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Jackie Chan's Who Am I?
Neil Berger
,
Dik Brinksma
Sony Pictures, 1999
average customer review:
based on 124 reviews
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highly recommended
Pure Action And Entertainment.
I normally do not enjoy this gene. But this movie has the right combination of comedy and continuous action. It is not sophisticated. It is just great entertainment.
Display of amazing skills
As many reviewers have pointed out before me, the plot in this film is fairly thin. There are some good guys, some bad guys, some really bad guys, and then there is
Jackie
Chan
,
who've forgotten
everything.
The action, however, is phaenomenal. Once again Chan is pushing the outside of the envelope with his death defying stunts and splendid martial arts choreography including everything you can think of. Even clogs. The final fight, as has been said before, is a thing you'll want to see again and again. It is amazing.
There are some really tell tale signs, that this is a JC movie (apart from the action stuff). There is the obvious humour, the rather sketchy caricatures of good/bad people, and the fact that although he is a commando/trained killer he is goodness himself. A thoroughly joyful film to watch this one.
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Makes Rush Hour look like a game of candyland.
This film is amazing! Some of the stunts in here make you wonder is
Jackie
is even human. My favorite Jackie
Chan
film by far.
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Shot in English and budgeted higher than any of his previous Asian features,
Jackie
Chan's last
film under his Hong Kong contract is an action-packed globe-trotting adventure shot with the American audience in mind. The spies and secret agent-laden plot is packed with car chases, explosions, gunfire aplenty, and of course Jackie's own brand of gymnastic martial arts. But the flood of his older films between his hits Rumble in the Bronx and Rush Hour had sated American viewers and
Who
Am I? wound up being sold directly to cable. It's our loss, for this mix of goofy slapstick and jaw-dropping action is his most impressive film since Drunken Master II. Playing a special forces agent (named, naturally, Jackie) struck with amnesia and adopted by an African bush tribe following a failed assassination attempt, he embarks on a quest to discover his true identity while armies of killers pour after him. After an explosive opening, the story gets momentarily bogged down in the kind of mugging humor that leaves most American audiences scratching their heads, but once Jackie kicks into gear the film is a high-speed action flurry that culminates in a furious battle atop a Rotterdam skyscraper. Jackie is at his most charmingly naive (he berates the villains, pleading "Why do you want to destroy when you can make things better?") and athletically impressive: the marvelous stunts--including a flight down the side of the skyscraper--and fight choreography make Rush Hour look like a Sunday drive. --Sean Axmaker
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