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The Killing Kind
John Connolly

Atria, 2002 - 384 pages

average customer review:based on 40 reviews
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   highly recommended  highly recommended





they keep getting better

Each book in this series is better than the one before it. All I can say is I'm reading this series in order and it's alot of fun.Good gory fun. Read. Enjoy.


This book gave me nightmares... In a good way!

I am a lover of horror films and thrilling novels, none of which have EVER given me nightmares. This book, however, honestly haunted my dreams. The incredible detail that Connolly uses puts vivid pictures in your head that last hours after putting the book down.

This was my first Connolly book, and I absolutely loved it. Although I realized after a few chapters that I was coming into the middle of an ongoing chain of books, I was easily able to grasp what was happening and didn't feel left out at all. I will certainly go back and read the stories before this one as well as the ones after!


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Connolly Reclaims The Magic!

I enjoyed this one as much as Every Dead Thing and The Book of Lost Things. There were some very powerfully graphic scenes that offered the most suspense in this Charlie Parker series. What made my copy even more exciting was that it turned out to be an autographed copy!
Since spiders do completely frighten me, this book certainly had its moments of giving me that creeping feeling and turning up the lights to make sure that spiders hadn't crawled out of fiction and into reality in my room! This one was certainly the most horrifying, at least in conjunction with my particular phobias.
I am quite anxious to read his other books!


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Great author-but spiders?

Don't get me wrong, I love John Connolly as an author and have purchased almost all his other books, but I guess I just don't get to excited about spiders.


Another awesome Charlie Parker novel

John Connolly's THE KILLING KIND is the third in his series of crime novels dealing with former NYPD detective-turned PI Charlie Parker. (First was EVERY DEAD THING and second was DARK HOLLOW.) These novels are first-person tough guy narratives told from Parker's perspective, in the tradition of such hardboiled crime writers as Ross Macdonald and James Lee Burke; however, the Parker novels definitely have their own distinct twist and flavor and are not at all clichéd. Parker is a man with an extremely troubled past that includes the brutal murder of his wife and children, as well as killings committed by Parker himself as he pursued and finally caught his family's killer (chronicled in EDT.) Along the way, he's found a new love interest, psychologist Rachel Wolfe, and he's gotten lots of help from friends named Angel and Louis (a gay, interracial couple of semi-retired criminals.)

In this third installment, Parker, stilling living in Maine, is hired by a wealthy, powerful man named Jack Mercier to look into the circumstances of the alleged suicide of the daughter of a former friend. As he delves deeper into the case, Parker finds connections to a shady evangelical group called `the Fellowship,' which may also be linked to violence against abortion providers; he also discovers links to a fringe religious group known as the Aroostook Baptists who had disappeared in northern Maine decades before and whose mass grave is accidentally uncovered at the beginning of the book. Along the way, Parker crosses swords with a spider-loving killer known as Elias Pudd, and faces competition from a Jewish assassin known as the Golem. It all ends messily, which is the norm for a Connolly novel.

A supernatural element, which mostly consists of Parker seeing dead victims, is once again in the foreground. The supernatural continues to play an increasingly large role in subsequent Parker tales, too. In doing so, Connolly blends elements of horror into the hardboiled crime genre, which no doubt turns off mystery genre purists, but delights people like me who enjoy crime, horror, and originality. What's really great about Connolly's usage of the supernatural in these books, though, is that he often employs it ambiguously - for example, we're never quite sure if these visions are real or if Parker's imagining them.

As always, Connolly writes superbly, painting settings, and nailing both dialogue and Parker's internal monologue - something that's doubly impressive when you take into account the fact that Connolly's an Irishman and most of his settings and characters are American. Connolly's main characters - protagonist Parker plus sidekicks Angel and Louis - are very intriguing and well-drawn. Connolly's `good guys' have an ambiguous morality - they're not clean-cut do-gooders, just a lighter shade of gray than the truly evil people they face. I find Rachel Wolfe much less interesting. She seems like a stereotypical academic/feminist pacifist, who nags Parker about his past violent acts even though most of them were justified, who feels guilty about killing someone herself back in the first novel even though it was totally justified, and who doesn't want armed protection even when she knows dangerous people may be after her. (This latter tendency often makes her a ready-made damsel-in-distress, predictably.) Fortunately, she's not as central of a character as Parker, Angel, and Louis.

Last, Connolly knows how to make a good villain. His villains tend to be almost like comic book or James Bond bad guys (Connolly himself cites the latter as a big influence on his baddies) in that they sport physical deformities or abnormalities which mirror their internal evil - however, Connolly succeeds in avoiding the `campiness' often associated with Bond and comic villains. KILLING KIND's Pudd is a great example - he loves spiders and often uses them to kill, but he also looks and acts a bit like them, with long, hairy fingers and such. The Golem too, though less of a clear-cut `bad guy' (I often found myself rooting for him,) is also a weird-looking, disfigured character. In future Parker novels, Connolly continues to devise the types of bad guys who stand out from the herd of fictional killers.

If you like hardboiled crime novels and you're not a mystery genre purist who's going to be bothered by having some horror elements mixed in, you'll love this series - though I recommend reading them in order from EVERY DEAD THING for maximum enjoyment and understanding. I just finished reading this book for the third or fourth time, if that tells you anything about how much I like the Parker series. I'm eagerly awaiting my pre-ordered copy of Connolly's latest, THE REAPERS, which is coming out later this month, and to kill time I'm rereading all the preceding books in the series.


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reviews: page 1, 2, 3, 4, 5, 6, 7, 8



His two previous novels, Every Dead Thing and Dark Hollow, were international bestsellers. Now the "compulsively readable" (Publishers Weekly) John Connolly confirms his position as one of our leading crime novelists with a story of superb menace and style.

The body of Grace Peltier, a brilliant Ph.D. candidate, is found in the front seat of her car on a back road in northern Maine. No one wants to believe it was suicide -- not her father, not former U.S. senator Jack Mercier, and not private detective Charlie Parker, who has been hired to investigate the young woman's untimely death.

But when a mass grave is accidentally discovered nearby, revealing the grim truth behind the disappearance of a religious community known as the Aroostook Baptists, Parker realizes that their deaths and the violent passing of Grace Peltier are part of the same mystery, one that has its roots in her family history and in the origins of the shadowy organization known as the Fellowship. Soon Parker is drawn into the dark world of this zealous religious group that has already consumed every person who has dared confront it. When a relic is discovered, one capable of linking the Fellowship to the slaughter of the Aroostook Baptists, Parker is forced into violent conflict with the Fellowship and its enigmatic leader. Haunted by the ghost of a small boy and tormented by the demonic killer known as Mr. Pudd, Parker is forced to fight for his lover, his friends...and his very soul.

"This is a honeycomb world. It hides a hollow heart," writes John Connolly. In The Killing Kind, he has once again created a world of love and hate, of tenderness and violence. Hailed by critics as "one of the best of the genre" (Toronto Sun), his intense, poetic prose and his terrifying clan of characters are sure to thrill even the most discerning suspense reader.


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