Although Lewis soft-pedals Du Bois' deep character flaws which caused him to be constantly at odds with others who were "on his side" in the fight for racial equality, and permitted him to excuse the murder and outrages of Stalinism and the Japanese military aggression and ethnic cleansing in Asia, the author clearly reveals these facts of Du Bois' life. Lewis reveals how Du Bois' mind became so poisoned with a visceral hatred of White power, and its adjunct Western capitalism, that he eventually reached the point where he could look the other way or excuse the outrages committed by peoples or regimes opposed to Western interests (which he never seemed to quite grasp were really his own interests and those of the Negro in America). In the end Du Bois seemed opposed to almost any policy his country adopted and he supported any force in the world (be it Pan-Africanism, Bolshevism, Japanese militarism, or Chinese communism) that opposed the interests of the "White governments." Thus, did a brilliant social critic end up a confused mind destined to play the role of a pawn for regimes opposed to Western interests.
Lewis is very good at highlighting Du Bois' conflict with Marcus Garvey of whom he draws a great character sketch. He points out that Garvey's early followers were often poor, less educated, and often of West Indian origins, while the more "elitist" Du Bois circulated among, and pretended to speak for, the Talented Tenth of the African American people. Du Bois was an elitist and intellectual who could not stomach the irrational pronouncements of Marcus Garvey. Du Bois' viewpoint was that of the Black urban, educated, professional.
Lewis is also very strong with detail concerning Du Bois' widening differences with the NAACP leadership and the association's approach to fighting for equality. Du Bois was not a great fan of Walter White, Roy Wilkins, and Thurgood Marshall who, with their legalistic approach, stressed working within the "White system." As in volume one, Lewis does a good job of discussing Du Bois' many writings and shows how Du Bois himself (as witnessed by his "The Gift of Black Folks") never outgrew his own racial stereotyping. Lewis also soft-pedals Du Bois' many affairs with intellectual women, but he does document these relationships. He shows how Du Bois, a believer in the rights of women, virtually abandoned his wife Nina over a period of many years in almost every sense but financial (many of his friends and intellectual acquanitances never met his wife) and how he was less than a father to his unfortunate daughter Yolande (who was one of the great disappointments of his life.)
Lewis' book is possibly most fascinating when he deals with the Harlem Renaissance and the various figures with whom Du Bois was familiar. He details Du Bois' eventual alienation from the creative people of this era who depicted the seediness of Black urban life and culture. This too realistic depiction of Black life by the Renaissance literary figures embarrassed and angered Du Bois who wanted to believe that the "Negro race" was destined for a special place in history and, as a race, manifest certain elements of racial superiority. Du Bois criticized the Harlem Renaissance writers, poets, and artists for not sharing his belief that art and culture should serve racial politics. As Lewis shows, "Du Bois's own deep anti-modernist taboos surfaced" in his criticism of the Renaissance literati. Lewis also spends a good deal of time on the historiography of the Reconstruction Era to enable his reader to grasp the importance of Du Bois' writings on the subject and how they served as a necessary correction (despite Du Bois' own one-sidedness and exaggerated claims) to the more traditional school of historical writing on the Reconstruction Era. He also reveals the extent to which Du Bois would never give up the ridiculous notion that the freed slaves saved democracy in America. He desperatly needed to find a special role for the African American in the history of the the great country. Despite Du Bois' brilliant intellect, it was his tendency to see "White" hatred of the Negro as the central paradigm of all modern history, that prevented him from being widely accepted as a scholar. For him, all historical understanding began with this simple fact. Often his own worst enemy, Du Bois, Lewis tells us, "managed to give the impression that racial discrimination had been invented soley to make his life miserable."
In the end, Du Bois felt the American Negro had let him down and he lost his faith in the special role the Negro was to play in history. As he himself admitted, "I misinterpreted the age in which I lived." One has to think that this disillusionment played as much a role in his decision to leave the country as any other reason. All in all, Lewis' biography portrays Du Bois as not so much a heroic figure, as a tragic one; a brilliant mind warped by a troubled soul that was the reflection of much of the pain experienced by an educated African American in the first half of the twentieth century.
DuBois voice took many forms. He was the nation's leading Black Sociologist, Political Scientist and Hstorian scholar for most of his life. He was among the giants, regardless of race, in each of these fields. This alone would have been remarkable, even had he not had to struggle against the burden of racism every step of the way. What makes DuBois' life truly amazing (an over used word, which is fully justified here) is that in addition to his academic leadership, DuBois was a newspaper columnist, speaker, and founded dozens of popular mass organizations (most famously, the NAACP). He was quite literally the mentor of virtually every leading Black scholar, lawyer, business man, politician, etc. that followed.
Surprisingly, given the transformation of the rest of society, DuBois retained his leadership role in the country as his many competitors and detractors faded--Booker T. Washington, Marcus Garvey, and Walter White, among others.
Lewis has produced a masterful biography of this complex, vastly under rated man. Lewis keeps his writing interesting, as he traces the twists and turns DuBois was forced to follow in his battle against racism. He began with a traditional middle class, elite (which DuBois dubbed "the talented tenth") analysis which urged the white power structure to recognize that elite blacks were as crucial to the nation's future as were the elite of the white population. He ended as a communist, victim of McCarthy, having given up all hope of democratic change, living in exile in Ghana, where he was finally accorded the unstinting respect he was denied during the first 90 years of his life in America.
Lewis gives DuBois final years short shrift. Lewis seems to agree with most of the contemporary civil rights leaders, who thought DuBois had simply lost his marbles in his dotage. Lewis therefore skims over the last two decades of DuBois life in a few all too brief pages.
I beg to differ. I believe that DuBois' thinking was an entirely accurate reflection of the frustrations he had encountered. As Lewis hints at, but fails to explore, DuBois tried every conceivable means of combating America's deep seated racism. He was rejected at every turn. Despite apparent victories, many would have said that the plight of Blacks at the end of DuBois' long life was not very much improved over their plight at the beginning of his life. The white controlled governments, universities, financial instutions, and political parties had not embraced the black elite, and the black masses had yet to see any benefit from the legal victories won by Thurgood Marshall and the Inc, Fund in the late 50's.
Lewis quotes DuBois aunt as chastizing DuBois for his attacks on Booker T. Washington as a quisling--DuBois may have grown up facing racism, but he did not have the whip marks of slavery on his back that Washington had suffered. Similarly, those who criticize DuBois for his emrace of communism had not suffered the frustrations of almost a century of struggle during which everything in America had changed--except its racism.
As DuBois lay dying, virtually his last words were to the President of Ghana, apologizing for not living long enough to "finish" his work.
I know of no one who was more reviled during his lifetime that better deserves the masterful biography Lewis has given us, and given to the ages.
Everyone should not only read Lewis, but should go back and re-read some of DuBois own works. DuBois could not be given a higher honor, and deserves no less.