The Entire Teachings In One Volume

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	• Tales of Power Carlos Castaneda Washington Square Press, 1991 - 304 pages average customer review:based on 22 reviews view larger image
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highly recommended

Hey you like Carlos or you don't!

I haven't read all his things but I read his mind unless it's he reading mine! You either have a head for this stuff or you do not. I really enjoyed the few books of his I have read.

The Entire Teachings In One Volume

If you could only choose to read one of Carlos' books, this has to be the one. For those who aren't familiar with the books, this is the sixth. The first three, expected by most readers at the time of publication to be a "trilogy", describe the first several years of Castaneda's apprenticeship to a native nagual, or shaman in Sonora and other parts of Mexico.

In the first volume Carlos describes the weird rituals and exercises that his teacher puts him through as he trains him in the ways of his line of sorcerers. It concludes with a quasi-scholarly analysis, really nothing more than an outline of the concepts of his teacher's world-view. This book focuses on the concept of living like a warrior and the book is structured as a question and answer sequence between student and teacher.

In the second book, whose time frame has a good deal of overlap with the first book, carlos' activites center around coming to believe that the world is an artifical construction of the human ego, a fantasy that we all choose to agree on. Don Juan batters Carlos with psychotropic drugs to break down his ego and force his consciousness over to the other side of awareness, beyond normal human perception.

The trilogy concludes with Carlos pursuing "stopping the world". This offering portrays the final challenge along the path to becoming a sorcerer. The apprentice will be faced with his own imminent death, and either stop the world, disassembling and reassembling "reality" in a way that ensures his survival, or accept death and enter the eternal realm. Obviously Carlos survives, as he wrote a book about it, and in the process spawned an immense controversy. What was all this bizarre stuff? Was it real? Was there a real Don Juan? A Don Genaro? The debate went on and still goes on, in a greatly diminished form, to this day.

The sixth book continues into the time after the cliff jump in book three, but it does a lot more than that. In this book, Don Juan explains to Carlos how it all works, why he was selected for this task, and what he's supposed to do from this point on. In typical thick-headed fashion, Carlos stumbles on, writing it all down, and seeming to still miss the real essential points that the teacher is making. What's good about this book is that it explains all of the goings on in the first three books, as well as how the sorcerers structure their view of reality. Very powerful stuff.

The remainder of Carlos' writings are very obscure, fastastical, and just downright strange, except for "The Active Side of Infinity", written towards the end of his life.

Don't get me wrong, I love CC, I've been reading him since 1971. I've read every book, multiple times, as well as his wife's book, and books by detractors and debunkers, and a great many articles and papers on him and his work. If you like it, read them all, it's great literature if nothing else. But if I could only have one. This is it.

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To Carlos, with gratitude

Carlos Castaneda was one of the most controversial writers of the twentieth century. Some in academia branded him a fraud for claiming his stories were biographical rather than fiction, while lauding him as a great novelist for exposing a mass audience to otherwise inaccessible philosophical abstractions they claimed were largely plagiarized. Each of his works is a piece of a larger puzzle, which makes it impossible to critique any one book without addressing the larger context into which it fits.

His first two books, "Teachings of Don Juan" and "A Separate Reality" describe experiences induced by ingesting psychotropic hallucinogenics prepared by a Yaqui Indian shaman from Sonora, Mexico he called don Juan Matus, and accounted for his becoming a guru to a generation seeking short cuts to spiritual enlightenment, as well as his lifelong interest in the relationship between perception and reality, a theme now explored in many popular books on consciousness and quantum physics. Unfortunately, these books remain his best selling works, in spite of Castaneda refuting their importance in his later works. Readers would be best served to skip these and avoid the risk of being turned off to Castaneda and missing the more stimulating works that followed.

His third and fourth works were "Journey to Ixtlan" and "Tales of Power." In Ixtlan he admits to over-estimating the value of his drug experiences, which caused him to overlook the more profound teachings of don Juan which became the focus of future writings. What emerges is a spiritual discipline dating back to the Pre-Colombian Toltec sorcerers of Latin America, culminating with don Juan's departure from our world, effectively ending Castaneda's direct affiliation.

