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Hirschfeld's New York

Harry N. Abrams, 2001 - 96 pages

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Genius in a bottle of ink

When my son was seven, he used to eagerly check the arts and leisure section of the Sunday New York Times each weekend to see if there was a new drawing by the "Nina Man". If there was, there would follow an intense exploration of the drawing, usually followed by a crow of delight, "I found the Ninas!" The "Nina Man" is, of course, Al Hirschfeld, still merrily among us at 99, and Nina is the name of is daughter, ingeniously hidden among the pen strokes of whichever person he was caricaturing. Hirschfeld is, purely and simply, a genius; a simple drawing brings out not only a person but a persona. The drawings in the book represent some of the best of his work, which spans six decades; and although the caricatures are named at the foot of the pages, the reader will have a lot of fun not only recognizing who the people are without the help of the captions, but also -- yes -- in searching for and finding the Ninas.


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Look at this as an investment

Buy this book. It's very very cheap. If you stop and visit online book sellers as Alibris or even Abe books, you'll find out that the average price for Hirschfeld's books is 200 dollars. They are all out of print now (except for Hirschfeld Online) and one day, this one will be too. So do yourself a favor: if not because the guy is a genius and the illustrations are all spectacular, buy this book because you are a smart investor.



"A Hirschfeld vibrates and "pops," capturing a fleeting moment, and never looks back."
-Frank Rich

Remarkable for their movement and expression, conveyed with only a few well- placed strokes of a pen, the drawings of Al Hirschfeld (b. 1903) have beguiled the American public for nearly 80 years. His deft technical mastery and droll wit have earned him wide recognition as one of the top caricaturists of all time.

Coinciding with an exhibition of the artist's work at the Museum of the City of New York, this delightful, affordable paperback showcases, for the first time, the artist's irrepressible view of New York life. From 1920s Harlem to the Algonquin Round Table, these cunning scenes-elucidated by curator Clare Bell's text and an introduction by New York Times columnist Frank Rich-form a portrait of the city's vanished cultural landscape that is as irresistible as it is unique.
109 illustrations, 10 in full color, 96 pages, 9 x 10"


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