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The Devil Tree
Jerzy Kosinski

Grove Press, 2003 - 224 pages

average customer review:based on 7 reviews
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PATHWAY TO ANARCHY

In Kosinski's DEVIL TREE the reader follows the life of Jonathan Whalen, looking for a clue to where this tale is headed. But this character study leads nowhere. It is the study of an anarchistic mind.

The tale has no chapters, no parts, no order, which is fine except that it also lacks any direction. The tale consisted of snippets possessing no rhyme nor reason. Bits of dreams were interlaced with grim anecdotes that the reader could only hope to be fictional. Jonathan was a terribly over-cerebral man, not unlike Kosinski himself. Jonathan was on a search to understand the substance of his past. He sought total control of his emotions but remained forever detached from these emotions. He even tried to control his periods of depression and sickness. Attending an encounter group was useless to him for all he could see , by himself & others, was role playing and dishonesty.

Jonathan could suck no nourishment from life. His slant on life was, 'most people are simply searching for an activity to label their existence.' Reared under the shadow of his fabulously rich father, who he only sought to appease, this same motive colored any relationship he tried with a woman. Never able to settle for being one person, he became an "in-between-man." He could stay neither hostile nor sympathetic toward anyone. Jonathan declared, "...living is an arbitrary matter and I have every right to renounce it." Happily, there was only one Kosinski!


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A Delightful Read

The format is unusual having no chapters but rather a series of short vignetts in first and third person voices with no set sequence as to their inclusion into the framework of the story. At first I found this style to be somewhat off putting but long before the end of the work I warmed to this method of story telling. Altogether Kosinski shows us his ability to engage the reader in what turns out to be a delightful read.









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Nothing is Perfect

It seemed to me at the time I read it, that is was a journey into something, maybe depravity? And then I loaned it to someone else and while they had it I realized what that journey was in reference to me. ( all things obviously being subject to personal view based on experience and genetics ) It was about growing backwards, upside down, the definition of the tree itself. In the beginning, Whalen had the answers, he started as a complete person, and degenerated, grew backwards, almost as if he had been born a man and moved backwards into childhood confusion. He was continually losing himself, trying to lose himself. So perhaps it says that man is meant to be lost? to stay forever in childhood? he is meant to know only those things he is born with? Simplicity.


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YOU PROBABLY HAVE TO BE A FAN

This is pretty classic Kosinski, not his best, but still all Kosinski. I first read this one in 1978. I thought at the time that this was a bit of literary experimentation, and still feel as such. I enjoyed it, but then I am a fan of this particular author. I am not sure if younger folks, i.e. those who did not live the 60s and 70s could get the proper feel of this work, but perhaps I a wrong here. Anyway, if for no other reason, it should be read. It is a good bit of literature and we could all probably learn something from it.


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A searing novel from a writer of international stature, The Devil Tree is a tale that combines the existential emptiness of Camus's The Stranger with the universe of international playboys, violence, and murder of Patricia Highsmith's The Talented Mr. Ripley. Jonathan Whalen's life has been determined from the start by the immense fortune of his father, a steel tycoon. Whalen's childlike delight in power and status mask a greater need, a desire to feel life intensely, through drugs, violence, sex, and attempts at meaningful connection with other people -- whether lovers or the memory of his dead parents. But the physical is all that feels real to him, and as he embarks on a journey to Africa with his godparents, Whalen's embrace of amoral thrill accelerates toward ultimate fulfillment. Now in a Grove Press paperback, Kosinski's classic, acclaimed as "an impressive novel ... it should confirm Jerzy Kosinki's position as one of our most significant writers" -- Newsweek "Savage ... [Whalen is] a foolproof, timeless American character." -- Mary Ellin Barrett, Cosmopolitan


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