In his fifth and sixth works "Second Ring of Power" and "Eagles Gift" Castaneda suffers strange flashbacks of what seem to be memory fragments of events he is unable to fit into any logical time sequence. In his seventh and eighth works, "Fire From Within" and "Power of Silence," Castaneda succeeds in reconstructing his lost memories, which derive from teachings previously administered by don Juan while Castaneda was in a "heightened" state of awareness.

In books nine and ten, "Art of Dreaming" and "Active Side of Infinity," Castaneda focuses on what he describes as inorganic predators from another dimension, some having the power to imprison humanity in "ordinary reality" so they can feed on the dark emotional energies we produce when succumbing to the negative thoughts they insert into our minds.

In later years several seemingly substantiating works appeared by two of Castaneda's female apprentices, Taisha Abelar and Florinda Donner-Grau. In addition, two scathing exposés were also published by two of his ex-wives. The first, "Magical Journey with Carlos Castaneda" by first wife, Margaret Runyon, offers little corroboration, since her marriage pre-dates the time when the bulk of Castaneda's adventures were claimed to have occurred. While steadfast that Castaneda was a sorcerer, she doubts the existence of don Juan, even claiming authorship of many of the concepts Castaneda ascribed to him.

The second, and more credible work, is "Sorcerer's Apprentice," by well-known writer Amy Wallace, daughter of the late best selling novelist Irving Wallace. Here again, we find little corroboration since the time of the events she describes is well after the period when Castaneda's relationship with don Juan is alleged to occur. What the book does provide is a troubling look inside Castaneda's final years, a picture of descent into what seems sexual addiction and possibly madness, leaving one to wonder if Castaneda was just one cup of cool-aid short of a Jonestown.

Many have asked why I put any stock whatsoever in Castaneda. A story from my autobiography, "The Vortex" may shed some light. A year before Castaneda published his first book I had an experience that would remain a mystery until Castaneda published "Power of Silence" twenty years later.

For a brief time, in my youth, I became a practicing Muslim, meticulously performing the complex prayer ritual five times a day. Then one night, sitting in my car, frustrated and complaining at not being able to find the address of my next sales appointment, something inside me snapped. It was as if some part of me had disconnected from my body and assumed control, lecturing me about my lack of discipline. A profound calm settled over me, rendering me simultaneously detached and engaged. For two days my sales figures soared. It was as if no one could say no to me. On the evening of the second day I decided to put my new state of being to the acid test by visiting my parents. Their behavior was so uncharacteristically supportive I hardly recognized them. It was enough to convince me that I was now living in an altered reality. But by the following morning I had returned to "normal." So distracting had this event been that I completely forgot to perform my Muslim prayers, and in fact, never did so again.

Twenty years later, in a chapter of "Power of Silence" entitled "Place of No Pity" Castaneda describes a very similar experience. In the aftermath of the event don Juan explains that humans are like televisions stuck on a channel called "self-preoccupation," lacking the energy to tune into any of the vast array of other channels available to us. To change channels, he explains, we first need to accumulate energy, by practicing rituals that are deliberate, precise and repetitious. Do this long enough and eventually our stored energy precipitates a shift to a channel where self-importance and self pity become impossible. Once this happens we connect with the force that controls the entire universe, a force don Juan called "intent," and everything can be bent to our will and even more channels can be opened, assuming we remember to keep practicing the rituals that save our energy.

This one realization alone was enough to inspire me to dedicate my autobiography "To Carlos, with gratitude."

Maxwell Austin van Lack, Author of The Vortex: A True Story of Passion and Karma

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reviews: page 1, 2, 3, 4, 5

Don Juan concludes the instruction of Castaneda with his most powerful and mysterious lesson in the sorcerer's art -- a dazzling series of visions that are at once an initiation and a deeply moving farewell.

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