The only thing I can't figure out is - how did Thomas Perry go from writing amazing and humorous crime noir like "Metzger's Dog" and the "Butcher's Boy", to the somber (but no less readable) Jane Whitefield?
Now it's her husband of all people who wants her to get back in the saddle and take up her dangerous work once more. His mentor, a famous plastic surgeon, is close to making a medical break though, but he's wanted for a murder he didn't commit. While helping him Jane learns that a group of face-changers are using her name, techniques and underground reputation to prey on innocents in trouble and destroy their lives rather than save them. Jane has to unmask them and put them out of business before they harm anyone else.
Reviewed by Vesta Irene