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Irresistible Empire: Americas Advance through Twentieth-Century Europe
Victoria de Grazia

Belknap Press, 2006 - 608 pages

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   highly recommended  highly recommended





BRAVO de Grazia!

As someone who reads for a living, let me commend the work of Professor Victoria de Grazia: Irresistible Empire. You see, to write a review, one must not only READ the book, but UNDERSTAND what's read! Professor de Grazia makes reading her book an educational,enlightening pleasure.I read Irresistable Empire prior to interviewing Prof.de Grazia on my radio show. My producer Bun-E and I select books/interviews that will enlighten and entertain our diverse audience. The book MUST be 'readable', for which Irresistable Empire receives an A+AND relevant, another A+!!We've been told by listeners that this book's a great choice for Christmas lists! The entertaining style that Victoria de Grazia writes enhances the reader's ability to understand the "Americanization of Europe" - as much has been written about the subject but little has been understood prior to this book. A book that educates in a very entertaining style?-that's Irresistable Empire!!!


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An Empire Is In China, Not America.

Triumph of the American consumers over Europe? Never in a million years! What we need is a little of the European culture to rub off on us crude Americans, especially those with all the money who flaunt their wealth and power. It is only temporary. Any disaster could wipe them out and they'd be as poor as some of us and have no power of persuasion to the king pins. Today, in America, money is all that matters. If you have none, then you are a nobody.

I know you can't judge a book by its cover, but sometimes an unusual cover can grab a reader's attention when another more drab would not. The girl on the airplane engine dressed in a '60s outfit complete with flowered cowgirl hat looks like a young Jackie Kennedy, the closest thing we ever had to royalty in America. She was the style maven back then (with her Marilyn Monroe voice), but she was always a lady and, like Diana, loved the colorful hats. They could make or break the outfit!

This was more like a romp through Europe than an "advance." After all, we're not talking war here. How about the movies? The 'Brave New World of Manhattan" of the Twenties was the model for the super-modernistic film, METROPOLIS, which was filmed in Berlin in 1926. See THE ISLAND for a post-modernistic plan for life in America. 'Metropolis' was a "technical marvel with feet of clay" -- three years in the making saw the end of illusions; no interface between European and American filmmaking.

From the Dresden file: "Nobody was made to go it alone.
Either they marry or a club they join...
Club life is as old as mankind itself
Club life, the dance around the golden calf.

The times have not changed. People have. They still kneel down to the golden calf, and wish they had all the money in the world. But they would not be any happier. They might get a 'high' spending all of that ill-begotten cash, but then when it is gone, they are back to the old 'do-nothing' attitude. Attitudes need to change. Church can help if you will keep your independent spirit and not be led around by the nose.

Chain stores have demolished the art of buying and supplied us and the world with cheap goods, there is no fun in shopping anymore. Where is the glamour of all the beauty in merchandising and the desire to look beautiful. To be beautiful in today's world, besides using lots and lots of makeup (men and women) and dressing in expensive, tasteful clothes, you must have the money for reconstructive surgery to always appear "young." The real young women wear nightware out in public, and have no desire to look glorious and glamorous. They just want to attract the opposite sex. Waiting for the bus at the Mall, I observed some of the young males preening before the half-dressed girls: there was a tatoo man (too many on his arms and legs to count), an ape man (all bent over with a drooling gaping mouth) and a Tarzan (with the long flowing hair in the style of the Tarzan movies.) It was quite a show.

Now sex is a big deal in today's society. You don't have to fall in love and get married to be 'active' and have a family. It is not looked down on in today's society (except for church, perhaps) for this type of bad behavior to constantly be flaunted in today's world. It is the world of America. To be respected for a well-brought-up family is passe. Today, anything goes.

Victoria is a professor of history at Columbia University in New York. She has the European mind set about how things should be and might have been. America will always be different from Europe as we have no royalty here, no special personage to admire and try to emulate. The Pope in in the Vatican. The Queen is in England. Jesus is at the right hand of God. What on earth can we aspire to in a country so full of sin and greed -- not much for the average folks. The rich enjoy their big houses and cars (and vans), vacations, cruises, trips overseas; while the rest of us are struggling just to get through one day at a time. The vastness of different lifestyles here will be our undoing. Europe has the edge there. Everyone knows his or her place in the society in which they live.


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A cleverly constructed book

This is a very clever book. The author pinned her explanation of American influence in Europe on canny business practices. The service ethic. Big-branding. Supermarkets. These are some of the themes that are worked over to make the case. The book is delighfully stuffed with anecdotes, vignettes and odd facts and statistics to lend it the feel of visiting a large emporium of ideas. Personally, I liked this 'shelf browsing' feel to the chapters.

The book has a few serious downsides which marr its central argument. First and foremost, the author takes little cognisance of the influence of WWII on shaping European attitudes towards American culture. Secondly, in the two generations after WWII more Europeans (percentage) speak English in order to accommodate their ambitions. The author attributes the creeping growth of English pre-WWII to business needs (strange to me that she singles out the Rotarians as particularly influential). However, that does not explain its widesprgead endorsement by the general citizenry after WWII. This brings me the third issue, the lack of attention paid to the rise of youth culture - largely driven by perceptions of American youth in the fifties. Music, rock'n'roll and the drug culture were directed to a large extent by American tastes. Consumerism is too broad a concept to explain the uptake of American habits.

Despite these lacunae, the book is a a thought-provoking exercise and though the prose is bit attenuated at times, it is overall readable and stimualting.


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Exquisitely Written

What the other reviews fail to convey about this wonderful book is that the writing is exquisite. Each chapter uses real-life examples, ironies and juxtapositions to vividly evoke contrasts between America and Europe and demonstrate the course of change. When the chapters arc to their conclusion, you feel a real emotional and intellectual punch. History writing just doesn't get any better than this.


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The most significant conquest of the twentieth century may well have been the triumph of American consumer society over Europe's bourgeois civilization. It is this little-understood but world-shaking campaign that unfolds in Irresistible Empire, Victoria de Grazia's brilliant account of how the American standard of living defeated the European way of life and achieved the global cultural hegemony that is both its great strength and its key weakness today.

De Grazia describes how, as America's market empire advanced with confidence through Europe, spreading consumer-oriented capitalism, all alternative strategies fell before it--first the bourgeois lifestyle, then the Third Reich's command consumption, and finally the grand experiment of Soviet-style socialist planning. Tracing the peculiar alliance that arrayed New World salesmanship, statecraft, and standardized goods against the Old World's values of status, craft, and good taste, Victoria de Grazia follows the United States' market-driven imperialism through a vivid series of cross-Atlantic incursions by the great inventions of American consumer society. We see Rotarians from Duluth in the company of the high bourgeoisie of Dresden; working-class spectators in ramshackle French theaters conversing with Garbo and Bogart; Stetson-hatted entrepreneurs from Kansas in the midst of fussy Milanese shoppers; and, against the backdrop of Rome's Spanish Steps and Paris's Opera Comique, Fast Food in a showdown with advocates for Slow Food. Demonstrating the intricacies of America's advance, de Grazia offers an intimate and historical dimension to debates over America's exercise of soft power and the process known as Americanization. She raises provocative questions about the quality of the good life, democracy, and peace that issue from the vaunted victory of mass consumer culture.

(20050115)


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