book parts are a bit small. Print could be larger to help us older semi-blind students. Great resource.









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An Overview of General Concepts

I purchased my first copy of "Improvising Jazz" in 1980. I had been practicing and performing jazz at high school for about a year and this book said all the things I needed to hear at that time in my music career.

What's interesting is that the content isn't really meant to be practiced or developed or anything like that. It's more of a general overview of the basic concepts and ideals of jazz improvisation. "Improvising Jazz" explains things like Swing, Melodic Development, the Role of the Rhythm Section, the Diminished scale and Functional Harmony. Thanks to this book, I had a firm understanding of "functional harmony" before I even entered college and this was partly responsible for my success in all of my theory classes.


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A Classic

I had the first edition of this book when I was learning to play jazz piano in the early 1960s. It's a classic that every jazz musician should own, even if it has been superseded by more comprehensive works. It's a little short on piano voicings, and the language is definitely aimed at beginners. But it's a fun read for musicians at any level.

And in the back of the book ...

To avoid paying royalties, Coker prints scores of standard tunes with only the chord changes -- no titles or melodies. It's great fun figuring out what the tunes are. Some of them still have me stumped ...


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The Strunk & White of jazz improvisation

I started improvising Jazz back in the early 70's. Back then every serious player I knew owned a copy of Jerry Coker's "Patterns for Jazz". Somehow, I missed owning a copy of "Improvising Jazz" until just a week ago. This book, published in 1964, is awesome. It's packed with insight and applicable techniques regarding improvisation that are as fresh today as they were nearly 40 years ago.

If you already own Pattern's for Jazz, this book is totally different. "Patterns" is a 99% music whereas "Improvising" is 90% discussion and application with the music used to illustrate the discussion.

My favorite passage is an excerpt the author takes from Richmond Browne on what makes a solo interesting to various listeners. Find this on page 15!

It's a small book to be sure. However, this just means that it can be read over and over and physically kept in your case. Think of it as a "Strunk & White" for jazz.


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