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Disney That Never Was: The Stories and Art of Five Decades of Unproduced Animation
Charles Solomon

Disney Editions, 1995 - 224 pages

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   highly recommended  highly recommended





Pull back the curtain and see what's behind

Disney is often considered to be the premiere house for animation. Yet in the course of creation, there will always be ideas that were rejected, or didn't gel, or just fell apart. Luckily, Disney kept everything - good, bad or unused, and created a bounty for the animation historian. This book allows a peek behind the creative process. We are familiar with what made it to the screen, but Solomon shows us what didn't make it. A combination of a history of Disney successess and failures, and a portfolio of hidden artwork, this book is a trove of Disney information that is usually overlooked. It is interesting, following the release of Fantasia 2000, to look back at actual work prepared for Walt's original idea of re-releasing Fantasia annually with different pieces, creating more than just a film, but an experience. Economics and logistics kept this from happening, and only 60 years later did a new attempt at this vision appear. There is so much more that did not make it, beause of money, lack of story, politics or more, and most of the parts rightfully finally get their day in the sun (some of the work should stay buried, but that's few and far between). A fascinating look at "the rest of the story."


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A must for hardcore Disney fans...

If you're like me, everytime you see the newest Disney picture, you can't help but wonder, "What are they working on now?" Well, this book might answer some of that longing (at least you'll know what they're -not- working on). Although it only spans the years when Walt himself was alive, we are shown enough of the Disney might-have-beens to fill our dreams for a while. To be honest, I didn't read most of the text (so many books; so little time), but that didn't keep me from thoroughly enjoying the book, since more than 2/3 is pictures anyway. The captions are well-written and informative--probably for people like me who don't read the text so that we can get the main points anyway. It's really fascinating to see how ideas are developed and why they get scrapped even though the artwork is so terrific. A chapter on wartime Disney was very entertaining--seeing what Disney did to balance the desire to make a political statement with their particular brand of family entertainment. I recommend this book to anyone interested in art styles and the development of animation or films of any kind.


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This is the stuff that shows just how creative they are!

Over the years, Disney has given us 40 major animated features, but along the way, there are those that we never have seen. The art that always seems to instill ideas, the creations that are considered not creative enough, or those that were cut for various reasons. Here, Charles Solomon has pretty much ventured into the greatest journey of his life: The Disney Archives!!(Imy career in animation hoped to one day lead me to these hallowed halls). Here, he poured over hundreds or thousnads of drawings and much more, finding out everything from animated short ideas, to feature length movies. Solomon unearthed such concepts as "The Emperor's nightingale (showing wonderful pastel and watercolor prints), to shorts from Hans Christian Andersen (some art that was mentioned but not shown was the inspiration for the "Fantasia 2000" segment of "The Steadfast Tin Soldier"). There are even countless Mickey, Goofy and Donald shorts that were not made (such as one with Goofy called "How to Be a Cowboy"). In the realm of feature films, there are two incredible stories. The first centers around an idea Walt Disney had to join with another studio to make a telling of Hans Christien Andersen's life story, with interstitials from animation to live-action and back again. An unknown artist did FANTASTIC(it deserves caps) watercolor conceptuals, bu the project fell apart soon afterwards. The second story focuses ona joint venture between Walt and oil painter Salvador Dali. The numerous concepts were made and a short 8 second film reel was developed before it was shelved. There was even the story of the rooster "Chanticleer," which was probably in pre-production on and off since after World War II up til the time of "The Jungle Book." Tons and tons of artwork were made, but a story consensus could never be reached, and the project was never again to see the light of day. The greatest chapter to me is one that deals with the numerous planned segments that were to follow on the possible success of "Fantasia." However, "Fantasia" never came about (not until 60 years later), and over the years, countless ideas were tried, from baby ballets, to even bringing back the pegasus characters from the "Beethoven's Pastoral Symphony" segment. There's even soem information on the "Clair De Lune" segment that was cut before the final release (it was 100% completed too!). I would hope that Disney woudl rerelease this book. It has shown me a lot in what went in to many ideas for the animators, and it is also an infallable reference to me.


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Fascinating Information

I was lucky enough to find a copy of this out-of-print book and I am really glad that I did. This book is packed with drawings created by Disney artists that were working on projects that were never put into production. Along with the drawings are the stories of the projects and in most cases, the reason why they were never completed.

I was especially interested in the material that was considered for the original Fantasia. I recently saw Fantasia 2000 and during this feature they talked about some ideas that were considered and discarded for Fantasia 2000. I found it particularly interesting to see that some material originally considered for Fantasia was actually used for Fantasia 2000 and other material considered for Fantasia was also considered for Fantasia 2000, but still not used.

I recommend this book to anyone (who is lucky enough to find a copy) who is interested in Disney animation and some of the material that might have come from the studio that never made the grade.


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Essential for the Disney enthusiast

This gloriously illustrated book is a must for anyone who loves animation, especially Disney animation. The wealth of projects that were never produced is almost as rich as those that were. I especially love the illustrations from the "Ride of the Valkyries" segment that was not included in "Fantasia," and the characters from an unproduced "Chanticleer." The text is also full of interesting information. Get it and enjoy.



The Disney That Never Was: The Stories and Art from Five Decades of Unproduced Animation is a celebration of drawings from uncompleted films that were "simply too beautiful to leave in their folders." Some of the ideas and projects were abandoned for obvious reasons--a lack of time, money, or resources--but certainly not for lack of ingenuity. Charles Solomon, internationally respected critic and historian of animation, has gleaned the best of these unused animation drawings, storyboards, gags, and concept art, all of which make their first public appearances in this book. From Mickey, Donald, and Goofy sketches to Hans Christian Andersen roughs to wartime propaganda films to early versions of Fantasia, this book allows a delightful inside glimpse into the world of Disney.


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